Future Theatre Research: Origin, Medium, Performance-Text, Reception and Acting
Autor Eli Roziken Limba Engleză Paperback – 31 aug 2016
Eli Rozik explores the principles that generated the theatre medium, and its possible roots in the preverbal imagistic mode of thinking. This mode characterises the remnants of preverbal thinking, such as unconscious thinking (dreaming), the embryonic speech of toddlers, and the imaginative play and drawings done prior to mastering verbal thinking. The book is a recapitulation of major findings regarding the nature of the theatre, its medium, fictional creativity, and origin. It includes new unpublished studies, and it address the principles of imagistic, metaphoric, symbolic, and fictional thinking, which characterise the theatre, as well as reception and acting. The work has been designed to fit the structure of a university course, and will appeal to people interested in broadening their knowledge and understanding of theatre art. [Subject: Performing Arts & Theatre]
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Paperback (1) | 381.10 lei 6-8 săpt. | |
Sussex Academic Press – 31 aug 2016 | 381.10 lei 6-8 săpt. | |
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Specificații
ISBN-13: 9781845198343
ISBN-10: 1845198344
Pagini: 320
Ilustrații: illus
Dimensiuni: 159 x 235 x 20 mm
Greutate: 0.52 kg
Editura: Sussex Academic Press
Colecția Sussex Academic Press
ISBN-10: 1845198344
Pagini: 320
Ilustrații: illus
Dimensiuni: 159 x 235 x 20 mm
Greutate: 0.52 kg
Editura: Sussex Academic Press
Colecția Sussex Academic Press
Notă biografică
Eli Rozik is Ph.D. and professor emeritus of theatre studies. He was twice head of the Department of Theatre Studies and Dean of the Faculty of the Arts at Tel Aviv University. He specializes in theatre theory, particularly in non-verbal communication in performance analysis; and has published numerous articles in international leading journals in Europe and the US. His books include The Language of Theatre, The Roots of Theatre - Rethinking Ritual and Other Theories of Origin, Metaphoric Thinking, Generating Theatre Meaning, Fictional Thinking, Comedy: A Critical Introduction, and most recently Theatre Sciences: A Plea for a Multidisciplinary Approach to Theatre Studies.