Forms of Conflict: Contemporary Wars on the British Stage: Exeter Performance Studies
Autor Sara Soncinien Limba Engleză Paperback – 14 iul 2016
Forms of Conflict questions how dramatists have responded aesthetically to the changing nature of conflict, focusing on plays written and performed around or after the September 11 terrorist attacks. Soncini examines how the works of playwrights such as Caryl Churchill, David Hare, Martin Crimp, and Simon Stephens have provided an interpretative means to enlarge our understanding of the new patterns of conflict, ensuring theater’s continued cultural and political relevance. Drawing predominantly on textual material while also considering performance dimension and actual productions, Forms of Conflict explores the relationship between new forms of warfare and new forms of drama, illustrating what dramatic form can reveal about the post-9/11 landscape.
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Specificații
ISBN-13: 9780859899949
ISBN-10: 0859899942
Pagini: 314
Dimensiuni: 152 x 229 x 33 mm
Greutate: 0.57 kg
Editura: UNIVERSITY OF EXETER PRESS
Colecția University of Exeter Press
Seria Exeter Performance Studies
ISBN-10: 0859899942
Pagini: 314
Dimensiuni: 152 x 229 x 33 mm
Greutate: 0.57 kg
Editura: UNIVERSITY OF EXETER PRESS
Colecția University of Exeter Press
Seria Exeter Performance Studies
Notă biografică
Sara Soncini is a researcher in the Department of Philology, Literature, and Linguistics at the University of Pisa. She is coeditor, with Carla Dente, of Shakespeare and Conflict: A European Perspective.
Cuprins
Acknowledgments
1. Introduction: Scenes of War
2. This is Not a War: Mimesis in the Age of Simulacra
2.1 Presages
2.2 Far away, so close
2.3 Media narratives
3. War without Conflict / Theatre without Drama
3.1 Fragments from a warrior’s discourse
3.2 The rest is silence
3.3 There’s method in this randomness
4. ‘Why Fabulate?’
4.1 Documenting war
4.2 The tribunal play: extending the code
4.3 Uneasy coaltions
5. The Performance of Witnessing
5.1 The talking cure
5.2 The artist is present
5.3 Technologies of recollection
6. Figures of Mediation
6.1 The translation turn
6.2 The mediator’s invisibility
6.3 The combat linguist
6.4 Uncanny bodies
Appendix: New War Plays on the British Stage, 1990-2010
Works Cited
Index
1. Introduction: Scenes of War
2. This is Not a War: Mimesis in the Age of Simulacra
2.1 Presages
2.2 Far away, so close
2.3 Media narratives
3. War without Conflict / Theatre without Drama
3.1 Fragments from a warrior’s discourse
3.2 The rest is silence
3.3 There’s method in this randomness
4. ‘Why Fabulate?’
4.1 Documenting war
4.2 The tribunal play: extending the code
4.3 Uneasy coaltions
5. The Performance of Witnessing
5.1 The talking cure
5.2 The artist is present
5.3 Technologies of recollection
6. Figures of Mediation
6.1 The translation turn
6.2 The mediator’s invisibility
6.3 The combat linguist
6.4 Uncanny bodies
Appendix: New War Plays on the British Stage, 1990-2010
Works Cited
Index
Recenzii
“Rich and expansive . . . . Intricate and insightful . . . . Sara Soncini grapples with a timely question: how have theatre practitioners represented and responded to the theatrical challenges of contemporary globalized and highly mediatized warfare? . . . . Authoritatively argued . . . a welcome contribution to the fields of theatre and performance studies.”