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Freud's Drive: Psychoanalysis, Literature and Film: Psychoanalysis, Literature and Film de Teresa De Lauretis

Freud's Drive: Psychoanalysis, Literature and Film: Psychoanalysis, Literature and Film: Language, Discourse, Society

Autor Teresa De Lauretis
en Limba Engleză Paperback – 4 apr 2008
Teresa De Lauretis makes a bold and orginal argument for the renewed relevance of the Freudian theory of drives, through close readings of texts ranging from cinema and literature to psychoanalysis and cultural theory.
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Paperback (1) 40589 lei  6-8 săpt.
  Palgrave Macmillan UK – 4 apr 2008 40589 lei  6-8 săpt.
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  Palgrave Macmillan UK – 4 apr 2008 37826 lei  6-8 săpt.

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Specificații

ISBN-13: 9780230275492
ISBN-10: 0230275494
Pagini: 190
Ilustrații: X, 190 p.
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.25 kg
Ediția:2008
Editura: Palgrave Macmillan UK
Colecția Palgrave Macmillan
Seria Language, Discourse, Society

Locul publicării:London, United Kingdom

Cuprins

Acknowledgements Introduction: Death @ Work Basic Instincts: An Illustrated Guide to Freud's Theory of Drives The Stubborn Drive: Foucault, Freud, Fanon The Queer Space of the Drive: Rereading Freud with Laplanche Becoming Inorganic: Cronenberg's eXistenZ , Virtuality, and the Death Drive The Odor of Memory: On Reading Djuna Barnes with Freud Notes Bibliography Index

Recenzii

CHOICE Outstanding Academic Title for 2009
'This remarkable book by the well-known semiologist Teresa de Lauretis...is an indication of [the author's] ability to understand the present.'
- Division Review

Notă biografică

TERESA DE LAURETIS, born and educated in Italy, is Professor of the History of Consciousness at the University of California, Santa Cruz, USA. The author of numerous, widely translated, works in semiotics, feminist theory, psychoanalysis, literary and film theory, she writes in both English and Italian. Her books include Alice Doesn't (1984), Technologies of Gender (1987), The Practice of Love (1994), Soggetti eccentrici (1999) and Figures of Resistance (2007), a reader of her essays in feminist film theory, edited by Patricia White.