Grand-Guignol: The French Theatre of Horror: Exeter Performance Studies
Autor Richard J. Hand, Michael Wilsonen Limba Engleză Paperback – 31 dec 2001
The Théâtre du Grand-Guignol in Paris (1897-1962) achieved a legendary reputation as the 'Theatre of Horror,' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror.
Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director.
The book also includes oustanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
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Specificații
ISBN-13: 9780859896962
ISBN-10: 085989696X
Pagini: 336
Ilustrații: 12 illustrations
Dimensiuni: 234 x 155 x 23 mm
Greutate: 0.49 kg
Editura: UNIVERSITY OF EXETER PRESS
Colecția University of Exeter Press
Seria Exeter Performance Studies
Locul publicării:United Kingdom
ISBN-10: 085989696X
Pagini: 336
Ilustrații: 12 illustrations
Dimensiuni: 234 x 155 x 23 mm
Greutate: 0.49 kg
Editura: UNIVERSITY OF EXETER PRESS
Colecția University of Exeter Press
Seria Exeter Performance Studies
Locul publicării:United Kingdom
Notă biografică
Mike Wilson is Professor of Drama at the University of Glamorgan. He is author of Performance and Practice: Oral Narrative Traditions among Teenagers in Britain and Ireland (Ashgate, 1997). Richard Hand is a Principal Lecturer in Drama at the University of Glamorgan. He is also assistant editor and translator of Naturalism and Symbolism in European Theatre, 1850 - 1918(CUP, 1996).
Cuprins
JACK! (LUI!)
by Oscar Méténier
by Oscar Méténier
THE ULTIMATE TORTURE (LA DERNIÈRE TORTURE)
by André de Lorde and EugÈne Morel
THE LIGHTHOUSEKEEPERS (GARDIENS DE PHARE)
by Paul Autier and Paul Colquemin
CHOP-CHOP! (LA VEUVE)
by EugÈne Héros and Léon Abric
TICS! OR DOING THE DEED (APRÈS COUP OU TICS)
by René Berton
IN THE DARKROOM (SOUS LA LUMIÈRE ROUGE)
by Maurice Level and Etienne Rey
THE FINAL KISS (LE BAISER DANS LA NUIT)
by Maurice Level
THE TORTURE GARDEN (LE JARDIN DES SUPPLICES)
by Pierre Chaine and André de Lorde
EUTHANASIA (L’EUTHANASIE)
by René Berton
THE KISS OF BLOOD (LE BAISER DE SANG)
by Jean Aragny and Francis Nelson