Forms of the Cinematic: Architecture, Science and the Arts
Editat de Mark Breezeen Limba Engleză Paperback – 27 iul 2022
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Specificații
ISBN-13: 9781501374906
ISBN-10: 1501374907
Pagini: 232
Ilustrații: 26 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.31 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1501374907
Pagini: 232
Ilustrații: 26 bw illus
Dimensiuni: 152 x 229 mm
Greutate: 0.31 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Caracteristici
Contains a range of specific and relatable short essays from leading academics and practitioners in their respective fields, such as Annette Kuhn and DN Rodowick
Notă biografică
Mark E. Breeze is a Harvard-trained architect, an Emmy-nominated documentary filmmaker and the Director of Studies in Architecture at St John's College, University of Cambridge, UK. He completed his postdoctorate at the University of Oxford, and he has held fellowships at the US Library of Congress and The Huntington, Los Angeles. His academic and creative practice explores the intersections between architecture and film.
Cuprins
Forms of the cinematic: An introduction Mark E. Breeze (University of Cambridge, UK) Part One Rethinking: from Idea to Structure 1. Idea and image D. N. Rodowick (University of Chicago, USA) 2. The screen as barrier and support: Monitoring, projection and perfectionism in Brad Bird's Tomorrowland: A World Beyond (2015) Stephen Mulhall (University of Oxford, UK) 3. Surface thoughts: On the look of cinema John O´Maoilearca (Kingston University, UK) 4. The film event: From Bazin to Deleuze Tom Conley (Harvard University, USA) Part Two Revisualizing: from the Tangible to the Intangible 5. What film studies is: Mapping the discipline Annette Kuhn and Guy Westwell (Queen Mary University of London, UK) 6. A cinematic aided design approach and the need for (in)-disciplinarity Francois Penz (University of Cambridge, UK) 7. Microcinematography and biomedical science Brian Stramer (King's College London, UK) 8. Cinematic forms and cultural heritage Maureen Thomas (Norwegian Film School, Norway) Part ThreeReconstructing: from Writing to Architecture 9. The modulation of emphasis: Screenwriting as a literary art Clare L. E. Foster (University of Cambridge, UK) 10. Mapping Andrei Tarkovsky's Stalker: An architectural exploration of the 'Zone' Stavros Alifragkis (Aristotle University of Thesonaliki, Greece) 11. Architecture Beyond Sight: Filming blindness Anna Ulrikke Andersen (University College London, UK) 12. Towards an architecture of the cinematic Mark E. Breeze (University of Cambridge, UK) Index
Recenzii
This rich interdisciplinary collection establishes the cinematic as a form for rethinking, revisualizing and reconstructing space and time, and as a socio-cultural tool that enables us to redefine our engagement with the world. Featuring texts by theorists and practitioners from philosophy, film studies, filmmaking, biology, documentary practice, screenwriting and architecture, often employing inventive research methodologies, the anthology is essential in its examination of cinema's wide ranging impact on different fields of knowledge.