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German Aesthetics: Fundamental Concepts from Baumgarten to Adorno de Dr. J. D. Mininger

German Aesthetics: Fundamental Concepts from Baumgarten to Adorno: New Directions in German Studies

Editat de Dr. J. D. Mininger, Dr. Jason Michael Peck
en Limba Engleză Paperback – 21 sep 2016
German Aesthetics provides English-speaking audiences with accessible explanations of fundamental concepts from the German tradition of philosophical aesthetics. Organized with the understanding that aesthetic concepts are often highly contested intellectual territory, and that the usage and meanings of terms often shift within historical, cultural, and political debates, this volume brings together scholars of German literature, philosophy, film studies, musicology, and history to provide informative and creative interpretations of German aesthetics that will be useful to students and scholars alike.
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Specificații

ISBN-13: 9781501321474
ISBN-10: 1501321471
Pagini: 288
Dimensiuni: 140 x 216 x 29 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Directions in German Studies

Locul publicării:New York, United States

Caracteristici

Provides the expertise, on fundamental matters, of many of the leading figures in aesthetics, German studies, and comparative literature, including Stanley Corngold, Silke-Marie Weineck, Eva Geulen, Rey Chow, Patrizia McBride, and the late Jochen Schulte Sasse

Notă biografică

J.D. Mininger is Professor of Philosophy at Vytautas Magnus University, Lithuania, and Associate Dean at LCC International University, Lithuania. Jason Michael Peck is Visiting Assistant Professor of German at the University of Rochester, USA.

Cuprins

INTRODUCTION, J.D. Mininger and Jason Michael PeckIMAGINATION, Jochen Schulte-Sasse (posthumous publication), Emeritus at University of Minnesota, USAJUDGMENT, Vivasvan Soni, Northwestern University, USABEAUTY, Paul Guyer, Brown University, USASUBLIME, David Martyn, Macalester College, USAMIMESIS, Christian Sieg, Westfälische Wilhelms-Universität, GermanyFEELING: ON WERTHER, Stanley Corngold, Emeritus at Princeton University, USAIRONY, Michel Chaouli, Indiana University, USALISTENING, Mirko M. Hall, Converse College, USAETHICS, Jason Michael Peck, University of Rochester, USAABSOLUTE MUSIC, Sanna Pederson, University of Oklahoma, USATHE END OF ART, Eva Geulen, Goethe-Universität Frankfurt am Main, GermanyALLEGORY, J.D. Mininger, Vytautas Magnus University, LithuaniaVALUE, A. Kiarina Kordela, Macalester College, USAGOD IS DEAD, Silke-Maria Weineck, University of Michigan, USATRAGEDY / TRAUERSPIEL, Ian Balfour, York University, CanadaSAYING / SHOWING, Fabian Goppelsröder, Universität Potsdam, GermanyNOTHINGNESS, Kenneth Haynes, Brown University, USAMESSIANISM, Peter Fenves, Northwestern University, USAMEDIATION / MEDIUM, James A. Steintrager, University of California, Irvine, USA and Rey Chow, Duke University, USATRUTH, Kai Hammermeister, The Ohio State University, USAUNCANNY, Thomas Pepper, University of Minnesota, USAMOOD / ATTUNEMENT, Darío González, University of Copenhagen, DenmarkFILM, Johannes von Moltke, University of Michigan, USAMONTAGE / COLLAGE, Patrizia McBride, Cornell University, USANORMALITY, Jürgen Link, Emeritus at Universität Dortmund, GermanyUGLY, Richard Leppert, University of Minnesota, USASHUDDER, Karyn Ball, University of Alberta, CanadaCOMMITTED ART, Andrew Knighton , California State University at Los Angeles, USA

Recenzii

A vital contribution to the field of philosophical aesthetics and its implications for the study of art, of societies, and of sensual perception; the broad intellectual horizon and elegant reasoning of its entries make it a genuine pleasure to read.
How do we think and judge beyond established rules? The contributions of this volume articulate with great verve the intellectual and political implications of this core question that has been animating German aesthetics since the 18th century. This is an important book for anybody interested in art and its power to imagine alternative modes of thinking, living, and governing.
Taking systematic and historical perspectives, the essays in this volume explore numerous concepts that feature prominently in German aesthetics, such as imagination, mimesis, beauty, the sublime, and irony. Drawing on foundational writings by Kant, Hegel, Nietzsche, and Adorno, the authors cover a wide spectrum of the arts, including literature, music, painting, and film. Readers will also find topics rarely treated elsewhere, such as 'saying/showing' and 'the end of art.' This is an excellent book that will provide Anglophone teachers and students with informed insights into aesthetics from the eighteenth century through the present.