Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia
Autor Rico Isaacsen Limba Engleză Hardback – 6 feb 2018
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Specificații
ISBN-13: 9781784538385
ISBN-10: 1784538388
Pagini: 352
Ilustrații: 20 bw illus
Dimensiuni: 138 x 216 x 35 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
ISBN-10: 1784538388
Pagini: 352
Ilustrații: 20 bw illus
Dimensiuni: 138 x 216 x 35 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
Notă biografică
Rico Isaacs is Associate Professor of Politics at University of Lincoln, UK. His research focuses on nation-building and institutions in post-Soviet Central Asia. He writes regularly on Central Asian politics and culture.
Cuprins
Chapter one: From Constructed to Contested Nations: Theorising and analysing nation and cinema1 Chapter Two: Kazakh Khanate to Kazakh Eli: Nation-Building in Kazakhstan in Historical and Political Context40Chapter Three: Between two worlds: Kazakh film and Nation-building in the Soviet era75Chapter Four: The Disruption of Time: the Kazakh New Wave 1985-1995109Chapter Five: Naked in the Mirror: the ethno-centric narrative of Kazakh nationhood150Chapter Six: May the Grass Never Grow at Your Door: the civic conception of nationhood in Kazakh cinema186Chapter Seven: 'Hymn to Mother' - Tengrism, motherhood and nationhood211Chapter Eight: The Steppe, disorientation, division and corruption: social and economic visions of modern nationhood241Conclusion289Notes 309
Recenzii
An intelligent and thought-provoking monograph, which not only offers a fresh approach to national identity, but which also offers a valuable survey of how national identity functions in Kazakhstani cinema ... Overall, this book is an impressive achievement, both in terms of Isaac's nuanced contribution to the literature on national identity, as well his treatment of cinema ... [Isaacs] carried out qualitative audience research, running focus groups with viewers in Kazakhstan, as well as interviews with leading directors. This material enriches and enlivens the monograph.