Foucault's Philosophy of Art: A Genealogy of Modernity: Philosophy, Aesthetics and Cultural Theory
Autor Professor Joseph J. Tankeen Limba Engleză Paperback – 29 iun 2009
Foucault's Philosophy of Art: A Genealogy of Modernity tells the story of how art shed the tasks with which it had traditionally been charged in order to become modern. Joseph J. Tanke offers the first complete examination of Michel Foucault's reflections on visual art, tracing his thought as it engages with the work of visual artists from the seventeenth century to the contemporary period.
The book offers a concise and accessible introduction to Foucault's frequently anthologized, but rarely understood, analyses of Diego Velázquez's Las Meninas and René Magritte's Ceci n'est pas une pipe. On the basis of unpublished lecture courses and several un-translated analyses of visual art, Tanke reveals the uniquely genealogical character of Foucault's writings on visual culture, allowing for new readings of his major texts in the context of contemporary Continental philosophy, aesthetic and cultural theory. Ultimately Tanke demonstrates how Foucault provides philosophy and contemporary criticism with the means for determining a conception of modern art.
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Specificații
ISBN-13: 9781847064851
ISBN-10: 184706485X
Pagini: 240
Dimensiuni: 138 x 216 x 18 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Philosophy, Aesthetics and Cultural Theory
Locul publicării:London, United Kingdom
ISBN-10: 184706485X
Pagini: 240
Dimensiuni: 138 x 216 x 18 mm
Greutate: 0.3 kg
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Philosophy, Aesthetics and Cultural Theory
Locul publicării:London, United Kingdom
Caracteristici
Part of a new series examining the encounter between Continental philosophy and aesthetic and cultural theory.
Cuprins
Introduction
1. The Stirrings of Modernity
2. Rupture
3. Non-Affirmative Painting
4. Anti-Platonism
5. The Cynical Legacy
Bibliography
Index
Recenzii
Ideal for both undergraduates seeking a reliable overview and for scholars interested in the positioning of artworks in modernity, this book's strengths are its clarity of composition, its author's critical detachment, and the fascinating use to which he puts Foucault's quite recently published lectures about artworks and artists.