Cantitate/Preț
Produs
Total produse
Vezi coșul
Film Restoration: The Culture and Science of Audiovisual Heritage de L. Enticknap

Film Restoration: The Culture and Science of Audiovisual Heritage

Autor L. Enticknap
en Limba Engleză Hardback – 13 noi 2013
This is the first monograph-length work intended to enable readers with a humanities background and the general public to understand what the processes and techniques of film restoration do and do not involve, attempting to integrate systematically a discussion about related technological and cultural issues.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (1) 73700 lei  6-8 săpt.
  Palgrave Macmillan UK – 2013 73700 lei  6-8 săpt.
Hardback (1) 86574 lei  6-8 săpt.
  Palgrave Macmillan UK – 13 noi 2013 86574 lei  6-8 săpt.

Preț: 86574 lei

Preț vechi: 105578 lei
-18% Nou

Puncte Express: 1299
Preț estimativ în valută:
16571€ • 17818$ • 13815£

Carte tipărită la comandă

Livrare economică 19 decembrie 24 - 02 ianuarie 25

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780230230439
ISBN-10: 0230230431
Pagini: 244
Ilustrații: VIII, 244 p.
Dimensiuni: 140 x 216 x 23 mm
Greutate: 4.24 kg
Ediția:2013
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Locul publicării:London, United Kingdom

Cuprins

List of Illustrations Acknowledgements Introduction 1. Why do Films Need Restoration? 2. Where are Films Restored, Where Do They Come From and Who Restores Them? 3. The Technique of Film Restoration 4. The Presentation of Film Restoration 5. Conclusion: The Study and Ethics of Film Restoration Appendix: Technical Glossary Abbreviations and Acronyms Bibliography

Recenzii

“This book is remarkably easy for anyone to read. The book makes use of several diagrams and pictures as well as a complete glossary of technical terms in the back so that any reader can fully understand the more complicated processes that are discussed. … details the traditional process of film restoration and the physical altering of film, but is also sure to include information on the most recent film restoration processes as well as the digital alteration of film.” (Richard F. Martin, Film Matters, Vol. 6 (3), 2015)

Notă biografică

Leo Enticknap is Lecturer in Cinema at the Institute of Communications Studies at the University of Leeds, UK. Formerly a projectionist and film archive curator, his research focuses principally on archival film preservation and restoration, moving image technologies more generally and British non-fiction film before 1950.