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Fashion, Dress and Post-postmodernism

Editat de José Blanco F., Andrew Reilly
en Limba Engleză Paperback – 24 aug 2022
Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age.The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks at diverse geographic and identity markers by discussing post-postmodernism and the religio-politico-cultural questions in South Asian Muslim fashion, image and identity presentation in queer social networking apps, and by exploring fashion designer Tom Ford's output as a movie director. Two chapters discuss the post-postmodern fashion exhibition with analyses of recent exhibitions and an in-depth look at the work of exhibition maker Judith Clark. The final chapter is written by members of The Rational Dress Society, a counter-fashion collective that makes JUMPSUIT, an experimental garment to replace all clothes. Fashion, Dress, and Post-postmodernism is a companion to research on relationships between post-postmodernism, fashion, and dress, and the go-to resource for researchers and students interested in these areas.
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Specificații

ISBN-13: 9781350214392
ISBN-10: 1350214396
Pagini: 240
Ilustrații: 29 bw illus
Dimensiuni: 156 x 234 mm
Greutate: 0.33 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom

Caracteristici

It features a range of approaches including design aesthetics, branding, marketing, merchandising, consumption, image and identity production, museum practices and experimental design, along with a range of theoretical frameworks

Notă biografică

José Blanco F. is Professor and Department Chair at Dominican University, USA.Andrew Reilly is Associate Professor at the University of Hawai`i at Manoa, USA.


Cuprins

AcknowledgementsList of IllustrationsIntroduction1. Fashion Phenomena and the Post-postmodern Condition: Inquiry and Speculation, Marcia A. Morgado2.Fashion, Subjectivity, and Time: From Deleuze's Transcendental Empiricism to Lipovetsky's Hypermodernity, Eun Jung Kang3. With No Twist: The Metamodern Sartorial Statement of Vetements, Alla Eizenberg4. Intensified: Alessandro Michele's Hyperaesthetic at Gucci, Nigel Lezama5. Hypermodern Branding: The Case of Uniqlo, Myles Ethan Lascity6. Post-Postmodernity and South Asian Muslim Women's Fashion, Iqra Shagufta Cheema7. Lights, Camera, Fashion: Tom Ford's A Single Man, Nocturnal Animals, and the Designer as Director, Grant Johnson8. Seeing Selves: The Absent Body in the Museum and the Work of Exhibition Maker Judith Clark, Caroline Bellios9. The Post-Postmodern Fashion Exhibition, Dennita Sewell10. Counter-fashion, Abigail Glaum-Lathbury and Maura BrewerConclusion, José Blanco FBibliographyIndex


Recenzii

The book is an essential and relevant theoretical source for the fashion and dress research sphere. There is no doubt asto its importance for scholars on this particular topic, but also on broader issues such as post postmodernity and its implications, fashion curatorship, sustainability, and the climate crisis, fashion houses in the twenty first century, and sociological studies dealing with the practices of the new subject.
This publication offers the reader a rich theoretical exploration of contemporary fashion with a good breadth of scope that encompasses exhibition and performance. Examining many of the issues pertinent to contemporary discourse, Fashion, Dress and Post-Postmodernism is an essential read for anyone researching or studying post-postmodernism and dress and fashion.

Descriere

Scholars have argued that postmodernism is dead and that we are entering into a new era that some have labelled altermodernism, digimodernism, performatism, and post-postmodernism. This book expands on the nascent scholarship of post-postmodernism to highlight how dress, fashion, and appearance are reflections of this new age.The volume starts with a discussion of fashion, subjectivity, and time and an analysis of temporality, technology, and fashion in post-postmodern times. Later chapters analyse the work of design houses and mass producers such as Vetements, Gucci, and Uniqlo whose products align with post-postmodern aesthetics, hyperconsumption, and hypermodern branding. The book looks at diverse geographic and identity markers by discussing post-postmodernism and the religio-politico-cultural questions in South Asian Muslim fashion, image and identity presentation in queer social networking apps, and by exploring fashion designer Tom Ford's output as a movie director. Two chapters discuss the post-postmodern fashion exhibition with analyses of recent exhibitions and an in-depth look at the work of exhibition maker Judith Clark. The final chapter is written by members of The Rational Dress Society, a counter-fashion collective that makes JUMPSUIT, an experimental garment to replace all clothes. Fashion, Dress, and Post-postmodernism is a companion to research on relationships between post-postmodernism, fashion, and dress, and the go-to resource for researchers and students interested in these areas.