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Faith, hope, and love remain de Malcolm Archer

Faith, hope, and love remain

Compozitor Malcolm Archer
en Limba Engleză Sheet music – 19 apr 2012
for SATB and organThis uplifting anthem combines two well-known texts that are commonly read at weddings: 1 Corinthians 13:13 ('And now these three remain: faith, hope, and love. But the greatest of these is love.') and Song of Solomon 8:6-7 ('For love is strong as death. Many waters cannot quench love, neither can the floods drown it.'). The music perfectly mirrors the message of the texts, with flowing solo organ passages and melodic vocal lines building to full homophonic textures at the climax. Portraying a theme that is both personal and eternal, Faith, hope, and love remain is suitable for use not only as part of a wedding ceremony but also for general services and concerts.
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Sheet music (2) 2319 lei  10-16 zile
  OUP OXFORD – 19 apr 2012 2319 lei  10-16 zile
  OUP OXFORD – 30 ian 2014 2319 lei  10-16 zile

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Specificații

ISBN-13: 9780193389243
ISBN-10: 019338924X
Pagini: 8
Dimensiuni: 179 x 254 x 1 mm
Greutate: 0.02 kg
Ediția:SATB vocal score
Editura: OUP OXFORD
Colecția OUP Oxford
Locul publicării:OXFORD, United Kingdom

Notă biografică

Malcolm Archer was educated at King Edward VII School, Lytham, the Royal College of Music, and Jesus College, Cambridge, where he was organ scholar. He studied the organ with Ralph Downes, Gillian Weir, and Nicolas Kynaston, and composition with Herbert Sumsion and Alan Ridout. He is a prolific composer with well over 200 published works, which receive regular performances on BBC radio and TV. Archer was formerly Organist and Director of Music at St Paul's Cathedral and is now Director of Chapel Music at Winchester College.

Recenzii

Archer cleverly combines two of the standard wedding texts in a commission for a very special wedding, that of the RSCM's former Regional Music Adviser, Andrew Robinson, to Laura in 2011 . . . to create an anthem about God's love, suitable for general use as well as at weddings. The organ part and vocal lines (linked by musical motifs) have a relaxed and easy flow, building to a thrilling climax in what is overall a reflective piece.
The sunny key of F major is never seriously challenged, although Archer ably introduces some effective chromatic harmonies that enrich the tonal landscape. Part writing is modest and would work well for children's voices. The accompaniment, marked for either organ or piano in the score, is built on a memorable rhythmic motive that appears in nearly every measure without ever being tiresome. This fine piece is an excellent addition to treble choir literature, and it is also available in a versino for SATB and organ.