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Forgotten: Oberon Modern Plays

Autor Daniel York Loh
en Limba Engleză Paperback – 16 oct 2018
'The foreign devils will be entranced by our performance and line our path back to Shandong with gold and cherry blossoms.'1917. Shandong Province, Northern China. Times are tough in Horse Shoe Village. Old Six and Second Moon struggle to earn enough to feed their young child. Big Dog struggles to overcome opium addiction and for Eunuch Lin, the fall of the Imperial Dynasty couldn't have come at a worse time. Could a fierce war far away in Europe present an opportunity to put both themselves and their struggling nation on its feet?Forgotten is inspired by the little-known story of the 140,000 Chinese Labour Corps who left everything and travelled halfway around the world to work for Britain and the Allies behind the front lines during World War One.
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Specificații

ISBN-13: 9781786825032
ISBN-10: 1786825031
Pagini: 112
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.14 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays

Locul publicării:London, United Kingdom

Caracteristici

A new play by Daniel York Loh, one of the award-winning writers from the best-selling anthology The Good Immigrant

Notă biografică

Daniel York Loh is a mixed-race British East Asian actor, writer, filmmaker and musician. His first full-length play, The Fu Manchu Complex, ran at Ovalhouse in 2013. Along with composer Craig Adams, he won the 2016 Perfect Pitch award to create an original stage musical, Sinking Water, based on events around the 2004 Morecambe Bay Chinese cockle-picker tragedy, which is currently being developed under commission by Theatre Royal Stratford East. He is one of 21 writers of colour featured in the collection of essays, The Good Immigrant, which won the 2016 Books Are My Bag Reader's Choice award. He has served on the Equity Minority Ethnic Members Committee, is a founder member of British East Asian Artists and has worked with Act For Change to promote diversity in UK media.

Recenzii

A rhythmic and expansive piece of theatre which showcases the best of (often underestimated) British East Asian talent... there is a core of tenderness and generosity to York Loh's writing. It's an ornately layered epic which manages to carry itself delicately despite the righteous fury which rumbles beneath the surface. This is a play which demonstrates an acutely raw understanding of how Western institutions exploit and grind non-white bodies to the bone.'