Forays into Contemporary South African Theatre: Devising New Stage Idioms: Cross/Cultures, cartea 211
Marc Maufort, Jessica Mauforten Limba Engleză Hardback – 13 noi 2019
Contributors: Veronica Baxter, Marcia Blumberg, Vicki Briault Manus, Petrus du Preez, Paula Fourie, Craig Higginson, Greg Homann, Jessica Maufort, Marc Maufort, Omphile Molusi, Jessica Murray, Jill Planche, Ksenia Robbe, Mathilde Rogez, Chris Thurman, Mike van Graan, and Ralph Yarrow.
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Specificații
ISBN-13: 9789004414457
ISBN-10: 9004414452
Dimensiuni: 155 x 235 mm
Greutate: 0.72 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
ISBN-10: 9004414452
Dimensiuni: 155 x 235 mm
Greutate: 0.72 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
Cuprins
Acknowledgments
Notes on Contributors
1 A Fraught Process: Devising New Stage Idioms for Post-apartheid South Africa
Marc and Jessica Maufort
2 On Black and White: Staging South African Identities after Apartheid
Greg Homann
3 Being in Two Places at the Same Time
Craig Higginson
4 Theatre of the Native Tongue
Omphile Molusi
5 Transformation and the Post-apartheid Condition: The Collision of Policy and Imagination in South African Theatre
Mike van Graan
6 Performing Athol Fugard’s Outsider Art in The Road to Mecca and The Painted Rocks at Revolver Creek: Transformative Art Defies Percepticide
Marcia Blumberg
7 Alluring Voices from the Page to the Stage: Literary Characters and the Question of the ‘Real’ in Reza de Wet’s Verleiding
Petrus du Preez
8 From the Stage to the Page: Trauma, Reconciliation and Remembering in Craig Higginson’s Dream of the Dog andThe Dream House
Mathilde Rogez
9 South African Theatre and the Politics of the Improvisatory
Ralph Yarrow
10 The Fault-Lines of Idiom: New Thematic and Stylistic Trends in the Plays of Allan Kolski Horwitz
Vicki Briault Manus
11 Revisiting the Past, Imagining the Future: Aesthetic of Creolization in Post-apartheid South African Drama
Marc Maufort
12 Intimate Exposure: Solo Women Performing in Post-apartheid South Africa
Veronica Baxter
13 Recuperating Historical Narratives of Violence and Dislocation in Rehane Abrahams’ What the Water Gave Me
Jill Planche
14 Female Interventions in Contemporary South African Drama and Performance: An Analysis of Selected Work by Women Artists
Jessica Murray
15 An Unfinished Homecoming: Postmemory, Place and New Practices of Politicisation in the Plays of Nadia Davids and Amy Jephta
Ksenia Robbe
16 ‘Dis Nie Myne Nie, Dis Nie Joune Nie’ or Kramer and Petersen’s Ghoema: Inscribing the Past, Claiming the Present?
Paula Fourie
17 Shakespeare versus Shakespeare: Notes on Theatre-Making from Belgium to South Africa
Chris Thurman
Index of Names and Literary Works
Notes on Contributors
1 A Fraught Process: Devising New Stage Idioms for Post-apartheid South Africa
Marc and Jessica Maufort
Part 1: Playwrights’ Perspectives
2 On Black and White: Staging South African Identities after Apartheid
Greg Homann
3 Being in Two Places at the Same Time
Craig Higginson
4 Theatre of the Native Tongue
Omphile Molusi
5 Transformation and the Post-apartheid Condition: The Collision of Policy and Imagination in South African Theatre
Mike van Graan
Part 2: Dramatic, Theatrical and Performance Reconfigurations
6 Performing Athol Fugard’s Outsider Art in The Road to Mecca and The Painted Rocks at Revolver Creek: Transformative Art Defies Percepticide
Marcia Blumberg
7 Alluring Voices from the Page to the Stage: Literary Characters and the Question of the ‘Real’ in Reza de Wet’s Verleiding
Petrus du Preez
8 From the Stage to the Page: Trauma, Reconciliation and Remembering in Craig Higginson’s Dream of the Dog andThe Dream House
Mathilde Rogez
9 South African Theatre and the Politics of the Improvisatory
Ralph Yarrow
10 The Fault-Lines of Idiom: New Thematic and Stylistic Trends in the Plays of Allan Kolski Horwitz
Vicki Briault Manus
11 Revisiting the Past, Imagining the Future: Aesthetic of Creolization in Post-apartheid South African Drama
Marc Maufort
Part 3: Female Playwriting
12 Intimate Exposure: Solo Women Performing in Post-apartheid South Africa
Veronica Baxter
13 Recuperating Historical Narratives of Violence and Dislocation in Rehane Abrahams’ What the Water Gave Me
Jill Planche
14 Female Interventions in Contemporary South African Drama and Performance: An Analysis of Selected Work by Women Artists
Jessica Murray
15 An Unfinished Homecoming: Postmemory, Place and New Practices of Politicisation in the Plays of Nadia Davids and Amy Jephta
Ksenia Robbe
Part 4: Creolization: From the Cape to Transnational Vistas
16 ‘Dis Nie Myne Nie, Dis Nie Joune Nie’ or Kramer and Petersen’s Ghoema: Inscribing the Past, Claiming the Present?
Paula Fourie
17 Shakespeare versus Shakespeare: Notes on Theatre-Making from Belgium to South Africa
Chris Thurman
Index of Names and Literary Works
Notă biografică
Marc Maufort, PhD (1986), Université Libre de Bruxelles (ULB), is Professor of Anglophone literatures at that university. He has authored and (co)-edited several books on English-language drama. He is the current editor of Recherche littéraire/Literary Research.
Jessica Maufort holds a PhD (2018) in postcolonial literatures from the Université Libre de Bruxelles (ULB). She has published essays in Ecozon@: European Journal of Literature, Culture and Environment and AJE: Australasian Journal of Ecocriticism and Cultural Ecology.
Jessica Maufort holds a PhD (2018) in postcolonial literatures from the Université Libre de Bruxelles (ULB). She has published essays in Ecozon@: European Journal of Literature, Culture and Environment and AJE: Australasian Journal of Ecocriticism and Cultural Ecology.