Film and Video Intermediality: The Question of Medium Specificity in Contemporary Moving Images
Autor Dr. Janna Houwenen Limba Engleză Paperback – 6 feb 2019
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Specificații
ISBN-13: 9781501349003
ISBN-10: 1501349007
Pagini: 344
Ilustrații: 8 bw illus
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501349007
Pagini: 344
Ilustrații: 8 bw illus
Dimensiuni: 152 x 229 x 18 mm
Greutate: 0.46 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
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Caracteristici
Proposes
a
new
definition
of
medium
specificity
which
enables
readers
to
think
of
(and
work
with)
the
concept
of
the
medium
without
resorting
to
essentialist
or
purely
technological
notions
of
medium
specificity
Notă biografică
Janna
Houwen
is
an
Assistant
Professor
at
the
department
of
Film
and
Literary
studies,
Leiden
University,
The
Netherlands.
Cuprins
IntroductionPart
1:
The
Reality
Effect1
Reality
Effects:
Literature,
Film
and
Video2
Devices
in
Video3
Devices
in
Film4
Sliding
Scales5
Mediumspecificity
and
the
Reality
Effect6
InteractionPart
2:
(Dis)embodiment7
Dispositif:
A
New
Layered
Structure8
(Dis)Embodying
Dispositifs9
Cinema's
Disembodying
Dispositif:
An
Effect
of
an
Effect10
Other
Views
on
Film
Viewing11
Surfaces
and
Screens:
Video's
Embodying
Dispositifs12
In
Between:
Three
Intermedial
InstallationsPart
3:
Social
Structures13
The
Medium,The
Media
and
The
Social14
Video:
Flow
and
Feedback15
Film:
Private/Production16
Electronic
Diaries,
Cinematic
StoriesPart
4:
Violent
Features17
Objective
Representation18
The
Production
of
Portable
Objects
19
Freezing20
Touching21
Surveillance22
VoyeurismConclusionBibliographyList
of
Films
and
VideosIndex
Recenzii
This
excellent
book
brilliantly
examines
complex
arguments
about
media
and
their
impact.
As
we
transit
from
conventional
forms
of
expression
to
multi-modal
media,
Janna
Houwen
expertly
studies
the
shift
in
our
understanding
of
meaning
and
messages
and
their
role
in
contemporary
society.
An inventive reimagining of and incisive look into the materialism of video, what makes it tick but remain elusive both in and out of the filmic register. This volume expands the boundaries of a medium to include the haptic, the sensual and the state of being post-media; the very real question of how reality is structured and envisioned and what might constitute flow, power and surveillance in the 21st century.What does video do when rewound? How does it imprint the boundaries of surveillance on everyday activities? How is video embedded in films' legacy and how are screens integrated into the everyday environment(s)? Can video be embodied or embody itself and if so what are its aftereffects and its future tense? These are some of the tendrils followed deftly inFilm and Video Intermediality.This volume is a rich theoretical engagement with both the legacy of video's embedded-ness in everyday life as well as a searching interrogation of medium specificity as Modernist touchstone. Is video a thing born of re-use, morphing and a questioning of the reality effect? Or is it born of an upending of the indexical relationship between image and viewer, a relationship often taken for truth. This volume is a brisk investigation of a medium and a media inculcated into the fabric of the everyday in surprising, insidious and illuminating ways.
An inventive reimagining of and incisive look into the materialism of video, what makes it tick but remain elusive both in and out of the filmic register. This volume expands the boundaries of a medium to include the haptic, the sensual and the state of being post-media; the very real question of how reality is structured and envisioned and what might constitute flow, power and surveillance in the 21st century.What does video do when rewound? How does it imprint the boundaries of surveillance on everyday activities? How is video embedded in films' legacy and how are screens integrated into the everyday environment(s)? Can video be embodied or embody itself and if so what are its aftereffects and its future tense? These are some of the tendrils followed deftly inFilm and Video Intermediality.This volume is a rich theoretical engagement with both the legacy of video's embedded-ness in everyday life as well as a searching interrogation of medium specificity as Modernist touchstone. Is video a thing born of re-use, morphing and a questioning of the reality effect? Or is it born of an upending of the indexical relationship between image and viewer, a relationship often taken for truth. This volume is a brisk investigation of a medium and a media inculcated into the fabric of the everyday in surprising, insidious and illuminating ways.