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Fashions and Legacies of Nineteenth-Century Italian Opera

Editat de Roberta Montemorra Marvin, Hilary Poriss
en Limba Engleză Hardback – 10 feb 2010
Operatic works by Italian composers of the nineteenth century have undergone countless transformations since their premieres, shifting shape in response to a variety of new geographic, temporal, technological, and performative contexts. These enduring works by Rossini, Donizetti, Bellini, Verdi, Puccini, and their contemporaries have myriad stories to tell. Fashions and Legacies reconstructs a selection of these stories, exploring ways in which operatic works have been reshaped and revived throughout the nineteenth, twentieth, and twenty-first centuries. While focusing on how these works have been altered, the thirteen contributors in this book also respond to fundamental questions: how has this music retained - or sacrificed - its powerful messages in the face of deconstruction and recontextualization over time and place? What happens to these operas once they have escaped control of their authors? The contributions of singers, stage directors, conductors, and other theatrical personalities stand front and center of the volume.
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Specificații

ISBN-13: 9780521889988
ISBN-10: 0521889987
Pagini: 302
Ilustrații: 10 tables 45 music examples
Dimensiuni: 178 x 254 x 17 mm
Greutate: 0.77 kg
Editura: Cambridge University Press
Colecția Cambridge University Press
Locul publicării:Cambridge, United Kingdom

Cuprins

1. Introduction: Italian opera's fashions and legacies Hilary Poriss; 2. Viardot sings Handel (with thanks to George Sand, Chopin, Meyerbeer, Gounod, and Julius Rietz) Ellen T. Harris; 3. Partners in rhyme: Alphonse Royer, Gustave Vaëz, and foreign opera in Paris during the July Monarchy Mark Everist; 4. Verdian opera in the Victorian parlor Roberta Montemorra Marvin; 5. I falsi Puritani: the opera's early history in Italy Fabrizio Della Seta; 6. To the ear of the amateur: performing Ottocento opera piecemeal Hilary Poriss; 7. Peeping at pachyderms: convergences of sex and music in France around 1800 Jeffrey Kallberg; 8. Aida and nine readings of 'empire' Ralph P. Locke; 9. Comic sights: stage directions in Luigi Ricci's autograph scores Francesco Izzo; 10. Staging and form in Giuseppe Verdi's Otello Andreas Giger; 11. Stanislavski's La bohème (1927) David B. Rosen; 12. What is tradition? Will Crutchfield; 13. Epilogue: the art of 'translation' John Mauceri.

Recenzii

"Marvin and Poriss have brought together a fascinating group of essays which presents the interested reader with much food for thought."
-Richard LeSueur,Ann Arbor

Descriere

Leading scholars investigate the ways in which operas by nineteenth-century Italian composers have been reshaped and revived over time.