General History of Chinese Film II: 1949–1976: Routledge Studies in Chinese Cinema
Autor Ding Yaping Traducere de Jin Hainaen Limba Engleză Hardback – 27 oct 2021
This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China.
The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
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Specificații
ISBN-13: 9781032069531
ISBN-10: 1032069538
Pagini: 250
Ilustrații: 42 Halftones, black and white; 42 Illustrations, black and white
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Chinese Cinema
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032069538
Pagini: 250
Ilustrații: 42 Halftones, black and white; 42 Illustrations, black and white
Dimensiuni: 156 x 234 x 16 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Studies in Chinese Cinema
Locul publicării:Oxford, United Kingdom
Public țintă
Postgraduate, Undergraduate Advanced, and Undergraduate CoreCuprins
Introduction. 1. Films Shouldering a Newborn State Power (1949-1951). 2. Imagination and a Turning Point (1952-1956). 3. In Collective Sentiments: The True Mirror (1957-1965). 4. Death of Film: A Portrait of Delirium in the Cultural Revolution Period (1966-1971). 5. The Scene of Revolution in a Special Period (1972-1974). 6. Under the Redness (1975-1976).
Notă biografică
Ding Yaping is the Director of the Film and Television Research Institute of the Chinese National Academy of Arts. He specializes in the history of Chinese film and has published more than 20 monographs.
Jin Haina is professor of translation, film, and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.
Jin Haina is professor of translation, film, and communication studies at the Communication University of China. Her research interests include film translation, translation history, and film history.
Descriere
This volume explores the development of Chinese film from 1949 to 1976. The author exhibits the complex relations of film with society, politics, culture, and art in the Maoist period, and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded People’s Republic of China.