F. Scott Fitzgerald: Novels and Stories 1920-1922: Library of America, cartea 117
Autor F. Scott Fitzgerald Editat de Jackson R. Bryeren Limba Engleză Hardback – 31 iul 2000 – vârsta de la 18 ani
"This Side of Paradise"(1920) gave Fitzgerald the early success that defined and haunted him for the rest of his career. Offering in its Princeton chapters the most enduring portrait of college life in American literature, this lyrical novel records the ardent and often confused longings of its hero's struggles to find love and to formulate a philosophy of life.
"Flappers and Philosophers"(1920), a collection of accomplished short stories, includes such classics as "Dalyrimple Goes Wrong," "Bernice Bobs Her Hair," and "The Ice Palace."
Fitzgerald continues his dissection of a self-destructive era in his second novel, "The Beautiful and Damned"(1922), as the self-styled aristocrat Anthony Patch and his beautiful wife, Gloria, are cut off from an inheritance and forced to endure the excruciating dwindling of their fortune. Here New York City, playground for the pleasure-loving Patches and brutal mirror of their dissipation, is portrayed more vividly than anywhere else in Fitzgerald's work.
"Tales of the Jazz Age"(1922), his second collection of stories, includes the novella "May Day," featuring interlocking tales of debutantes, soldiers, and socialists brought together in the uncertain aftermath of World War I, and "A Diamond as Big as the Ritz," a fable in which the excesses of the Jazz Age take the hallucinatory form of a palace of unfathomable opulence hidden deep in the Montana Rockies."
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Specificații
ISBN-13: 9781883011840
ISBN-10: 1883011841
Pagini: 1075
Dimensiuni: 133 x 207 x 35 mm
Greutate: 0.69 kg
Ediția:New.
Editura: Library of America
Seria Library of America
Locul publicării:New York, NY, United States
ISBN-10: 1883011841
Pagini: 1075
Dimensiuni: 133 x 207 x 35 mm
Greutate: 0.69 kg
Ediția:New.
Editura: Library of America
Seria Library of America
Locul publicării:New York, NY, United States
Descriere
At the outset of what he called "the greatest, the gaudiest spree in history," F. Scott Fitzgerald wrote the works that brought him instant fame, mastering the glittering aphoristic prose and keen social observation that would distinguish all his writing. This Library of America volume brings together four volumes that collectively offer the fullest literary expression of one of the most fascinating eras in American life.
"This Side of Paradise" (1920) gave Fitzgerald the early success that defined and haunted him for the rest of his career. Offering in its Princeton chapters the most enduring portrait of college life in American literature, this lyrical novel records the ardent and often confused longings of its hero's struggles to find love and to formulate a philosophy of life.
"Flappers and Philosophers" (1920), a collection of accomplished short stories, includes such classics as "Dalyrimple Goes Wrong," "Bernice Bobs Her Hair," and "The Ice Palace."
Fitzgerald continues his dissection of a self-destructive era in his second novel, "The Beautiful and Damned" (1922), as the self-styled aristocrat Anthony Patch and his beautiful wife, Gloria, are cut off from an inheritance and forced to endure the excruciating dwindling of their fortune. Here New York City, playground for the pleasure-loving Patches and brutal mirror of their dissipation, is portrayed more vividly than anywhere else in Fitzgerald's work.
"Tales of the Jazz Age" (1922), his second collection of stories, includes the novella "May Day," featuring interlocking tales of debutantes, soldiers, and socialists brought together in the uncertain aftermath of World War I, and "A Diamond as Big as the Ritz," a fable in which the excesses of the Jazz Age take the hallucinatory form of a palace of unfathomable opulence hidden deep in the Montana Rockies.
"This Side of Paradise" (1920) gave Fitzgerald the early success that defined and haunted him for the rest of his career. Offering in its Princeton chapters the most enduring portrait of college life in American literature, this lyrical novel records the ardent and often confused longings of its hero's struggles to find love and to formulate a philosophy of life.
"Flappers and Philosophers" (1920), a collection of accomplished short stories, includes such classics as "Dalyrimple Goes Wrong," "Bernice Bobs Her Hair," and "The Ice Palace."
Fitzgerald continues his dissection of a self-destructive era in his second novel, "The Beautiful and Damned" (1922), as the self-styled aristocrat Anthony Patch and his beautiful wife, Gloria, are cut off from an inheritance and forced to endure the excruciating dwindling of their fortune. Here New York City, playground for the pleasure-loving Patches and brutal mirror of their dissipation, is portrayed more vividly than anywhere else in Fitzgerald's work.
"Tales of the Jazz Age" (1922), his second collection of stories, includes the novella "May Day," featuring interlocking tales of debutantes, soldiers, and socialists brought together in the uncertain aftermath of World War I, and "A Diamond as Big as the Ritz," a fable in which the excesses of the Jazz Age take the hallucinatory form of a palace of unfathomable opulence hidden deep in the Montana Rockies.
Notă biografică
Jackson R. Bryer
Cuprins
Acknowledgments; Chronology of composition and publication; Introduction; 1. The composition and revision of The Great Gatsby; 2. Reception and reputation; 3. The manuscript; 4. The unrevised galleys; 5. The revised galleys; 6. Editorial principles and procedures; The Great Gatsby: Substantive emendations and textual notes; Emendations of accidentals in the base-text; Late Fitzgerald corrections and revisions; Revisions and textual annotations in Fitzgerald's copy; Word division; Explanatory notes; Appendices.
Recenzii
"The Cambridge edition of Trimalchio is for scholars and Fitzgerald fanatics...Trimalchio has shown me a new way to love Gatsby. I'm compelled into a vast aesthetic contemplation: I dream of The Great Gatsby as it might have been, greater still-" Adam Begley, New York Observer
"...the principle reason to read Trimalchio is to observe a masterpiece taking form through the process of revision. Even those not easily caught up in textual detective stories may take an interest in puzzling out the effect of the changes..." Scott Donaldson, Star Tribune
"West provides a meticulous and comprehensive critical apparatus...this fine edition will be of significant interest to Fitzgerald scholars and students." Choice
"...I enjoyed every second of Trimalchio...had it been published as the legitimate text it would probably still be considered a masterpiece." Christopher Fischbach, Rain Taxi
"Treat yourself to a copy...This new version is an earlier draft of Fitzgerald's novel, and it seems even better than the one finally published." Press Democrat
"Fitzgerald enthusiasts are advised to acquire a copy immediately." The Times
"Raw and edgy, Fitzgerald's prose practically dances across the page. For all of its subtle, flawed deviations from the finished work, the book possesses a charm that Fitzgerald never realized so completely again." Missouri Review
"...the principle reason to read Trimalchio is to observe a masterpiece taking form through the process of revision. Even those not easily caught up in textual detective stories may take an interest in puzzling out the effect of the changes..." Scott Donaldson, Star Tribune
"West provides a meticulous and comprehensive critical apparatus...this fine edition will be of significant interest to Fitzgerald scholars and students." Choice
"...I enjoyed every second of Trimalchio...had it been published as the legitimate text it would probably still be considered a masterpiece." Christopher Fischbach, Rain Taxi
"Treat yourself to a copy...This new version is an earlier draft of Fitzgerald's novel, and it seems even better than the one finally published." Press Democrat
"Fitzgerald enthusiasts are advised to acquire a copy immediately." The Times
"Raw and edgy, Fitzgerald's prose practically dances across the page. For all of its subtle, flawed deviations from the finished work, the book possesses a charm that Fitzgerald never realized so completely again." Missouri Review