Feminism/Femininity in Chinese Literature: Critical Studies, cartea 18
Peng-hsiang Chen, Whitney Crothers Dilleyen Limba Engleză Paperback – 31 dec 2001
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Specificații
ISBN-13: 9789042007178
ISBN-10: 9042007176
Dimensiuni: 155 x 235 mm
Greutate: 0.42 kg
Editura: Brill
Colecția Brill
Seria Critical Studies
ISBN-10: 9042007176
Dimensiuni: 155 x 235 mm
Greutate: 0.42 kg
Editura: Brill
Colecția Brill
Seria Critical Studies
Notă biografică
Peng-hsiang Chen (a/s Tan Pong Siang) is a prolific literary critic, poet, and writer. Previously Professor of English and Director of the English Center at National Taiwan Normal University, he is now Professor and Chairman of the Department of English at Shih Hsin University in Taipei. An East–West comparatist interested in thematology — see his From Thematics to the Chinese School of Comparative Literature (Bookman, 1992) –, he has published extensively on literary theory, East–West comparative literature, and Malaysian–Chinese Literature. His recent publications include a guest-edition “Sinology and Cross-Cultural Studies”, special issue of the Canadian Review of Comparative Literature (December 1997) and Papers on History of Malaysian Chinese Literature (Chinese, forthcoming).
Whitney Crothers Dilley, Assistant Professor of English at Shih Hsin University, received her Ph.D. degree in Comparative Literature from the University of Washington in 1998. Her areas of specialization include British and American literature, and comparative literature. Recent publications include an article in the Tamkang Review on postcolonialism in Taiwanese and Quebecois fiction.
Whitney Crothers Dilley, Assistant Professor of English at Shih Hsin University, received her Ph.D. degree in Comparative Literature from the University of Washington in 1998. Her areas of specialization include British and American literature, and comparative literature. Recent publications include an article in the Tamkang Review on postcolonialism in Taiwanese and Quebecois fiction.
Cuprins
1. Kang-i Sun CHANG: Ming-Qing Women Poets and Cultural Androgyny.
2. Kuei-fen CHIU: Identity Politics in Contemporary Women's Novels in Taiwan.
3. Li XIAOJIANG: Resisting While Holding the Tradition - Claims for Rights Raised in Literature by Chinese Women Writers in the New Period.
4. Li ZIYUN: The Disappearance and Revival of Feminine Discourse.
5. Peng HSIAO-YEN: Sex Histories: Zhang Jingsheng's Sexual Revolution.
6. Wang FEI: Literary Calls from Women Novelists.
7. Chin-chown LIM: Emasculation Imitation and the Mapping of Male Castration: Eileen Chang's Ecriture Feminine and her Anti-Paternality Strategies.
8. John Zhongming CHEN: Women's Autobiography as Counter-Discourse: The Case of Dorothy Livesay and Yu Loujin.
9. John Kwok-kan TAM: Ibsenism and Ideological Constructions of the New Women in Modern Chinese Fiction.
10. Lau KAM-FUNG: Female Identity in Contemporary Chinese and Western Literature: Zhang Xinxin and Virginia Woolf.
11. Tim-kung KU: Man in Woman's Voice and Vice Versa: The Chinese and English Female-Persona Lyrics - A Response to Some Concepts in Feminist Criticism.
12. Wang NING: Feminist Theory and Contemporary Chinese Female Literature.
13. Shu-chen CHIANG: Rejection of Postmodern Abandon: Chu T'ien-wen's Fin-de-siècle Splendor.
14. Joyce Chi-hui LIU: Filmic Transposition of the Roses: Stanley Kwan's Feminine Response to Eileen Chang's Women.
2. Kuei-fen CHIU: Identity Politics in Contemporary Women's Novels in Taiwan.
3. Li XIAOJIANG: Resisting While Holding the Tradition - Claims for Rights Raised in Literature by Chinese Women Writers in the New Period.
4. Li ZIYUN: The Disappearance and Revival of Feminine Discourse.
5. Peng HSIAO-YEN: Sex Histories: Zhang Jingsheng's Sexual Revolution.
6. Wang FEI: Literary Calls from Women Novelists.
7. Chin-chown LIM: Emasculation Imitation and the Mapping of Male Castration: Eileen Chang's Ecriture Feminine and her Anti-Paternality Strategies.
8. John Zhongming CHEN: Women's Autobiography as Counter-Discourse: The Case of Dorothy Livesay and Yu Loujin.
9. John Kwok-kan TAM: Ibsenism and Ideological Constructions of the New Women in Modern Chinese Fiction.
10. Lau KAM-FUNG: Female Identity in Contemporary Chinese and Western Literature: Zhang Xinxin and Virginia Woolf.
11. Tim-kung KU: Man in Woman's Voice and Vice Versa: The Chinese and English Female-Persona Lyrics - A Response to Some Concepts in Feminist Criticism.
12. Wang NING: Feminist Theory and Contemporary Chinese Female Literature.
13. Shu-chen CHIANG: Rejection of Postmodern Abandon: Chu T'ien-wen's Fin-de-siècle Splendor.
14. Joyce Chi-hui LIU: Filmic Transposition of the Roses: Stanley Kwan's Feminine Response to Eileen Chang's Women.