Photographic Ekphrasis in Cuban-American Fiction: Missing Pictures and Imagining Loss and Nostalgia: Cross/Cultures, cartea 205
Autor Louisa Söllneren Limba Engleză Hardback – 22 aug 2018
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Specificații
ISBN-13: 9789004359956
ISBN-10: 9004359958
Dimensiuni: 155 x 235 mm
Greutate: 0.4 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
ISBN-10: 9004359958
Dimensiuni: 155 x 235 mm
Greutate: 0.4 kg
Editura: Brill
Colecția Brill
Seria Cross/Cultures
Notă biografică
Louisa Söllner (PhD, Ludwig-Maximilians-University Munich, 2012) works at the University of Eichstätt-Ingolstadt. She has published articles on Cuban-American literature and art. Her research investigates the relationship between visual media and writing.
Cuprins
Acknowledgements
Introduction
1 Missing Pictures: A Compressed Philosophy of Photography
2 Locating Cuban-American Literature: Diaspora and the Politics of Longing
3 Photography Displaced: A Conversation between Theories
4 Rethinking Ekphrasis: Photography in Cuban-American Literature
1 Re-membering Cuba in Autobiographical Writing
1Autos, Bios, Graphē, and Ikóna: Elements of Autobiographical Writing
2 The Erotics of Exile: Gustavo Pérez Firmat’s Next Year in Cuba
3 Reading the Past: Carlos Eire’s Waiting for Snow in Havana
4 “Dying is the only option and not an option at all”: Negotiating Cultural Attachments
2 (Post-)Nostalgia Novels and the Mediation of History
1 Cuba Reinvented: Strategies of Nostalgia, Pastiche, and Simulation
2 Nostalgia and the Uncanny: Oscar Hijuelos’s The Fourteen Sisters of Emilio Montez O’Brien
3 Nostalgia and Cannibalization: Roberto G. Fernández’s Holy Radishes!
4 Pastiche Revisited: Inauthenticity and Dislocation
3 Rewriting History in Female Fiction
1 Histories of Skin: Photography, Genealogy, and Dislocation
2 “Cuba’s Dying Birds”: Cristina García’s The Agüero Sisters
3 Veiled Origins and Secret Histories: Achy Obejas’s Days of Awe
4 Umbilical Cords and Reproduction: The Discontinuous Strings of History
4 Ekphrasis in the Age of Globalization
1 “I am a Cosmopolitan”: Self-Narration and Globalized Image Culture
2 “A Game with History”: Ana Menéndez’s Loving Che
3 Mediating Love and War: Ana Menéndez’s The Last War
4 Images without Origin and the Failures of Self-Narration
Conclusion
Works Cited
Index
Introduction
1 Missing Pictures: A Compressed Philosophy of Photography
2 Locating Cuban-American Literature: Diaspora and the Politics of Longing
3 Photography Displaced: A Conversation between Theories
4 Rethinking Ekphrasis: Photography in Cuban-American Literature
1 Re-membering Cuba in Autobiographical Writing
1Autos, Bios, Graphē, and Ikóna: Elements of Autobiographical Writing
2 The Erotics of Exile: Gustavo Pérez Firmat’s Next Year in Cuba
3 Reading the Past: Carlos Eire’s Waiting for Snow in Havana
4 “Dying is the only option and not an option at all”: Negotiating Cultural Attachments
2 (Post-)Nostalgia Novels and the Mediation of History
1 Cuba Reinvented: Strategies of Nostalgia, Pastiche, and Simulation
2 Nostalgia and the Uncanny: Oscar Hijuelos’s The Fourteen Sisters of Emilio Montez O’Brien
3 Nostalgia and Cannibalization: Roberto G. Fernández’s Holy Radishes!
4 Pastiche Revisited: Inauthenticity and Dislocation
3 Rewriting History in Female Fiction
1 Histories of Skin: Photography, Genealogy, and Dislocation
2 “Cuba’s Dying Birds”: Cristina García’s The Agüero Sisters
3 Veiled Origins and Secret Histories: Achy Obejas’s Days of Awe
4 Umbilical Cords and Reproduction: The Discontinuous Strings of History
4 Ekphrasis in the Age of Globalization
1 “I am a Cosmopolitan”: Self-Narration and Globalized Image Culture
2 “A Game with History”: Ana Menéndez’s Loving Che
3 Mediating Love and War: Ana Menéndez’s The Last War
4 Images without Origin and the Failures of Self-Narration
Conclusion
Works Cited
Index