Exposure
Autor Helen Dunmoreen Limba Engleză Paperback – 3 aug 2016
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|---|---|---|
| Paperback (1) | 54.19 lei 25-31 zile | +21.67 lei 5-11 zile |
| CORNERSTONE – 3 aug 2016 | 54.19 lei 25-31 zile | +21.67 lei 5-11 zile |
| Hardback (1) | 139.19 lei 22-36 zile | |
| Grove/Atlantic, Inc. – 4 apr 2016 | 139.19 lei 22-36 zile |
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Specificații
ISBN-13: 9780099559290
ISBN-10: 0099559293
Pagini: 400
Dimensiuni: 126 x 195 x 30 mm
Greutate: 0.28 kg
Editura: CORNERSTONE
ISBN-10: 0099559293
Pagini: 400
Dimensiuni: 126 x 195 x 30 mm
Greutate: 0.28 kg
Editura: CORNERSTONE
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Notă biografică
Helen Dunmore was an award-winning novelist, children¿s author and poet who will be remembered for the depth and breadth of her fiction. Rich and intricate, yet narrated with a deceptive simplicity that made all of her work accessible and heartfelt, her writing stood out for the fluidity and lyricism of her prose, and her extraordinary ability to capture the presence of the past.
Her first novel, Zennor in Darkness, explored the events which led D. H. Lawrence to be expelled from Cornwall on suspicion of spying, and won the McKitterick Prize. Her third novel, A Spell of Winter, won the inaugural Orange Prize for Fiction in 1996, and she went on to become a Sunday Times bestseller with The Siege, which was described by Antony Beevor as a `world-class novel¿ and was shortlisted for the Whitbread Novel of the Year and the Orange Prize. Published in 2010, her eleventh novel, The Betrayal, was longlisted for the Man Booker Prize and shortlisted for the Orwell Prize and the Commonwealth Writers Prize, and The Lie in 2014 was shortlisted for the Walter Scott Prize for Historical Fiction and the 2015 RSL Ondaatje Prize.
Her final novel, Birdcage Walk, deals with legacy and recognition ¿ what writers, especially women writers, can expect to leave behind them ¿ and was described by the Observer as `the finest novel Helen Dunmore has written¿. She died in June 2017, and in January 2018, she was posthumously awarded the Costa Prize for her volume of poetry, Inside the Wave.
Her first novel, Zennor in Darkness, explored the events which led D. H. Lawrence to be expelled from Cornwall on suspicion of spying, and won the McKitterick Prize. Her third novel, A Spell of Winter, won the inaugural Orange Prize for Fiction in 1996, and she went on to become a Sunday Times bestseller with The Siege, which was described by Antony Beevor as a `world-class novel¿ and was shortlisted for the Whitbread Novel of the Year and the Orange Prize. Published in 2010, her eleventh novel, The Betrayal, was longlisted for the Man Booker Prize and shortlisted for the Orwell Prize and the Commonwealth Writers Prize, and The Lie in 2014 was shortlisted for the Walter Scott Prize for Historical Fiction and the 2015 RSL Ondaatje Prize.
Her final novel, Birdcage Walk, deals with legacy and recognition ¿ what writers, especially women writers, can expect to leave behind them ¿ and was described by the Observer as `the finest novel Helen Dunmore has written¿. She died in June 2017, and in January 2018, she was posthumously awarded the Costa Prize for her volume of poetry, Inside the Wave.
Descriere
'A deceptively simple masterpiece' Independent on Sunday'Will haunt you for months, if not years' Guardian'Outstanding ... if you only buy one book, make it this one' Good HousekeepingThe Cold War is at its height, and a spy may be a friend or neighbour, colleague or lover.
Recenzii
"Much like a slick, shape-shifting spook, Exposure is many things at once—an espionage thriller, a forbidden-love story, an immigrant’s tale—and it assumes these varied identities with confidence . . . [it is] a novel you won’t be able to shake." —Entertainment Weekly
“Dunmore's strategy, placing a triangle of past and present loves within a spy novel, yields an unexpected dividend. Even the most ordinary elements of life—the lengths to which a mother will go to protect her children, meeting someone special, what remains unsaid within a marriage—become viscerally exciting.” —New Yorker
"[Exposure] takes the form of a spy novel but one that has been quietly and ingeniously deepened well beyond the ambitions of genre . . . [it] is one of those books that you read with your heart in your mouth, your mind fully engaged, and with a sense of desolation as you note the dwindling number of pages left before it comes to an end." —Chicago Tribune
“[Dunmore has] created an unforgettable family whose ties are strong enough to endure what might have defeated most of us. Whose members grow and change with a kind of fortitude rarely depicted in the modern novel. There are resemblances to Virginia Woolf not only in the terrific prose but also in Helen Dunmore’s awareness that much of family life lies in what is not said as much as in what is said . . . Dunmore moves from present to past with uncommon ease; she also moves from one point of view to another with elegance and authority, proving that there are no rules in writing fiction, only what you can do convincingly. And we are absolutely convinced by this story . . . a luminous story of courage and forgiveness.” —Arts Fuse
“Beautifully crafted . . . a very enjoyable read.” —New York Journal of Books
"This book is a triumph—a marvelous piece of seamless storytelling. The characters are so persuasive, as is the period flavor, while the plot is masterly—I kept thinking I could see where we were going next, and then we didn't. This is an imaginative new take on the Cold War thriller, so convincingly told and peopled that you surface from it surprised to be back in 2015." —Penelope Lively
"Dunmore so cleverly interweaves each of the character's stories that as the tale unfolds it has the chilling ring of absolute authenticity. It’s gripping and page turning and all those things you expect in a Spy Drama—but always laced with her trademark humanity. I was totally caught up in the story which is paced perfectly. Her best book yet." —Mavis Cheek
“Dunmore's strategy, placing a triangle of past and present loves within a spy novel, yields an unexpected dividend. Even the most ordinary elements of life—the lengths to which a mother will go to protect her children, meeting someone special, what remains unsaid within a marriage—become viscerally exciting.” —New Yorker
"[Exposure] takes the form of a spy novel but one that has been quietly and ingeniously deepened well beyond the ambitions of genre . . . [it] is one of those books that you read with your heart in your mouth, your mind fully engaged, and with a sense of desolation as you note the dwindling number of pages left before it comes to an end." —Chicago Tribune
“[Dunmore has] created an unforgettable family whose ties are strong enough to endure what might have defeated most of us. Whose members grow and change with a kind of fortitude rarely depicted in the modern novel. There are resemblances to Virginia Woolf not only in the terrific prose but also in Helen Dunmore’s awareness that much of family life lies in what is not said as much as in what is said . . . Dunmore moves from present to past with uncommon ease; she also moves from one point of view to another with elegance and authority, proving that there are no rules in writing fiction, only what you can do convincingly. And we are absolutely convinced by this story . . . a luminous story of courage and forgiveness.” —Arts Fuse
“Beautifully crafted . . . a very enjoyable read.” —New York Journal of Books
"This book is a triumph—a marvelous piece of seamless storytelling. The characters are so persuasive, as is the period flavor, while the plot is masterly—I kept thinking I could see where we were going next, and then we didn't. This is an imaginative new take on the Cold War thriller, so convincingly told and peopled that you surface from it surprised to be back in 2015." —Penelope Lively
"Dunmore so cleverly interweaves each of the character's stories that as the tale unfolds it has the chilling ring of absolute authenticity. It’s gripping and page turning and all those things you expect in a Spy Drama—but always laced with her trademark humanity. I was totally caught up in the story which is paced perfectly. Her best book yet." —Mavis Cheek