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Genre: A Guide to Writing for Stage and Screen: RADA Guides

Autor Andrew Tidmarsh
en Limba Engleză Paperback – 7 mai 2014
What makes tragedy tragic? What makes comedy comic? What does Much Ado About Nothing have in common with When Harry Met Sally? Seneca with Desperate Housewives? Goldoni with Frasier? In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more. Investigating how the relationship between form and content brings endless discoveries and illuminations about how narrative works, this entertaining and accessible book looks at how storytelling in film and theatre has evolved and how an appreciation of form can bring the writer, director or actor a solid foundation and a sense of security, which ultimately assists the creative process. Including genre-specific exercises in every chapter helping the reader to write and devise, Genre: A Guide to Writing for Stage and Screen is for all those with an interest in story and can be used by writers, actors and directors alike - whether students or experienced professionals - to make the blank page appear less terrifying.
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Specificații

ISBN-13: 9781408185827
ISBN-10: 1408185822
Pagini: 112
Dimensiuni: 189 x 246 x 8 mm
Greutate: 0.23 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria RADA Guides

Locul publicării:London, United Kingdom

Caracteristici

Deals in turn with the fundamental building blocks of different types of story, giving readers a complete picture, rather than a narrow focus on one genre or another.

Notă biografică

Andrew Tidmarsh is a writer, theatre director and awardwinning film-maker. He has worked with undergraduate and postgraduate writers for nearly 20 years for various institutions: Goldsmiths, University of London, Drama Centre, University of the Arts, and the Royal Academy of Dramatic Art. He has also worked in the Philippines, Germany and Canada. He currently teaches and directs at RADA.

Cuprins

IntroductionChapter 1 The Building Blocks of NarrativeChapter 2 Will Versus Fate: Greek Tragedy and the FundamentalsChapter 3 Let's See Blood: Roman Tragedy and Quentin TarantinoChapter 4 Revenge is Sweet: Elizabethan TragedyChapter 5 Mashing It Up: Desperate Housewives, Jacobean Tragedy and BuffyChapter 6 The Plate of Sardines: New Greek Comedy, Menander and FrasierChapter 7 Archetype or Stereotype? Plautus, Comedy of Contradictionsand The Sketch ShowChapter 8 Happily Ever After: Romantic Comedy from Shakespeareto Sleepless in SeattleChapter 9 Minding Our Manners: The Country Wife and Mean GirlsChapter 10 Nothing Ever Happens: Chekhov and the ContemporaryIndependent ComedyChapter 11 Arrivals and Departures: The Chivalric Romance and the PastoralA Final ThoughtAppendix 1: Miscellaneous Genres and HybridsAppendix 2: Other Theories and Other ApproachesNotes