Singing, Acting, and Movement in Opera – A Guide to Singer–getics
Autor Mark Ross Clarken Limba Engleză Paperback – 8 apr 2009
Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student s active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to "meet the artists." An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike."
Preț: 181.47 lei
Nou
Puncte Express: 272
Preț estimativ în valută:
34.73€ • 36.21$ • 28.86£
34.73€ • 36.21$ • 28.86£
Carte tipărită la comandă
Livrare economică 21 martie-04 aprilie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780253215321
ISBN-10: 0253215323
Pagini: 176
Dimensiuni: 155 x 233 x 13 mm
Greutate: 0.29 kg
Ediția:New.
Editura: MH – Indiana University Press
ISBN-10: 0253215323
Pagini: 176
Dimensiuni: 155 x 233 x 13 mm
Greutate: 0.29 kg
Ediția:New.
Editura: MH – Indiana University Press
Cuprins
Preliminary Table of Contents: ContentsForeword: A Message from Tito CapobiancoList of InterviewsUsing the GuidebookI. PREPARATION1. Body Awareness: Stretching For Flexibility and Power2. Postural: Aligning the Body3. The Expressive Face: Communicating Emotions Onstage4. Character Study: Decoding the Clues to Character5. Environment: Setting the StageII. INTEGRATION6. Elements of Stagecraft: Learning the Language7. Historical Etiquette: Bowing to Tradition8. Improvisation: Unlocking the Imagination9. Monologues: Talking Opera10. Physical Analysis: Moving in CharacterIII. APPLICATION11. The Aria: Making Choices12. The Scene: Putting it all Together13. The Opera: Preparing a Role14. Performance Anxiety: Facing Fear15. Careers in Opera: Stepping Out Appendix A: Attitude Chart; Appendix B: "Postural Alignment" by Emily Bogard; Appendix C: Literary Background of Selected Operas; Appendix D: Stage Manager's Handbook; Appendix E: Stage Combat: Faints, Falls, and Fights; Bibliography
Notă biografică
Mark Ross Clark is Associate Professor in the Indiana University School of Music. He has taught opera workshop for twenty years and has directed and produced more than fifty operas in professional and university venues.
Descriere
A practical guide to the integration of voice, acting, and movement in opera performance