France/Kafka: An Author in Theory: New Directions in German Studies
Autor John T. Hamiltonen Limba Engleză Paperback – 22 mar 2023
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Specificații
ISBN-13: 9798765100370
Pagini: 200
Dimensiuni: 140 x 216 x 17 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Directions in German Studies
Locul publicării:New York, United States
Pagini: 200
Dimensiuni: 140 x 216 x 17 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Seria New Directions in German Studies
Locul publicării:New York, United States
Caracteristici
Explores the nature of literary reception and translation in order to better understand how literary texts can transcend their historical and cultural conditions to address present concerns (with Kafka being a perennial example of this)
Notă biografică
John T. Hamilton is William R. Kenan Professor of German and Comparative Literature at Harvard University, USA. He is the author of seven books, including most recently Philology of the Flesh (University of Chicago Press, 2018) and Complacency: Classics and its Displacement in Higher Education. (University of Chicago Press, 2022).
Cuprins
AbbreviationsI. Gradus ad ParnassumThe Writer and the Author in Theory · Through a Glass, darkly · From the Louvre to the Louvre · An Improbable Apparition · A Second Life II. MetamorphosesNaturalization Papers · Amid Intimacy and Exoticism · Universal Man · Dreams, Rivers, Snow · Translative Decisions · BifurcationsIII. TrialsParatexts · The Adventurer · The Saint · A Certain Plume · Extremism · Non liquet IV. ContingenciesPreoccupations · Nothing but Nothing · Seasickness on Land · Phantom War · Homo absurdus · Impossible Hope · Objective StyleV. JudgmentsUpside Down, Right Side Up · Disengagement · Incendiaries · The Child · The Author in TheaterVI. LabyrinthsSigns of Change · The New New · Rhizomes · Primal Scenes · Derrida's PharmacyBibliographyIndex
Recenzii
[A] beautifully multilayered take on the interrelations between Kafka's works and the French theorists of the twentieth century who studied them. ... [France/Kafka] lends itself as a textbook for courses on literary theory and as an introduction to critical methodologies. And lastly, it is a pleasure to follow John Hamilton's expert guidance across time, languages, and cultures to learn about the chiastic, but intimate relation betweenFranz and France.
Kafka lovers who are inclined to emulate their hero had better be en garde while opening this book: Kafka wrote, 'There is no having, only a being, only a state of being that craves the last breath.' John Hamilton's France/Kafka is literally breathtaking in its historical sense, theoretical finesse, and visual intelligence, observant of the finest telling detail. I risked danger and read France/Kafka in one go and with unstinting joy: there is no finer critic-close reader and philosopher-than John Hamilton, who, in Kafka and France, has found his predestined subject.
France/Kafka: An Author in Theory shows John T. Hamilton at a new peak of his scholarly powers and demonstrates what Comparative Literature can accomplish today. An elegant dance in French, German, and English, Hamilton's book provides a comprehensive reconstruction of Kafka's aerolithic impact within the French intellectual context from surrealism and existentialism to feminism and deconstruction. Kafka, who considered himself a spiritual son of Gustave Flaubert, turns out to be the elusive godfather of French theory. While unfolding an erudite dossier of a century of cultural history, France/Kafka discreetly designs its own literary theory, revealing all reading as Übersetzung. Franz Kafka is an author in continued translation: John T. Hamilton passes on the Imperial Message for the 21st century.
Kafka lovers who are inclined to emulate their hero had better be en garde while opening this book: Kafka wrote, 'There is no having, only a being, only a state of being that craves the last breath.' John Hamilton's France/Kafka is literally breathtaking in its historical sense, theoretical finesse, and visual intelligence, observant of the finest telling detail. I risked danger and read France/Kafka in one go and with unstinting joy: there is no finer critic-close reader and philosopher-than John Hamilton, who, in Kafka and France, has found his predestined subject.
France/Kafka: An Author in Theory shows John T. Hamilton at a new peak of his scholarly powers and demonstrates what Comparative Literature can accomplish today. An elegant dance in French, German, and English, Hamilton's book provides a comprehensive reconstruction of Kafka's aerolithic impact within the French intellectual context from surrealism and existentialism to feminism and deconstruction. Kafka, who considered himself a spiritual son of Gustave Flaubert, turns out to be the elusive godfather of French theory. While unfolding an erudite dossier of a century of cultural history, France/Kafka discreetly designs its own literary theory, revealing all reading as Übersetzung. Franz Kafka is an author in continued translation: John T. Hamilton passes on the Imperial Message for the 21st century.