First Templar Nation: How Eleven Knights Created a New Country and a Refuge for the Grail
Autor Freddy Silvaen Limba Engleză Paperback – 13 dec 2017
Overturns the long-established historical narrative about the origins and purpose of the Knights Templar
• Explains how and why the Templars created Europe’s first nation-state, Portugal, with one of their own as king
• Reveals the Portuguese roots of key founding members, their relationship with the Order of Sion, the Templars’ devotion to Mary Magdalene and John the Baptist, and the meaning and exact location of the Grail
Conventional history claims that nine men formed a brotherhood called the Knights Templar in Jerusalem in 1118 to provide protection for pilgrims traveling to the Holy Land. Overturning this long-established historical narrative, Freddy Silva shows that the Order of the Temple existed a decade earlier on the opposite side of Europe, that the protection of pilgrims was entrusted to a seperate organization, and that, in league with the Cistercian monks and the equally mysterious Order of Sion, the Templars executed one of history’s most daring and covert plans: the creation of Europe’s first nation-state, Portugal, with one of their own as king.
Including over 700 references, many from new and rare sources, Silva reveals Portugal, not Jerusalem, as the first Templar stronghold. The author explains the Templars’ motivation to create a country far from the grasp of Rome, where they could conduct their living resurrection initiation--whose candidates were declared “risen from the dead”--a secret for which the Church silenced millions and which the Templars protected to the death.
Placing the intrepid Knights in a previously unknown time and place, Silva’s historical narrative reveals the Portuguese roots of key founding members, their relationship with the Order of Sion, the Templars’ unshakeable devotion to Mary Magdalene and John the Baptist, and how they protected a holy bloodline in Portugal. The author also reappraises the meaning of the Grail and reveals its exact location, hidden in plain sight to this very day.
• Explains how and why the Templars created Europe’s first nation-state, Portugal, with one of their own as king
• Reveals the Portuguese roots of key founding members, their relationship with the Order of Sion, the Templars’ devotion to Mary Magdalene and John the Baptist, and the meaning and exact location of the Grail
Conventional history claims that nine men formed a brotherhood called the Knights Templar in Jerusalem in 1118 to provide protection for pilgrims traveling to the Holy Land. Overturning this long-established historical narrative, Freddy Silva shows that the Order of the Temple existed a decade earlier on the opposite side of Europe, that the protection of pilgrims was entrusted to a seperate organization, and that, in league with the Cistercian monks and the equally mysterious Order of Sion, the Templars executed one of history’s most daring and covert plans: the creation of Europe’s first nation-state, Portugal, with one of their own as king.
Including over 700 references, many from new and rare sources, Silva reveals Portugal, not Jerusalem, as the first Templar stronghold. The author explains the Templars’ motivation to create a country far from the grasp of Rome, where they could conduct their living resurrection initiation--whose candidates were declared “risen from the dead”--a secret for which the Church silenced millions and which the Templars protected to the death.
Placing the intrepid Knights in a previously unknown time and place, Silva’s historical narrative reveals the Portuguese roots of key founding members, their relationship with the Order of Sion, the Templars’ unshakeable devotion to Mary Magdalene and John the Baptist, and how they protected a holy bloodline in Portugal. The author also reappraises the meaning of the Grail and reveals its exact location, hidden in plain sight to this very day.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 117.22 lei 3-5 săpt. | +25.70 lei 6-12 zile |
| Inner Traditions/Bear & Company – 13 dec 2017 | 117.22 lei 3-5 săpt. | +25.70 lei 6-12 zile |
| Freddy Silva – 12 oct 2015 | 149.87 lei 6-8 săpt. |
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Specificații
ISBN-13: 9781620556542
ISBN-10: 1620556545
Pagini: 448
Ilustrații: 139 b&w illustrations
Dimensiuni: 152 x 229 x 10 mm
Greutate: 0.6 kg
Ediția:2nd Edition, New Edition
Editura: Inner Traditions/Bear & Company
Colecția Destiny Books
ISBN-10: 1620556545
Pagini: 448
Ilustrații: 139 b&w illustrations
Dimensiuni: 152 x 229 x 10 mm
Greutate: 0.6 kg
Ediția:2nd Edition, New Edition
Editura: Inner Traditions/Bear & Company
Colecția Destiny Books
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Notă biografică
Freddy Silva is a leading researcher of alternative history, ancient knowledge, sacred sites, and the interaction between temples and consciousness. He has appeared on Discovery Channel, BBC, and Coast to Coast AM radio. He is the author of 5 books, including The Lost Art of Resurrection, and lives in Portland, Maine.
