Florine Stettheimer: A Biography
Autor Barbara Bloeminken Limba Engleză Hardback – 19 oct 2022
Florine Stettheimer was a feminist, multi-media artist who documented New York City’s growth as the center of cultural life, finance, and entertainment between the World Wars. During her first forty years, spent mostly in Europe, Florine Stettheimer studied academic painting and was aware of the earliest modernist styles prior to most American artists. Returning to New York, she and her sisters led an acclaimed salon for major avant-garde cultural figures including Marcel Duchamp, the Stieglitz circle, and numerous poets, dancers, and writers. During her life, Stettheimer showed her innovative paintings in more than forty of the most important museum exhibits and salons. She also wrote poetry, designed unique furniture, and gained international fame for the sets and costumes she created for the avant-garde opera, Four Saints in Three Acts. Stettheimer’s work was also socially progressive: she painted several identity-issue paintings, addressing African American segregation, Jewish bigotry, fluid sexuality, and women’s new independence.
This biography presents one of the first comprehensive readings of Stettheimer’s art. Barbara Bloemink establishes Stettheimer’s place as one of the twentieth century’s most significant and progressive artists and examines why her unique work remains relevant today.
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Specificații
ISBN-13: 9783777440286
ISBN-10: 3777440280
Pagini: 432
Ilustrații: 110 color plates
Dimensiuni: 203 x 254 mm
Greutate: 1.67 kg
Ediția:Second Edition
Editura: Hirmer Publishers
Colecția Hirmer Publishers
ISBN-10: 3777440280
Pagini: 432
Ilustrații: 110 color plates
Dimensiuni: 203 x 254 mm
Greutate: 1.67 kg
Ediția:Second Edition
Editura: Hirmer Publishers
Colecția Hirmer Publishers
Notă biografică
Barbara Bloemink is an expert on Florine Stettheimer’s work. She has written extensively on Stettheimer and co-curated the artist’s 1995 Whitney Museum Retrospective. Formerly the director and chief curator of five art museums, including the Smithsonian’s National Design Museum and the Guggenheim Hermitage Museum, Bloemink has curated over seventy exhibitions, published extensively, and lectured and taught internationally on art and design.
Cuprins
Acknowledgments
Introduction
chapter one
Origins: 1871–1890s
chapter two
Europe Influences: 1890–1915
chapter three
Return to New York: 1914–1915
chapter four
1916: The Pivotal Year
chapter five
A Uniquely Feminine, Subversive Style
chapter six
Courting Controversy: 1919–1927
chapter seven
Exploring Identity: Friends and Family 1922–1928
chapter eight
New York, New York: 1927–1933
chapter nine
Four Saints in Three Acts: 1928–1936
chapter ten
On Her Own: 1936–1949
chapter eleven
Epilogue
Exhibition History
Endnotes
Index
Selected Bibliography
Introduction
chapter one
Origins: 1871–1890s
chapter two
Europe Influences: 1890–1915
chapter three
Return to New York: 1914–1915
chapter four
1916: The Pivotal Year
chapter five
A Uniquely Feminine, Subversive Style
chapter six
Courting Controversy: 1919–1927
chapter seven
Exploring Identity: Friends and Family 1922–1928
chapter eight
New York, New York: 1927–1933
chapter nine
Four Saints in Three Acts: 1928–1936
chapter ten
On Her Own: 1936–1949
chapter eleven
Epilogue
Exhibition History
Endnotes
Index
Selected Bibliography
Recenzii
“For anyone interested in the messy, exhilarating tale of early American modernism, this is essential reading. Bloemink’s new biography provides an intimate, nuanced look at the pivotal role Stettheimer played in fomenting an artistic revolution in the United States. It is the definitive account of one of the era’s great artists.”
“In this remarkable biography, Bloemink reveals Florine Stettheimer’s determined feminism, progressive significance, subversive social consciousness, and her continuing relevance at a critical time for women in the art world.”
"Those of us who love the work of Florine Stettheimer owe a debt to Barbara Bloemink. . . . She has written a new biography, deeply researched and beautifully illustrated, with much to recommend it."
"The first extensive and scholarly biography of the artist. Stettheimer turns out to have been surprisingly shrewd in her judgments of others and self-reflective about her talents and motives. Her faux-naïf, fluorescent style has been regarded as a fountain of exuberance from a semi-trained, instinctive artist; in truth, she was a highly trained draftsman who could turn a torso with the best of the academics. One particular gift of Bloemink’s biography is that it presents the vers-libre poetry that Stettheimer wrote alongside her paintings, and shows that her verse, though produced without the immense technical care that she poured into her visual art, is in its way just as remarkable."
"Bloemink produced one of the first definitive biographies, The Life and Art of Florine Stettheimer (1995). Now, with Florine Stettheimer: A Biography, Bloemink updates, corrects, and expands her previous opus. . . . Her writing is suffused with the joie de vivre often attributed to her subject matter."
