From Printing to Streaming: Cultural Production under Capitalism: Marxism and Culture
Autor Michael Chananen Limba Engleză Paperback – 19 oct 2022
Explores the impact of digital technologies on the logic of cultural capitalism.
A radical and comprehensive analysis of the commodification of artistic creation and the struggle to realize its potential in the digital age.
For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labor. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media.
Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film, and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Chanan demonstrates how these developments have had profound implications for both cultural creation and consumption.
A radical and comprehensive analysis of the commodification of artistic creation and the struggle to realize its potential in the digital age.
For mainstream economics, cultural production raises no special questions: creative expression is to be harvested for wealth creation like any other form of labor. As Karl Marx saw it, however, capital is hostile to the arts because it cannot fully control the process of creativity. But while he saw the arts as marginal to capital accumulation, that was before the birth of the mass media.
Engaging with the major issues in Marxist theory around art and capitalism, From Printing to Streaming traces how the logic of cultural capitalism evolved from the print age to digital times, tracking the development of printing, photography, sound recording, newsprint, advertising, film, and broadcasting, exploring the peculiarities of each as commodities, and their recent transformation by digital technology, where everything melts into computer code. Chanan demonstrates how these developments have had profound implications for both cultural creation and consumption.
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PLUTO PRESS – 19 oct 2022 | 630.09 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780745340968
ISBN-10: 0745340962
Pagini: 272
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.34 kg
Editura: PLUTO PRESS
Colecția Pluto Press
Seria Marxism and Culture
ISBN-10: 0745340962
Pagini: 272
Dimensiuni: 140 x 216 x 18 mm
Greutate: 0.34 kg
Editura: PLUTO PRESS
Colecția Pluto Press
Seria Marxism and Culture
Recenzii
'Chanan's rich historical investigations of the evolving technologies of artistic production provide a fascinating new basis for a politics of culture'
Michael Hardt, co-author of 'Assembly'
Michael Hardt, co-author of 'Assembly'
'Drawing on nearly fifty years of writing and teaching about the media and making films, Michael Chanan presents us with a series overlapping histories of different media technologies, which is both authoritative and original'
Julian Petley, Honorary and Emeritus Professor of Journalism at Brunel University, London
'Michael Chanan's brilliant synthesis, replete with fascinating detail, both boggles the mind and deeply educates'
Claudia Gorbman, Professor Emerita of Film Studies at the University of Washington Tacoma
Notă biografică
Michael Chanan is a documentary filmmaker, writer and Professor Emeritus at the University of Roehampton. He has written extensively on film and video in Latin America and has filmed in most of the countries in the continent at intervals since the early 1980s, as well as writing on other film history topics and the social history of music, and making several films on capitalism in crisis. His latest film is Cuba: Living Between Hurricanes.
Cuprins
Series Preface
Preface
1. Autonomy of the Aesthetic
2. The Changing Logic of Artistic Production
3. Cultural Commodification
4. Countercurrents
5. From Analog to Digital
6. Creativity Reconsidered
Bibliography
Notes
Preface
1. Autonomy of the Aesthetic
2. The Changing Logic of Artistic Production
3. Cultural Commodification
4. Countercurrents
5. From Analog to Digital
6. Creativity Reconsidered
Bibliography
Notes
Descriere
Explores the impact of digital technologies on the logic of cultural capitalism