Singing on Stage: An Actor's Guide: RADA Guides
Autor Jane Streeton, Philip Raymonden Limba Engleză Paperback – 7 mai 2014
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Specificații
ISBN-13: 9781408145470
ISBN-10: 1408145472
Pagini: 176
Ilustrații: 25 halftone illus
Dimensiuni: 189 x 246 x 13 mm
Greutate: 0.39 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria RADA Guides
Locul publicării:London, United Kingdom
ISBN-10: 1408145472
Pagini: 176
Ilustrații: 25 halftone illus
Dimensiuni: 189 x 246 x 13 mm
Greutate: 0.39 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria RADA Guides
Locul publicării:London, United Kingdom
Caracteristici
Based on the world famous RADA training course and rooted in the Bel Canto/Italian classical training, providing will be a much friendlier and more accessible guide than other titles on the market.
Notă biografică
Jane Streeton studied at the Royal College of Music and is a soprano soloist in opera and concert internationally. Jane has worked as singing coach and vocal adviser for film and with the BBC, in West End Musicals, at the RSC, the National Theatre and Shakespeare's Globe. She is Co-ordinator of the Singing Team and Course Leader for the Musical Theatre Short Courses at RADA. Philip Raymond studied at the Royal College of Music. He has been a tenor soloist in recital, oratorio and opera in the UK and abroad. He was Head of Music at the Webber Douglas Academy of Dramatic Art and currently teaches singing on the BA, MA Theatre Lab and Foundation Courses at RADA.
Cuprins
Dedication Prelude Introduction Chapter 1 A Short History of Singing at RADA Chapter 2 The Actor's Way In Chapter 3 Bel Canto in Perspective Chapter 4 The Role of the Singing Teacher Chapter 5 The Role of the Student Chapter 6 Making a Plan - The Contract Chapter 7 Fundamental Principles - Posture and Breathing Chapter 8 Ways we Work with Actors - Exercises Chapter 9 The Role of the Coach and the Accompanist Chapter 10 The Actor's Solar System Chapter 11 Acting Through Song Chapter 12 Musical Form and Storytelling Chapter 13 Listening and the Voice as a Musical Instrument Chapter 14 An Approach to Vocal and Theatrical Styles Chapter 15 Some Stylistic Influences Chapter 16 Thoughts on Repertoire Chapter 17 Unaccompanied Singing Chapter 18 Practising and Taking the Reins Chapter 19 The Next Step - Workshops, Masterclasses, Cabarets, Small Roles Chapter 20 Preparation for Auditions Chapter 21 Rehearsals and Performances Chapter 22 Troubleshooting Chapter 23 Miscellany Conclusion Coda Bibliography Index of Listening Suggestions Photograph and Illustration Credits
Recenzii
The authors of this book explain the excellent singing techniques taught at RADA, which are vital for any actor or serious drama student. My singing training at RADA has seen me through musicals and Shakespeare from Miss Saigon to King Lear.
Everything an actor needs to know about singing is here. Jane and Philip are true experts and their book should be on every actor's bookshelf!
The philosophy and rigor of the [RADA] program has been distilled into this highly practical book . Singing on Stage: An Actor's Guide is an excellent guide for an acting student beginning their singing training. Additionally, as a voice teacher who works with actors and dancers making the transformation from single discipline to multidisciplinary performers, I found it to be an extremely useful resource in understanding and developing strategies for working with actors and in the importance of drawing out each individual actor/singer's strengths.
Everything an actor needs to know about singing is here. Jane and Philip are true experts and their book should be on every actor's bookshelf!
The philosophy and rigor of the [RADA] program has been distilled into this highly practical book . Singing on Stage: An Actor's Guide is an excellent guide for an acting student beginning their singing training. Additionally, as a voice teacher who works with actors and dancers making the transformation from single discipline to multidisciplinary performers, I found it to be an extremely useful resource in understanding and developing strategies for working with actors and in the importance of drawing out each individual actor/singer's strengths.