Cantitate/Preț
Produs
Total produse
Vezi coșul
Film in the Anthropocene: Philosophy, Ecology, and Cybernetics de Daniel White

Film in the Anthropocene: Philosophy, Ecology, and Cybernetics

Autor Daniel White
en Limba Engleză Hardback – 9 aug 2018
This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.
 
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 44577 lei  6-8 săpt.
  Springer International Publishing – 19 ian 2019 44577 lei  6-8 săpt.
Hardback (1) 57775 lei  6-8 săpt.
  Springer International Publishing – 9 aug 2018 57775 lei  6-8 săpt.

Preț: 57775 lei

Preț vechi: 67971 lei
-15% Nou

Puncte Express: 867
Preț estimativ în valută:
11057€ • 11485$ • 9184£

Carte tipărită la comandă

Livrare economică 04-18 februarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9783319930145
ISBN-10: 3319930141
Pagini: 358
Ilustrații: XIV, 341 p. 2 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.58 kg
Ediția:1st ed. 2018
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Locul publicării:Cham, Switzerland

Cuprins

1. Introduction: Stepping into the Play Frame—Cinema as Mammalian Communication.- 2. Janus’s Celluloid and Digital Faces: The Existential Cyborg—Autopoiēsis in Christopher Nolan’s Memento.- 3. Documentary Intertext: Robert Gardner’s Dead Birds 1964.- 4. Cinema’s Historical Incarnations: Traveling the Möbius Strip of Biotime in Cloud Atlas.- 5. Documentary Intertext: John Marshall, The Hunters 1957.- 6. Janus East and West: Multicultural Polyvocality—Trinh Minh-ha’s The Fourth Dimension and The Digital Film.- 7. Documentary Intertext: Trance and Dance in Bali 1951.- 8. Janus’s Interspecies Faces: Biomorphic Transformations in the Ecology of Mind in James Cameron’s Avatar.- 9. Documentary Intertext: André Singer’s and J. Stephen Lansing’s The Goddess and the Computer 1988.- 10. Conclusion: Toward a Transdisciplinary Critical Theory of Film.

Recenzii

“Graduate students, scholars and professionals interested film and addressing problems posed by the rising Anthropocene might find this book useful in providing ways to think outside the box and expand thinking to be more inclusive.” (Morgan Danker, CBQ Communication Booknotes Quarterly, Vol. 51 (3-4), 2020)

Notă biografică

Daniel White is Professor Emeritus and founding faculty member of the Wilkes Honors College of Florida Atlantic University. 

Textul de pe ultima copertă

This book provides an interdisciplinary analysis of film in the context of the Anthropocene: the new geological era in which human beings have collectively become a force of nature. Daniel White draws on perspectives in philosophy, ecology, and cybernetics (the science of communication and control in animals and machines) to explore human self-understanding through film in the new era. The classical figure of Janus, looking both to the future and the past, serves as a guide throughout the study. Both feature and documentary films are considered.
 

Caracteristici

Offers an original perspective on film in light of cross-cultural, environmental, postcolonial, and scientific-technological source. One of the first books to deal with Film in the Anthropocene. Includes studies of classic documentary films as well as feature films.