Extras
Chapter 39
1160. March 1st.
A Dawn Ceremony on the Promontory above Thamar . . .
Master Gualdino laid the cornerstone of the round church the Templars would spend the next two years erecting. By its very location on a mound atop the hill, the rotunda would be the first element of the surrounding terrain to be bathed by the light of the rising sun. The timing of the ceremony embodied the ancient Egyptian practice of performing the rite of resurrection at dawn.
The event also marked the fortieth anniversary of the founding of the first Cistercian monastery in Portugale, at Tarouca, after the Templar knight Brother Roland and a group of monks from Clairvaux met with a young Afonso Henriques.
The rotunda’s octagonal geometry would be an homage to both the church of the Holy Sepulcher and Arabic sacred architecture; its interior was devoid of all ornament, precisely as Bernard de Clairvaux prescribed: “There must be no decoration, only proportion.”1
During this period the Templars undertook no other project. It was a singular focus, a great work, a total and synergistic enterprise as though integral to their purpose. Only after the rotunda was complete did they focus on Thamar and the attention the town obviously needed.
The town was practically rebuilt from scratch, requiring the import of vast quantities of artists and stonemasons, and in the decade that followed, the Templars devoted their entire efforts to its resurrection.2 It was to become their headquarters in Portugal, the portal of the Order, containing perhaps the most significant Templar monuments in Europe.
POR TU, O GRAL. “Through you, the Grail.” The same phrase inscribed beside the image of the Ark of the Covenant on the Doorway of Initiates at Chartres Cathedral. Could the castle on the hill above Thamar be the same “castle of the wild mount” described in the Graal legend? Whether by coincidence or design, just as Gualdino’s ceremony is taking place in Thamar, Cretien of Troyes is settling down to write his Graal story in Champagne.
The origin behind the naming of Thamar is as intriguing as the reason why the Templars should have chosen a spot so far removed from their original homeland to give birth to their golden age. Thamara or Tamarmah was the name given by its Arab habitants around the ninth century,4 and its choice shines some light on why the location was important beyond the site of a former Benedictine monastery where a divine virgin was martyred.
Tamar or Tamara was the name of King David’s daughter,5 just as it was the daughter of the union between Jesus and Mary Magdalene.6 The name means “palm tree,” and to anyone acquainted with esoteric symbolism this has a profound connection with the cult of raising the dead.
It has already been noted just how many of the Templar’s pursuits have decidedly esoteric or ancient Egyptian overtones. One of the central pillars of the Egyptian Mysteries schools is the resurrection myth featuring Osiris and his consort Isis. Osiris ruled the kingdom until his jealous brother Set cut him into little pieces and unceremoniously dispersed them into the Nile. Because Osiris produced no heir, Isis was left with no son to dispose of the evil Set. In effect she was the divine virgin presiding over a kingdom gone to ruin. Resourceful to the end, Isis sets off to gather up her husband’s body parts, magically reassembles them, and after fashioning him a new phallus made of solid gold she uses the sound of her voice, whereupon Osiris is resurrected and Isis impregnated.
After his ordeal Osiris shines forever as a bright star and returns to restore life to a barren land. The myth essentially outlines the ritual of living resurrection, and the symbol of Osiris’s experience is the palm tree. Osiris himself is depicted with green skin, making him the oldest expression of the cult of the Green Man, the tutelary deity of fertility who revitalizes the land and raises it from the dead.
It seems Osiris was a dab hand at magic, perhaps because the priest-god who assists him in the ritual is the ibis-headed Djehuti (the Greek Thoth-Hermes), who is credited “as the author of every branch of knowledge, both human and divine.”7 Djehuti is nothing less than the personification of the mind of God, a skin-and-bones representation of the stone tablets written by God. Djehuti’s knowledge descended from heaven from the god Amun, whose image is depicted on temple walls wearing a crown of two tablets, suspiciously identical in shape to those handed to Moses.
After the Templars recovered the knowledge secreted beneath the Temple Mount, they swore to “rebuild the temple,” physically and symbolically. This they did by specifically selecting Thamar, in the land of Ceras, a lifeless piece of land they held out for after a lengthy controversy with the Bishop of Lisbon. And now we know why.
