Falling in Love: A Commissario Brunetti Mystery
Autor Donna Leonen Limba Engleză Paperback – 9 mar 2016
Toate formatele și edițiile | Preț | Express |
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Paperback (3) | 51.17 lei 3-5 săpt. | +6.42 lei 7-13 zile |
Random House – 9 mar 2016 | 51.17 lei 3-5 săpt. | +6.42 lei 7-13 zile |
CORNERSTONE – 9 mar 2016 | 52.71 lei 22-33 zile | +19.17 lei 7-13 zile |
Grove Atlantic – 7 mar 2016 | 94.02 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781784750749
ISBN-10: 1784750743
Pagini: 288
Dimensiuni: 128 x 195 x 25 mm
Greutate: 0.21 kg
Editura: CORNERSTONE
Seria A Commissario Brunetti Mystery
ISBN-10: 1784750743
Pagini: 288
Dimensiuni: 128 x 195 x 25 mm
Greutate: 0.21 kg
Editura: CORNERSTONE
Seria A Commissario Brunetti Mystery
Notă biografică
Donna Leon was named by The Times as one of the 50 Greatest Crime Writers. She is an award-winning crime novelist, celebrated for the bestselling Brunetti series. Donna has lived in Venice for thirty years and previously lived in Switzerland, Saudi Arabia, Iran and China, where she worked as a teacher. Donna's books have been translated into thirty-five languages and have been published around the world.
Her previous novels featuring Commissario Brunetti have all been highly acclaimed; including Friends in High Places, which won the CWA Macallan Silver Dagger for Fiction, Fatal Remedies, Doctored Evidence, A Sea of Troubles and Beastly Things.
Her previous novels featuring Commissario Brunetti have all been highly acclaimed; including Friends in High Places, which won the CWA Macallan Silver Dagger for Fiction, Fatal Remedies, Doctored Evidence, A Sea of Troubles and Beastly Things.
Recenzii
Praise for Falling In Love
A New York Times Bestseller
A Midwest Independent Booksellers Association Indie Bestseller
A National Indie Bestseller
“Donna Leon’s first love is opera. . . . So choosing Teatro La Fenice for the setting of Falling in Love, her latest mystery featuring the erudite and oh-so-sympathetic Commissario Guido Brunetti, makes this elegant novel something of a mash note to a longtime lover. . . . The audacious investigation, conducted by Brunetti’s confederate Signorina Elettra, into the psychology of stalkers is thorough and illuminating. But for opera buffs, going backstage at Teatro La Fenice is the real treat.”—New York Times Book Review
“[A] widely admired series . . . Brunetti is unfailingly good company, and when he isn’t . . . he is wonderfully refreshing.”—Chicago Tribune
“The ever-incredible Leon’s 24th stunning entry in her stellar mysteries featuring Commissario Guido Brunetti brings the series full circle, revisiting Venice’s Teatro La Fenice. . . . Another provocative addition to a fine series, certain to appeal to aficionados of profound literary mysteries such as Louise Penny’s How the Light Gets In.”—Library Journal (starred review)
“For many fans, the high points in Leon’s beloved Guido Brunetti series have been the two novels featuring opera diva Flavia Petrelli . . . . Now, finally, Flavia returns . . . . Best of all, the reappearance of Flavia gives Leon the opportunity to display her deep love of music and to construct a marvelous climactic scene between Flavia and her fan that parallels the finale of Tosca. Brava!”—Booklist (starred review)
“Leon’s devoted readers love her books for their juicy mystery plots, and also for the rich and varied cast of recurring characters, among which is the city of Venice itself. . . . Leon’s evildoers are not psychopathic serial killers or rapists. . . . [She] delves into the more interesting territory of moral corruption, in all its forms.”—Publishers Weekly (author profile)
“Commissario Guido Brunetti returns to La Fenice for another dramatic encounter with the diva Flavia Petrelli . . . there are the usual pleasures of following Brunetti as he walks around the city he knows like the back of his hand.”—Kirkus Reviews
“Splendid . . . Leon makes us feel [Venice’s] magic, taste it, smell it . . . Falling in Love is altogether a bravura accomplishment.”—Open Letters
“Another entertaining installment in one of mystery fiction’s most consistent series.”—Bookreporter.com
