Fashioning Spain: From Mantillas to Rosalía
Editat de Francisco Fernández de Alba, Marcela T. Garcésen Limba Engleză Paperback – 28 dec 2022
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Specificații
ISBN-13: 9781350244580
ISBN-10: 1350244589
Pagini: 240
Ilustrații: 33 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
ISBN-10: 1350244589
Pagini: 240
Ilustrații: 33 bw illus
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Visual Arts
Locul publicării:London, United Kingdom
Caracteristici
Provides detailed insights into cultural life in Spain and provides a model for analysing fashion and culture in nations worldwide
Notă biografică
Francisco Fernández de Alba is the A. Howard Meneely Professor of Hispanic Studies at Wheaton College, MA, USA, where he teaches courses on modern and contemporary Spanish culture. He is the author of Sex, Drugs, and Fashion in 1970s Madrid (2020).Marcela T. Garcés is Professor of Spanish at Siena College, NY, USA. She has authored several articles on contemporary Spanish film, fashion, and gastronomy. She is scriptwriter of the documentary film The Txoko Experience: The Secret Culinary Space of the Basques (2017).
Cuprins
List of IllustrationsForewordAcknowledgementsNote on TranslationsIntroduction"Fashion in Spain: Catalyst for Affect and Identity."Francisco Fernández de Alba (Wheaton College, MA) and Marcela T. Garcés (Siena College)Part I: Identity: Politics and FuturesChapter 1: "Accessorizing the Nation: Mantillas, Cultural Identity, and Modern Spain." Inés Corujo-Martín (Bryn Mawr College)Chapter 2: "Bodies of the Future: Comics, Fashion, and 1980s Movida." Alberto Villamandos (University of Missouri, Kansas City)Part II: Picturing Femininity: Film and PhotographyChapter 3: "Women, Fashion, and the Spanish Civil War: From the Fashion Parade to the Victory Parade." Kathleen Vernon (SUNY, Stony Brook)Chapter 4: "From Market to Feminism: Fashion Photography during the Franco Dictatorship." Olga Sendra Ferrer (Wesleyan University) Part III: Designing Fashion Stars: Film and MusicChapter 5: "Fashioning Spanish Film Stars: Balenciaga and Conchita Montenegro." Jorge Pérez (University of Texas, Austin)Chapter 6: "Rosalía, Fashion, and the Rise of Poligonera Chic." Mary Kate Donovan (Skidmore College)Part IV: Museums: From Closets to the Cloud Chapter 7: "The Museo del Traje's research on Spanish Prêt-à-Porter." Juan Gutiérrez (Curator, Museo del Traje, CEPI)Chapter 8: "Curating Catalan Cultural Identity through Dress in the Virtual Fashion Museum of Catalonia." Nicholas Wolters (Wake Forest University)Index
Recenzii
Fashioning Spain makes us aware not just of the many things that fashion can tell us about cultural values, from the eighteenth century to the present, but also of the major contribution that Spain has made to fashion design and entrepreneurship. The illustrations tell a story of their own."
An indispensable collection for Spanish cultural studies. Demonstrating that fashion analysis serves to illuminate intersecting political, economic and social processes, the contributors position twentieth-century fashion as a crucial interface for studies of modern Spanish memory, nation, affect and materiality.
The volume offers fascinating insights into the relationship of fashion and cultural identity in modern Spain, exploring the intersections of gender, sexuality, class and nationalism. It constitutes a solid critical contribution to an important, but relatively neglected area of Spanish cultural studies, which will be a fundamental reference for any future studies in this field.
An indispensable collection for Spanish cultural studies. Demonstrating that fashion analysis serves to illuminate intersecting political, economic and social processes, the contributors position twentieth-century fashion as a crucial interface for studies of modern Spanish memory, nation, affect and materiality.
The volume offers fascinating insights into the relationship of fashion and cultural identity in modern Spain, exploring the intersections of gender, sexuality, class and nationalism. It constitutes a solid critical contribution to an important, but relatively neglected area of Spanish cultural studies, which will be a fundamental reference for any future studies in this field.