From the Stage to the Studio: How Fine Musicians Become Great Teachers
Autor Cornelia Watkins, Laurie Scotten Limba Engleză Hardback – 13 iun 2012
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Oxford University Press – 13 iun 2012 | 497.56 lei 31-38 zile |
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Specificații
ISBN-13: 9780199740529
ISBN-10: 0199740526
Pagini: 320
Dimensiuni: 236 x 157 x 25 mm
Greutate: 0.64 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0199740526
Pagini: 320
Dimensiuni: 236 x 157 x 25 mm
Greutate: 0.64 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
This book is the product of the combined wisdom of two hugely experienced, and hugely generous, pedagogues .... This is not just a great book about music education - it is a great book about music and what it can mean to people.
The book is beautifully presented, both as a resource for self-study, and, via 'personal inventories' in each chapter ... studies of the self. It is also designed as a course textbook for groups of students. ... this is a book that can be recommended highly.
The book is beautifully presented, both as a resource for self-study, and, via 'personal inventories' in each chapter ... studies of the self. It is also designed as a course textbook for groups of students. ... this is a book that can be recommended highly.
Notă biografică
Laurie Scott is Associate Professor of Music and Human Learning at The University of Texas at Austin. Additionally, she serves as the director of The University of Texas String Project. She is a guest clinician and conductor at state and national conventions speaking on string pedagogy, public school music education, orchestral bowing techniques and character development. Her articles have appeared in The American String Teacher, The American Suzuki Journal, and The Journal of Research in Music Education.Cornelia Watkins, teaches pedagogy at Northwestern University's Bienen School of Music. She speaks frequently at conferences across the country, and is the author of Rosindust: Teaching, Learning, and Life from a Cellist's Perspective. She served as TexASTA's studio teaching chair for seven years and also served a two-year term as chair for ASTA's Committee on Studio Instruction.