"Bloemink is again making the case for Stettheimer as a fascinating, and crucial, figure of art history, one deserving a place in the pantheon of American modernists. In a hefty new biography, Stettheimer’s life and work—which, in addition to her paintings, include acerbic poems, ornate furniture and frames, and costumes and set designs—unfold in unprecedented detail."
“A 1963 biography of the painter Florine Stettheimer contributed greatly to the impression that she was a 'cloistered spinster' whose work was too frivolously ornamental to be taken seriously or regularly exhibited. Bloemink’s newly published biography serves as a necessary corrective: For starters, the artist was a dedicated feminist who actually enjoyed single life. The writer also excavates Stettheimer’s impact as a progressive thinker whose paintings challenged the societal norms of racism and antisemitism, and highlights the monumentality of her work, both in terms of its scale and its grand themes such as American patriotism and women’s independence.”
"Enlightening. . . . In this comprehensive study of the artist’s life and work, Stettheimer scholar Barbara Bloemink expands on her 1995 biography, championing the painter’s contributions to Modern art as original and feminist. Bloemink argues that her work has been read superficially until now. She elucidates the historic context for Stettheimer’s paintings, aiding readers to look beyond the seductively decorative surfaces to see subversive depths. "
"[A] thrilling new book. . . Bloemink expresses a desire early on to undo a number of the 'misrepresentations' put forward about the artist."
"Bloemink’s thorough, engaging book is the first comprehensive biography and full reading of Stettheimer’s paintings, and gives the artist the attention she has long deserved. The author explores the ways that Stettheimer’s life circumstances and social circle shaped her highly original art, which blended sly humor and private pleasures with socially and politically minded messages about the world at large."
"[An] already indispensable, fascinating new book. . . . Bloemink brings her account to life using a wealth of archival material from Stettheimer’s world."
"[Stettheimer] has remained an artist’s artist, with an elusive legacy that Barbara Bloemink has uncovered in her new biography."
"Since her death in 1944, Florine Stettheimer has been celebrated, ignored, and rediscovered more than once. . . . A vast and handsome new biography by Barbara Bloemink, a longtime Stettheimer scholar, should at last put an end to such dithering. . . . The success of Bloemink’s book lies in the way she weaves together biographical information with close analyses of the work to answer that question. It is riveting reading, some of it quite amusing."
"Stettheimer’s work, like her personal life, has suffered from a dearth of rigorous, good-faith appraisals, and because it isn’t easily lumped in with the era’s major movements, it was written off as lovely but ultimately unclassifiable and therefore a blip in art history. Barbara Bloemink’s new biography, The Life and Art of Florine Stettheimer, rectifies this by engaging with the work on its own terms, rather than by stretching it to fit prefabricated discourses on American modern art."
“Revises the previous profile of Stettheimer as a ‘cloistered spinster’ or an ‘eccentric maiden aunt.’ . . . Bloemink’s stress on Stettheimer’s formal training shores up her position that she was no naïve.”
“This impressive biography tells how Florine Stettheimer (1871–1944) came to occupy the center of the New York art scene. . . . Bloemink uncovers both the feminism and femininity of Stettheimer, the heart of a diverse coterie of artistic fireflies, New York’s domestic doyenne, and an international muse, poet, painter, and wit.”
“This biography situates Stettheimer as an educated, independent woman who took efforts to create and maintain her artistic reputation. Bloemink will surprise readers when she describes Stettheimer as an early feminist whose paintings included sexual, racial, and political subjects. The book is very beautifully designed and printed, with a wealth of color illustrations of artwork and photographs of the extravagantly-decorated living and working environment where Stettheimer exhibited her paintings to a select audience.”
"Writing about Stettheimer in 1980, Linda Nochlin called her a 'Rococo subversive.' It might have seemed like a joke, but she meant it. Barbara Bloemink’s new biography continues in Nochlin’s provocative spirit. According to Bloemink, Stettheimer was a social documentarian whose work looks wryly at class, gender, religion and race in early 20th-century America. She makes a compelling case."
“This ambitious volume recounts the life and work of artist, Florine Stettheimer. Bloemink introduces the artist as a socially progressive visionary whose work and character were harshly misjudged during her lifetime . . . . The author reconstructs, in painstaking detail, Stettheimer’s upper-class German-Jewish family and her complicated relationship with her two her sisters, with whom she lived until the last decade of her life. Stettheimer’s diary entries and poems, along with many full-page plates of her paintings, photos, and illustrations of her set and costume designs are smartly placed throughout the book’s eleven chapters, providing reference points to specific eras and anecdotes.”
“Bloemink’s dense biographical portrait of the peculiar modernist icon—whose legendary salon was a locus of artistic incubation for figures like Marcel Duchamp, Merce Cunningham, and Alfred Stieglitz—revives a historical moment defined by flourishing possibility.”
Finalist, Visual Arts
"This lavishly illustrated, exhaustively researched biography argues for the inclusion of artist Florine Stettheimer (1871–1944) in the pantheon of great twentieth-century modernists. . . . Bloemink has succeeded in strengthening the foundation she began laying in 1995 for ongoing work on Stettheimer."