Cantitate/Preț
Produs

Wagner and Cinema

Autor Jeongwon Joe, Sander L. Gilman
en Limba Engleză Paperback – 25 feb 2010
The work of Richard Wagner is a continuing source of artistic inspiration and ideological controversy in literature, philosophy, and music, as well as cinema. In Wagner and Cinema, a diverse group of established and emerging scholars examines Wagner's influence on cinema from the silent era to the present. The essays in this collection engage in a critical dialogue with existing studies--extending and renovating current theories related to the topic--and propose unexplored topics and new methodological perspectives. The contributors discuss films ranging from the 1913 biopic of Wagner to Ridley Scott’s Gladiator, with essays on silent cinema, film scoring, Wagner in Hollywood, German cinema, and Wagner beyond the soundtrack.
Citește tot Restrânge

Preț: 24844 lei

Nou

Puncte Express: 373

Preț estimativ în valută:
4755 4953$ 3953£

Carte tipărită la comandă

Livrare economică 10-24 februarie 25

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780253221636
ISBN-10: 0253221633
Pagini: 504
Ilustrații: 28 b&w illustrations, 35 musical exx.
Dimensiuni: 151 x 226 x 31 mm
Greutate: 0.75 kg
Editura: MH – Indiana University Press
Locul publicării:United States

Cuprins

Foreword / Nike WagnerIntroduction: Why Wagner and Cinema?: Tolkien was Wrong / Jeongwon JoePart I: Wagner and the Silent Film 1. Wagnerian Motives: Narrative Integration and the Development of Silent Film Accompaniment, 1908-1913 / James Buhler; 2. Underscoring Drama, Picturing Music / Peter Franklin; 3. The Life and Works of Richard Wagner (1913): Becce, Froelich, and Messter / Paul Fryer; 4. Listening for Wagner in Fritz Lang’s Die Niebelungen / Adeline MuellerPart II: Wagnerian Resonance in Film Scoring 5. The Resonances of Wagnerian Opera and Nineteenth-Century Melodrama in the Film Scores of Max Steiner / David Neumeyer; 6. Wagner’s Influence on Gender Roles in Early Hollywood Film / Eva Rieger; 7. The Penumbra of Wagner’s Ombra in Two Science Fiction Films from 1951: The Thing from Another World and The Day the Earth Stood Still / William H. RosarPart III: Wagner in Hollywood 8. “Soll ich lauschen?”: Love-Death in Humoresque / Marcia J. Citron; 9. Hollywood's German Fantasy: Ridley Scott's Gladiator / Marc A. Weiner; 10. Reading Wagner in Bugs Bunny Nips the Nips (1944) / Neil Lerner; 11. Piercing Wagner: The Ring in Golden Earrings / Scott D. PaulinPart IV: Wagner in German Cinema 12. Wagner as Leitmotif: The New German Cinema and Beyond / Roger Hillman; 13. The Power of Emotion: Wagner and Film / Jeremy Tambling; 14. Wagner in East Germany: Joachim Herz's Der Fliegende Holländer (1964) / Joy Haslam CalicoPart V: Wagner beyond the Soundtrack 15. Nocturnal Wagner: The Cultural Survival of Tristan and Isolde in Hollywood / Elisabeth Bronfen; 16. Ludwig’s Wagner and Visconti’s Ludwig / Giorgio Biancoroso; 17. The Tristan Project: Time in Wagner and Viola / Jeongwon Joe; 18. “The Threshold of the Visible World”: Wagner, Bill Viola, and Tristan / Lawrence KramerPostlude: Looking for Richard: An Archival Search for Wagner / Warren M. Sherk; Epilogue: Some Thoughts about Wagner and Cinema; Opera and Politics; Style and Reception / Sander L. GilmanAppendix: Interview with Bill Viola / Jeongwon Joe; Filmography: Jeongwon Joe, Warren M. Sherk, and Scott D. Paulin with a postscript by Paulin; Index

Recenzii

"Timely, relevant, and absolutely central to what is going on in so many fields. The editors have done a terrific job in bringing together not only the most appropriate but also the most stimulating and exciting of contributors." --Linda Hutcheon, author of A Theory of Adaptation

"[T]he book . . . present[s] the reader with a strong and very varied attempt to discuss the relation between Wagner, opera and cinema and includes a vast array of densely detailed information covering large historical periods in many of its well-written essays." --Screening the Past, Issue 29

"A useful resource for serious students of film, theater, and/or music, the book includes numerous photos, and helpful music notation enhances the text. . . . Recommended." --Choice

“[Wagner and Cinema] looks at the plethora of senses in which Wagner’s music and different kinds of Wagnerian reception histories have informed cinematic production throughout the twentieth and twenty-first centuries....Wagner and Cinema is a text that will no doubt be consulted for many years henceforward.” - Nathan Waddell, Scope, Issue 24, 2012


"Timely, relevant, and absolutely central to what is going on in so many fields. The editors have done a terrific job in bringing together not only the most appropriate but also the most stimulating and exciting of contributors." --Linda Hutcheon, author of A Theory of Adaptation "[T]he book ... present[s] the reader with a strong and very varied attempt to discuss the relation between Wagner, opera and cinema and includes a vast array of densely detailed information covering large historical periods in many of its well-written essays." --Screening the Past, Issue 29 "A useful resource for serious students of film, theater, and/or music, the book includes numerous photos, and helpful music notation enhances the text... Recommended." --Choice "[Wagner and Cinema] looks at the plethora of senses in which Wagner's music and different kinds of Wagnerian reception histories have informed cinematic production throughout the twentieth and twenty-first centuries...Wagner and Cinema is a text that will no doubt be consulted for many years henceforward." - Nathan Waddell, Scope, Issue 24, 2012

Notă biografică

edited by Jeongwon Joe, Sander L. Gilman

Descriere

Discusses Wagner's legacy in sound and on screen