The crowning of the hill with a round church gave it the appearance of Mount Sion and its curved basilica, the location where the Essenes once performed their secret ministries. If the Templars aimed to re-create the essence of Mount Sion, did they also re-create the rites of resurrection? For one thing, the unusual structure above Tomar was never a church to begin with; it never contained an altar inside or adjacent to it.8 And why should the Templars require a second place of worship when they already had the nearby church of Santa Maria do Olival, where their prayers and sacred offices were conducted on a daily basis?
Even more curious, during sieges, the people of Thamar were never permitted inside the rotunda, arguably the safest, most secure building inside the citadel. And had they been allowed, getting inside would have proved awkward, for this rotunda had no door.9
1160. March 1st.
A Dawn Ceremony on the Promontory above Thamar . . .
Master Gualdino laid the cornerstone of the round church the Templars would spend the next two years erecting. By its very location on a mound atop the hill, the rotunda would be the first element of the surrounding terrain to be bathed by the light of the rising sun. The timing of the ceremony embodied the ancient Egyptian practice of performing the rite of resurrection at dawn.
The event also marked the fortieth anniversary of the founding of the first Cistercian monastery in Portugale, at Tarouca, after the Templar knight Brother Roland and a group of monks from Clairvaux met with a young Afonso Henriques.
The rotunda’s octagonal geometry would be an homage to both the church of the Holy Sepulcher and Arabic sacred architecture; its interior was devoid of all ornament, precisely as Bernard de Clairvaux prescribed: “There must be no decoration, only proportion.”1
During this period the Templars undertook no other project. It was a singular focus, a great work, a total and synergistic enterprise as though integral to their purpose. Only after the rotunda was complete did they focus on Thamar and the attention the town obviously needed.
The town was practically rebuilt from scratch, requiring the import of vast quantities of artists and stonemasons, and in the decade that followed, the Templars devoted their entire efforts to its resurrection.2 It was to become their headquarters in Portugal, the portal of the Order, containing perhaps the most significant Templar monuments in Europe.
POR TU, O GRAL. “Through you, the Grail.” The same phrase inscribed beside the image of the Ark of the Covenant on the Doorway of Initiates at Chartres Cathedral. Could the castle on the hill above Thamar be the same “castle of the wild mount” described in the Graal legend? Whether by coincidence or design, just as Gualdino’s ceremony is taking place in Thamar, Cretien of Troyes is settling down to write his Graal story in Champagne.
The origin behind the naming of Thamar is as intriguing as the reason why the Templars should have chosen a spot so far removed from their original homeland to give birth to their golden age. Thamara or Tamarmah was the name given by its Arab habitants around the ninth century,4 and its choice shines some light on why the location was important beyond the site of a former Benedictine monastery where a divine virgin was martyred.
Tamar or Tamara was the name of King David’s daughter,5 just as it was the daughter of the union between Jesus and Mary Magdalene.6 The name means “palm tree,” and to anyone acquainted with esoteric symbolism this has a profound connection with the cult of raising the dead.
It has already been noted just how many of the Templar’s pursuits have decidedly esoteric or ancient Egyptian overtones. One of the central pillars of the Egyptian Mysteries schools is the resurrection myth featuring Osiris and his consort Isis. Osiris ruled the kingdom until his jealous brother Set cut him into little pieces and unceremoniously dispersed them into the Nile. Because Osiris produced no heir, Isis was left with no son to dispose of the evil Set. In effect she was the divine virgin presiding over a kingdom gone to ruin. Resourceful to the end, Isis sets off to gather up her husband’s body parts, magically reassembles them, and after fashioning him a new phallus made of solid gold she uses the sound of her voice, whereupon Osiris is resurrected and Isis impregnated.
After his ordeal Osiris shines forever as a bright star and returns to restore life to a barren land. The myth essentially outlines the ritual of living resurrection, and the symbol of Osiris’s experience is the palm tree. Osiris himself is depicted with green skin, making him the oldest expression of the cult of the Green Man, the tutelary deity of fertility who revitalizes the land and raises it from the dead.
It seems Osiris was a dab hand at magic, perhaps because the priest-god who assists him in the ritual is the ibis-headed Djehuti (the Greek Thoth-Hermes), who is credited “as the author of every branch of knowledge, both human and divine.”7 Djehuti is nothing less than the personification of the mind of God, a skin-and-bones representation of the stone tablets written by God. Djehuti’s knowledge descended from heaven from the god Amun, whose image is depicted on temple walls wearing a crown of two tablets, suspiciously identical in shape to those handed to Moses.
