Film Noir and the Possibilities of Hollywood: Palgrave Close Readings in Film and Television
Autor Nathaniel Deyoen Limba Engleză Hardback – 24 mai 2020
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Specificații
ISBN-13: 9783030370572
ISBN-10: 3030370577
Pagini: 208
Ilustrații: XII, 213 p. 19 illus.
Dimensiuni: 148 x 210 x 21 mm
Greutate: 0.41 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Close Readings in Film and Television
Locul publicării:Cham, Switzerland
ISBN-10: 3030370577
Pagini: 208
Ilustrații: XII, 213 p. 19 illus.
Dimensiuni: 148 x 210 x 21 mm
Greutate: 0.41 kg
Ediția:1st ed. 2020
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Close Readings in Film and Television
Locul publicării:Cham, Switzerland
Cuprins
1. Introduction: The Case of the Missing Films.- Part I: Paradigmatic and Conventional.- 2. The Maltese Falcon, Double Indemnity, Scarlet Street, & Out of the Past: Paradigm Cases.- 3. The Narrow Margin: Convention as Deception.- Part II: Auteurist Noir.- 4. Ministry of Fear: Fritz Lang’s De-Suturing Operations.- 5. The Big Sleep: Howard Hawks’s Hollywood Fantasy.- 6. Laura: Otto Preminger’s Statement of Purpose.- Part III: Noir and History.- 7. Act of Violence: Articulating the Spaces of Modernity.- 8. Reign of Terror & The Tall Target: Theses on the Philosophy of History.- Part IV: Conclusion.- 9. Conclusion: Reflections on Method
Recenzii
“While Film Noir and the Possibilities of Hollywood should be of special interest to scholars of film noir, the book also proves to be a meaningful addition to the broader field of film and media studies.” (Heather Duerre Humann, Journal of Popular Film and Television, Vol. 48 (3), 2020)
Notă biografică
Nathaniel Deyo is a lecturer in the Composition Program at the University of Miami, Florida, USA.
Caracteristici
Offers close, detailed readings of well-known noirs, taking the full measure of their formal and stylistic achievements above and beyond their enactment of some pre-established understanding of what it means--formally or ideologically--to be a “film noir” Looks at noir in the popular imagination, as a fetish object for both online cinephile communities and a point of reference for decidedly non-cinephile media objects Expands upon and challenges existing academic discourse surrounding noir, refusing to “flatten” the films under consideration into a single, homogenous text