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Georges Didi-Huberman and Film: The Politics of the Image: Film Thinks

Autor Dr Alison Smith
en Limba Engleză Paperback – 29 iun 2022
Georges Didi-Huberman is a philosopher of images whose work is overdue for attention from English-language readers. Since the publication of his first book in 1982, he has published 46 essays, mostly with the prestigious Editions de Minuit, on topics ranging from monographs on individual artists to critical excursions into political philosophy. He is recognised in France and elsewhere in Europe as one of the foremost philosophers of the image writing today. In Georges Didi-Huberman and Film, Alison Smith concentrates on how Didi-Huberman's work has been informed by cinema, especially in his major (and ongoing) recent work L'Oeil de l'Histoire (The Eye of History). The book traces the development of Didi-Huberman's visual thought towards a cinematic sensibility already inherent in his early work on images in relationship to each other. After exploring his increasingly political understanding of the vital role of cinematic montage, it traces his growing understanding of cinema as a medium for expressing a dynamic representation of peoples' memory and experience, and documents his engagement with contemporary filmmakers such as Laura Waddington and Vincent Dieutre.
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Specificații

ISBN-13: 9781350193383
ISBN-10: 1350193380
Pagini: 184
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.22 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria Film Thinks

Locul publicării:London, United Kingdom

Caracteristici

Explores the foundations of Didi-Huberman's political philosophy of image practice from his first sustained theses on the importance of montage, through his writings on cinema and history concerning the role of images in transmitting the memory of the Holocaust

Notă biografică

Alison Smith is Lecturer of Film Studies in the School of Histories, Languages and Cultures at the University of Liverpool, UK. She has a special interest in French cinema and the film-related thought of Georges Didi-Huberman.

Cuprins

Introduction: Bio-bibliographical summary, development of thought1. Images of the catastrophe2. History and the montage aesthetic3. The past in the present, survivances4. Revealing a 'people': a political project5. Didi-Huberman on screenConclusionBibliography