After the Templars recovered the knowledge secreted beneath the Temple Mount, they swore to “rebuild the temple,” physically and symbolically. This they did by specifically selecting Thamar, in the land of Ceras, a lifeless piece of land they held out for after a lengthy controversy with the Bishop of Lisbon. And now we know why.
The crowning of the hill with a round church gave it the appearance of Mount Sion and its curved basilica, the location where the Essenes once performed their secret ministries. If the Templars aimed to re-create the essence of Mount Sion, did they also re-create the rites of resurrection? For one thing, the unusual structure above Tomar was never a church to begin with; it never contained an altar inside or adjacent to it.8 And why should the Templars require a second place of worship when they already had the nearby church of Santa Maria do Olival, where their prayers and sacred offices were conducted on a daily basis?
Even more curious, during sieges, the people of Thamar were never permitted inside the rotunda, arguably the safest, most secure building inside the citadel. And had they been allowed, getting inside would have proved awkward, for this rotunda had no door.9
Cuprins
1 1125. An oak table in a large hall in a small county named Portugale . . .
2 1095. November. In the Auvergne, a mountainous region in central France . . .
3 1096. August. Constantinople, capital of the Holy Roman empire . . .
4 1096. August. With the northern army, preparing to depart . . .
5 1098. On the desert road near Antioch . . .
6 140 BC. In a land in western Iberia called Lusitania . . .
7 1099. June. Outside the gates of Jerusalem . . .
8 Thirty years earlier. Orval. A town downriver from Bouillon . . .
9 1114. Braga. A very old city in Portugale . . .
10 1100. Jerusalem. In the palace of the new king . . .
11 1100. Braga. Hearing foreign voices . . .
12 1117. Bethlehem. At a ceremony . . .
13 1117. Guimarães. In the court of Countess Tareja . . .
14 1126. Clairvaux. A very, very, very modest abbey in Champagne . . .
15 Seven Years Earlier. Clairvaux. A special moment on June 24 . . .
16 1125. Late Autumn. Porto. Disembarking after a long sea voyage . . .
17 1127. Autumn. Aboard a galley in the Mediterranean . . .
18 1128. April. Braga. An office where lots of documents are signed . . .
19 1128. January. A major gathering at Troyes, a town in Champagne . . .
20 1128. Back in Clairvaux. Upon the conclusion of the conclave . . .
21 1128. April. A chamber in the royal residence of Guimarães . . .
22 1128. Meanwhile in Champagne . . .
23 1128. June 24 A battlefield outside Guimarães . . .
24 1129. March. Afonso reveals himself . . .
25 1139. Ourique. Preparing to battle the Moors . . .
26 1139. Clairvaux. Early dawn, outside the chapel . . .
INTERMEZZO
27 1867. Jaffa. A mule train heading toward Jerusalem . . .
28 1146. Coimbra. At home with Afonso and his new bride . . .
29 1147. April. Braga. The mysterious Prior Arnaldo in his new abode . . .
30 1119. Temple Mount. A tunnel, eighty feet beneath . . .
31 1147. Braga. Gualdino Paes also moves into his new domicile . . .
32 1121. Saint-Omer. In the home of a cryptographer named Lambert . . .
33 1947. Qumran. Two goatherds, in a cave, by the Dead Sea . . .
34 1159. Ceras. A pile of rubble near a dilapidated town . . .
35 68 AD. Mount Sion. Men in white, hiding scrolls and other important things . . .
36 1159. Coimbra. The king of Portugal’s desk, part I . . .
37 1159. Coimbra. The king of Portugal’s desk, part II . . .
38 1159. Coimbra. The king of Portugal’s desk, part III . . .
39 1160. March 1. A dawn ceremony on the promontory above Thamar . . .
40 Present Era. April. Inside the rotunda of Tomar . . .
41 1865. The Vatican. Pope Pius IX gets all steamed up . . .
42 Present Era. April. By the rotunda, amid the secrets of the beehive . . .
43 Present Era. April. Musing outside the beehive . . .
44 1165. Monsanto. Peculiar behavior on an unusual hill . . .
45 Present Era. Monsanto. And other places for musing . . .
46 1147. Sintra. A funny thing happens on the way to the castle . . .
47 Present Era. Sintra. In the Forest of Angels . . .
48 Present Era. April. In the shadow of a statue in Tomar . . .
49 1153. Gossip in the alleyways of Jerusalem . . .
50 1312. Southern Portugal. The templars enjoy a six-year vacation . . .
