Gesture and Power – Religion, Nationalism, and Everyday Performance in Congo: Religious Cultures of African and African Diaspora People
Autor Yolanda Covington–warden Limba Engleză Paperback – 29 dec 2015
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MD – Duke University Press – 29 dec 2015 | 262.32 lei 43-57 zile | |
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Specificații
ISBN-13: 9780822360360
ISBN-10: 0822360365
Pagini: 304
Dimensiuni: 151 x 228 x 21 mm
Greutate: 0.41 kg
Editura: MD – Duke University Press
Seria Religious Cultures of African and African Diaspora People
ISBN-10: 0822360365
Pagini: 304
Dimensiuni: 151 x 228 x 21 mm
Greutate: 0.41 kg
Editura: MD – Duke University Press
Seria Religious Cultures of African and African Diaspora People
Cuprins
Acknowledgments ix
Introduction: Gesture and Power 1
I. Performative Encounters, Political Bodies
1. Neither Native nor Stranger: Places, Encounters, Phophecies 37
II. Spirits, Bodies, and Performance in Belgian Congo
2. "A War between Soldiers and Prophets": Embodied Resistance in Colonial Belgian Congo, 1921 71
3. Threatening Gestures, Immoral Bodies: Kingunza after Kimbangu 107
III. Civil Religion and Performed Politics in Postcolonial Congo
4. Dancing with the Invisible: Everyday Performances under Mobutu Sese Seko 137
5. Dancing Disorder in Mobutu's Zaire: Animation Politique and Gendered Nationalisms 165
IV. Re-creating the Past, Performing the Future
6. Bundu dia Kongo and Embodied Revolutions: Performing Kongo Pride, Transforming Modern Society 187
Conclusion: Privileging Gesture and Bodies in Studies of Religion and Power 227
Glossary 233
Notes 235
References 253
Index 275
Introduction: Gesture and Power 1
I. Performative Encounters, Political Bodies
1. Neither Native nor Stranger: Places, Encounters, Phophecies 37
II. Spirits, Bodies, and Performance in Belgian Congo
2. "A War between Soldiers and Prophets": Embodied Resistance in Colonial Belgian Congo, 1921 71
3. Threatening Gestures, Immoral Bodies: Kingunza after Kimbangu 107
III. Civil Religion and Performed Politics in Postcolonial Congo
4. Dancing with the Invisible: Everyday Performances under Mobutu Sese Seko 137
5. Dancing Disorder in Mobutu's Zaire: Animation Politique and Gendered Nationalisms 165
IV. Re-creating the Past, Performing the Future
6. Bundu dia Kongo and Embodied Revolutions: Performing Kongo Pride, Transforming Modern Society 187
Conclusion: Privileging Gesture and Bodies in Studies of Religion and Power 227
Glossary 233
Notes 235
References 253
Index 275