“Leon . . . infuses even predictable scenes with fresh vitality, employing her subtle wit and psychological acuity to make well-loved characters freshly engaging. . . . [the] finale is engrossing and oddly moving; a fitting end to a Brunetti thriller that is also a rare portrait of an artist and her art.”—Barnes & Noble Review
“[A] captivating series . . . [Falling in Love] offers the usual combination of mystery and dread.”—Toronto Star
“Thrilling . . . Readers will not be disappointed. Whether you’ve solved cases with Brunetti from the start or are a first time guest, this book will hold you spellbound . . . . [Falling in Love] will grab you from the first page, keep you on the edge of your seat, and leave you breathless while yearning for more, as if you’ve just witnessed a spectacularly powerful performance at the opera.”—Killer Nashville
A New York Times Bestseller
A Midwest Independent Booksellers Association Indie Bestseller
A National Indie Bestseller
“Donna Leon’s first love is opera. . . . So choosing Teatro La Fenice for the setting of Falling in Love, her latest mystery featuring the erudite and oh-so-sympathetic Commissario Guido Brunetti, makes this elegant novel something of a mash note to a longtime lover. . . . The audacious investigation, conducted by Brunetti’s confederate Signorina Elettra, into the psychology of stalkers is thorough and illuminating. But for opera buffs, going backstage at Teatro La Fenice is the real treat.”—New York Times Book Review
“[A] widely admired series . . . Brunetti is unfailingly good company, and when he isn’t . . . he is wonderfully refreshing.”—Chicago Tribune
“The ever-incredible Leon’s 24th stunning entry in her stellar mysteries featuring Commissario Guido Brunetti brings the series full circle, revisiting Venice’s Teatro La Fenice. . . . Another provocative addition to a fine series, certain to appeal to aficionados of profound literary mysteries such as Louise Penny’s How the Light Gets In.”—Library Journal (starred review)
“For many fans, the high points in Leon’s beloved Guido Brunetti series have been the two novels featuring opera diva Flavia Petrelli . . . . Now, finally, Flavia returns . . . . Best of all, the reappearance of Flavia gives Leon the opportunity to display her deep love of music and to construct a marvelous climactic scene between Flavia and her fan that parallels the finale of Tosca. Brava!”—Booklist (starred review)
“Leon’s devoted readers love her books for their juicy mystery plots, and also for the rich and varied cast of recurring characters, among which is the city of Venice itself. . . . Leon’s evildoers are not psychopathic serial killers or rapists. . . . [She] delves into the more interesting territory of moral corruption, in all its forms.”—Publishers Weekly (author profile)
“Commissario Guido Brunetti returns to La Fenice for another dramatic encounter with the diva Flavia Petrelli . . . there are the usual pleasures of following Brunetti as he walks around the city he knows like the back of his hand.”—Kirkus Reviews
“Splendid . . . Leon makes us feel [Venice’s] magic, taste it, smell it . . . Falling in Love is altogether a bravura accomplishment.”—Open Letters
“Another entertaining installment in one of mystery fiction’s most consistent series.”—Bookreporter.com
“Leon . . . infuses even predictable scenes with fresh vitality, employing her subtle wit and psychological acuity to make well-loved characters freshly engaging. . . . [the] finale is engrossing and oddly moving; a fitting end to a Brunetti thriller that is also a rare portrait of an artist and her art.”—Barnes & Noble Review
“[A] captivating series . . . [Falling in Love] offers the usual combination of mystery and dread.”—Toronto Star
“Thrilling . . . Readers will not be disappointed. Whether you’ve solved cases with Brunetti from the start or are a first time guest, this book will hold you spellbound . . . . [Falling in Love] will grab you from the first page, keep you on the edge of your seat, and leave you breathless while yearning for more, as if you’ve just witnessed a spectacularly powerful performance at the opera.”—Killer Nashville