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From Acting to Performance: Essays in Modernism and Postmodernism de Philip Auslander

From Acting to Performance: Essays in Modernism and Postmodernism

Autor Philip Auslander
en Limba Engleză Paperback – 10 apr 1997
From Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan.
From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.
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Specificații

ISBN-13: 9780415157872
ISBN-10: 0415157870
Pagini: 184
Ilustrații: bibliography, indexes
Dimensiuni: 138 x 216 x 14 mm
Greutate: 0.25 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate and Undergraduate

Cuprins

1. Introduction Part I: From Acting to Performance 2. Holy Theatre and Catharsis 3. Just Be Your Self: Logocentrism and Difference in Performance Theory 4. Task and Vision: Willem Dafoe in LSD Part II: Postmodernism and Performance 5. Presence and Theatricality in the Discourse of Theatre and the Visual Arts 6. Toward a Concept of the Political in Postmodern Theatre 7. Embodiment: The Politics of Postmodern Dance Part III: Postmodern Body Politics 8. Vito Acconci and the Politics of the Body in Postmodern Performance 9. Boal, Blau, Brecht: The Body 10. Brought to You By Fem-Rage: Stand-up Comedy and the Politics of Gender 11. The Surgical Self: Body Alteration and Identity Bibliography Name Index Subject Index

Descriere

This first collection of essays by performance theorist and critic Philip Auslander surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.