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Fiasco: A History of Hollywood's Iconic Flops

Autor James Robert Parish
en Limba Engleză Paperback – mar 2007
A longtime industry insider and acclaimed Hollywood historian goes behind the scenes to tell the stories of 15 of the most spectacular movie megaflops of the past 50 years, such as Cleopatra, The Cotton Club, and Waterworld. He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler–dealers and superstars such as Elizabeth Taylor, Clint Eastwood, and Francis Ford Coppola, conspired to engender some of the worst films ever.
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Specificații

ISBN-13: 9780470098295
ISBN-10: 0470098295
Pagini: 359
Dimensiuni: 136 x 219 x 23 mm
Greutate: 0.48 kg
Editura: Wiley (TP)
Locul publicării:Hoboken, United States

Descriere

"Not only instructive, but intensely pleasurable."
Wall Street Journal "A gleefully readable, well–researched study of hubris in Hollywood."
Publishers Weekly
"A smart, well–researched account of Hollywood′s ′iconic flops.′ "
Peter Bart, Variety
"Writing with informative dispassion, Parish avoids the easy temptation to turn his book into bitchy gossip. He even has you cheering for those who narrowly elude impending doom."
Washington Post Book World
In Fiasco, longtime industry insider and acclaimed Hollywood historian James Robert Parish goes behind the scenes to tell the intriguing stories of 15 of the most spectacular movie megaflops of the past 50 years, including Cleopatra, Popeye, The Cotton Club, Shanghai Surprise, Last Action Hero, and Waterworld.
He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler–dealers and superstars such as Elizabeth Taylor, Clint Eastwood, Francis Ford Coppola, Madonna, and Warren Beatty conspired to engender some of the worst films ever.

Textul de pe ultima copertă

"Not only instructive, but intensely pleasurable."
Wall Street Journal "A gleefully readable, well–researched study of hubris in Hollywood."
Publishers Weekly
"A smart, well–researched account of Hollywood′s ′iconic flops.′ "
Peter Bart, Variety
"Writing with informative dispassion, Parish avoids the easy temptation to turn his book into bitchy gossip. He even has you cheering for those who narrowly elude impending doom."
Washington Post Book World
In Fiasco, longtime industry insider and acclaimed Hollywood historian James Robert Parish goes behind the scenes to tell the intriguing stories of 15 of the most spectacular movie megaflops of the past 50 years, including Cleopatra, Popeye, The Cotton Club, Shanghai Surprise, Last Action Hero, and Waterworld.
He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler–dealers and superstars such as Elizabeth Taylor, Clint Eastwood, Francis Ford Coppola, Madonna, and Warren Beatty conspired to engender some of the worst films ever.

Cuprins

Acknowledgments. Introduction.
1 Cleopatra (1963).
2 The Chase (1966).
3 Paint Your Wagon (1969).
4 The Wild Party (1975).
5 Popeye (1980).
6 The Cotton Club (1984).
7 Shanghai Surprise (1986).
8 Ishtar (1987).
9 Last Action Hero (1993).
10 Cutthroat Island (1995).
11 Showgirls (1995).
12 Waterworld (1995) and The Postman (1997).
13 Battlefield Earth: A Saga of the Year 3000 (2000).
14 Town & Country (2001).
Afterword.
Appendix A: Filmography.
Appendix B: Hollywood Feature Films That Were Box–Office Disappointments in Domestic Theatrical Release (1960â??2004).
Bibliography.
Index.

Notă biografică

JAMES ROBERT PARISH (jamesrobertparish.com) is a former entertainment reporter and publicist and the author of numerous books on Hollywood, including The Hollywood Book of Breakups and It′s Good to Be the King.

Recenzii

"James Robert Parish identifies them neatly in ′Fiasco′...He gives a high–minded rationale for his project." (Wall Street Journal, January 13, 2006) "A gleefully readable, well–researched study of hubris in Hollywood" (Publishers Weekly, October 17, 2005)

"James Robert Parish identifies them neatly in ′Fiasco′...He gives a high–minded rationale for his project." (Wall Street Journal, January 13, 2006) "A gleefully readable, well–researched study of hubris in Hollywood" (Publishers Weekly, October 17, 2005)