51 Present Era. Aksum. A feast day when the Tabotat are seen in daylight . . .
52 Present Era. Tomar. Staring at the rotunda . . .
53 Present Era. A circular hall in a small country named Portugal . . .
EPILOGUE
Lusitania. Where knowledge is stored, guarded by a goddess whose symbol is a triangle . . .
Notes
Bibliography
Image Credits
Index
About the Author
2 1095. November. In the Auvergne, a mountainous region in central France . . .
3 1096. August. Constantinople, capital of the Holy Roman empire . . .
4 1096. August. With the northern army, preparing to depart . . .
5 1098. On the desert road near Antioch . . .
6 140 BC. In a land in western Iberia called Lusitania . . .
7 1099. June. Outside the gates of Jerusalem . . .
8 Thirty years earlier. Orval. A town downriver from Bouillon . . .
9 1114. Braga. A very old city in Portugale . . .
10 1100. Jerusalem. In the palace of the new king . . .
11 1100. Braga. Hearing foreign voices . . .
12 1117. Bethlehem. At a ceremony . . .
13 1117. Guimarães. In the court of Countess Tareja . . .
14 1126. Clairvaux. A very, very, very modest abbey in Champagne . . .
15 Seven Years Earlier. Clairvaux. A special moment on June 24 . . .
16 1125. Late Autumn. Porto. Disembarking after a long sea voyage . . .
17 1127. Autumn. Aboard a galley in the Mediterranean . . .
18 1128. April. Braga. An office where lots of documents are signed . . .
19 1128. January. A major gathering at Troyes, a town in Champagne . . .
20 1128. Back in Clairvaux. Upon the conclusion of the conclave . . .
21 1128. April. A chamber in the royal residence of Guimarães . . .
22 1128. Meanwhile in Champagne . . .
23 1128. June 24 A battlefield outside Guimarães . . .
24 1129. March. Afonso reveals himself . . .
25 1139. Ourique. Preparing to battle the Moors . . .
26 1139. Clairvaux. Early dawn, outside the chapel . . .
INTERMEZZO
27 1867. Jaffa. A mule train heading toward Jerusalem . . .
28 1146. Coimbra. At home with Afonso and his new bride . . .
29 1147. April. Braga. The mysterious Prior Arnaldo in his new abode . . .
30 1119. Temple Mount. A tunnel, eighty feet beneath . . .
31 1147. Braga. Gualdino Paes also moves into his new domicile . . .
32 1121. Saint-Omer. In the home of a cryptographer named Lambert . . .
33 1947. Qumran. Two goatherds, in a cave, by the Dead Sea . . .
34 1159. Ceras. A pile of rubble near a dilapidated town . . .
35 68 AD. Mount Sion. Men in white, hiding scrolls and other important things . . .
36 1159. Coimbra. The king of Portugal’s desk, part I . . .
37 1159. Coimbra. The king of Portugal’s desk, part II . . .
38 1159. Coimbra. The king of Portugal’s desk, part III . . .
39 1160. March 1. A dawn ceremony on the promontory above Thamar . . .
40 Present Era. April. Inside the rotunda of Tomar . . .
41 1865. The Vatican. Pope Pius IX gets all steamed up . . .
42 Present Era. April. By the rotunda, amid the secrets of the beehive . . .
43 Present Era. April. Musing outside the beehive . . .
44 1165. Monsanto. Peculiar behavior on an unusual hill . . .
45 Present Era. Monsanto. And other places for musing . . .
46 1147. Sintra. A funny thing happens on the way to the castle . . .
47 Present Era. Sintra. In the Forest of Angels . . .
48 Present Era. April. In the shadow of a statue in Tomar . . .
49 1153. Gossip in the alleyways of Jerusalem . . .
50 1312. Southern Portugal. The templars enjoy a six-year vacation . . .
51 Present Era. Aksum. A feast day when the Tabotat are seen in daylight . . .
52 Present Era. Tomar. Staring at the rotunda . . .
53 Present Era. A circular hall in a small country named Portugal . . .
EPILOGUE
Lusitania. Where knowledge is stored, guarded by a goddess whose symbol is a triangle . . .
Notes
Bibliography
Image Credits
Index
About the Author
Recenzii
“In this well-told story, author Freddy Silva has filled a long-standing need for a real understanding of the Templars’ early history, their search for treasure in the Temple of Solomon, and the creation of an independent Portugal with a Templar knight as king. First Templar Nation is a fascinating contribution to the body of knowledge of the Order.”
Descriere
Overturns the long-established historical narrative about the origins and purpose of the Knights Templar