Gillian Armstrong: Visionaries: Thinking Through Female Filmmakers
Autor Julia Erharten Limba Engleză Hardback – 18 noi 2020
- Examines Armstrong's work in light of new media scholarship and philosophies, including feminist cinematic ethics
- Situates Armstrong's achievements in the context of Australian film policies and history
- Provides an examination of never-before-studied elements, including Armstrong's short films
- Includes a never-before-utilised oral history project with Armstrong
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Specificații
ISBN-13: 9781474440516
ISBN-10: 1474440517
Pagini: 200
Ilustrații: 10 Illustrations, color
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.38 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Visionaries: Thinking Through Female Filmmakers
ISBN-10: 1474440517
Pagini: 200
Ilustrații: 10 Illustrations, color
Dimensiuni: 140 x 216 x 13 mm
Greutate: 0.38 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Visionaries: Thinking Through Female Filmmakers
Descriere
This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of Gillian Armstrong.
Notă biografică
Julia Erhart is Associate Professor in Screen and Media Studies at Flinders University.
Cuprins
Introduction
1. An authorial cinema
2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts
3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck
4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He's Undressed
5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana
Conclusion: A collaborative cinema
1. An authorial cinema
2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts
3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck
4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He's Undressed
5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana
Conclusion: A collaborative cinema