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Fashion Writing and Criticism: History, Theory, Practice de Peter McNeil

Fashion Writing and Criticism: History, Theory, Practice

Autor Peter McNeil, Dr Sanda Miller
en Limba Engleză Paperback – 22 oct 2014
Fashion Writing and Criticism provides students with the tools to critique fashion with skill and style. Explaining the history and theory of criticism, this innovative text demonstrates how the tradition of criticism has developed and how this knowledge can be applied to fashion, enabling students to acquire the methods and proper vocabulary to be active critics themselves. Integrating history and theory, this innovative book explains the development of fashion writing, the theoretical basis on which it sits, and how it might be improved and applied. Through concise snapshot case studies, top international scholars McNeil and Miller analyse fashion excerpts in relation to philosophical ideas and situate them within historical contexts. Case studies include classic examples of fashion writing, such as Diana Vreeland at Harper's Bazaar and Richard Martin on Karl Lagerfeld, as well as contemporary examples such as Suzy Menkes and the blogger Tavi.Accessibly written, Fashion Writing and Criticism enables readers to understand, assess and make value judgments about the fascinating and changeable field of fashion. It is an invaluable text for students and researchers alike, studying fashion, journalism, history and media studies.
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Specificații

ISBN-13: 9780857854476
ISBN-10: 085785447X
Pagini: 168
Ilustrații: 30 bw illus
Dimensiuni: 156 x 234 x 13 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:London, United Kingdom

Caracteristici

Excellent range of case studies with supporting editorial materials, including snapshots from Diana Vreeland at Harper's Bazaar to Richard Martin on Karl Lagerfeld

Notă biografică

Peter McNeil is Professor of Design History at the University of Technology Sydney, Australia.Sanda Miller is Senior Research Fellow at Southamtpon Solent University, UK, and Associate Lecturer at Istituto Marangoni, London, UK.

Cuprins

AcknowledgementsList of illustrationsPart 1 What is Criticism?Chapter 1 IntroductionChapter 2 Aristotle and the origins of criticismChapter 3 Talking in private: the Academies and the SalonsChapter 4 Understanding Taste: The Critic as Qualified ObserverChapter 5 Charles Baudelaire: the Beginning of Fashion Criticism; The Art Critic of the Salons Chapter 6 Oscar Wilde and the apostles of aestheticism Part 2 Reporting Fashion: OverviewSnapshotsFashion and morality: Leo Tolstoy's What is Art?Paul Poiret: 'sultan of fashion' - from tradition to innovationDiana Vreeland: 'Why Don't you?' - the invention of the fashion editorChristian Dior: the 'New Look' and reporting by Carmel SnowYves Saint Laurent - a 1970s analysis of 'The couturier and his brand'What is fashion irony? Mild sarcasm or feigning ignorance?Reporting on the Japanese revolution in ParisRichard Martin as essayist: Karl Lagerfeld reworks ChanelBeing critical about 'deconstruction': theoretical approach or 'le destroy'?What is a reviewer? - and how can we recognise one?What gives Suzy Menkes the status of professional critic?ACNE Paper: the beauty of print, the splendour of the pageHow to be a 'critical' blogger: Moving beyond the PR ReleaseConclusion: where do we go from here?BibliographyIndex

Recenzii

What a boost for the discipline!
This original volume is both timely and valuable. It provides essential background and introduction to fashion writing and criticism past and present while providing sound intellectual direction for its future.
Fashion Writing and Criticism provides an introduction to two crucial words - critic and fashion - that are part and parcel of the way we write and think about dress. The authors have explored these keywords with an admirable degree of clarity and in such a way as to be of benefit to fashion scholars and students alike.
The chronology and the evaluative discussions on the development of criticism and the snapshots on twentieth-century fashion reporting are valuable to the ways in which authors think about existing and future writing on fashion, particularly from a critical rather than purely descriptive perspective.

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Fashion Writing and Criticism provides students with the tools to critique fashion with skill and style. Explaining the history and theory of criticism, this innovative text demonstrates how the tradition of criticism has developed and how this knowledge can be applied to fashion, enabling students to acquire the methods and proper vocabulary to be active critics themselves. Integrating history and theory, this innovative book explains the development of fashion writing, the theoretical basis on which it sits, and how it might be improved and applied. Through concise snapshot case studies, top international scholars McNeil and Miller analyse fashion excerpts in relation to philosophical ideas and situate them within historical contexts. Case studies include classic examples of fashion writing, such as Diana Vreeland at Harper's Bazaar and Richard Martin on Karl Lagerfeld, as well as contemporary examples such as Suzy Menkes and the blogger Tavi.Accessibly written, Fashion Writing and Criticism enables readers to understand, assess and make value judgments about the fascinating and changeable field of fashion. It is an invaluable text for students and researchers alike, studying fashion, journalism, history and media studies.