Global Punk: Resistance and Rebellion in Everyday Life
Autor Kevin Dunnen Limba Engleză Paperback – 4 mai 2016
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|---|---|---|
| Paperback (1) | 191.85 lei 6-8 săpt. | |
| Bloomsbury Publishing – 4 mai 2016 | 191.85 lei 6-8 săpt. | |
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| Bloomsbury Publishing – 4 mai 2016 | 714.92 lei 3-5 săpt. |
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Specificații
ISBN-13: 9781628926040
ISBN-10: 162892604X
Pagini: 272
Dimensiuni: 152 x 229 x 19 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 162892604X
Pagini: 272
Dimensiuni: 152 x 229 x 19 mm
Greutate: 0.36 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
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Caracteristici
Steps beyond the Anglo-American punk scene to show the vibrant social and cultural movement that is thriving around the world, in Latin America, Asia, Africa, and Europe beyond the UK
Notă biografică
Kevin Dunn is Associate Professor in the Department of Political Science at Hobart and William Smith Colleges in Geneva, NY. He is author of several books, including Imagining the Congo (2003), The Politics of Origin in Africa (2013) and Inside African Politics (2013). He is also a regular contributor to Razorcake and Maximumrocknroll magazines.
Cuprins
AcknowledgmentsProloguePunk Won: A Conversation with Ian MacKaye1. Punk Matters: DIY punk and the politics of resistance2. You're Not Punk and I'm Telling Everyone: Oppositional identities and disalienation3. Fuck Your Scene, Kid: The power of local scenes4. Punk Goes the World: Global networks, counter-hegemony and the contradictions of globalization 5. If It Ain't Cheap, It Ain't Punk: Punk record labels and DIY as a (anti-)business model6. Satan Wears a Bra while Sniffin' Glue and eating Razorcake: Punk zines and the politics of DIY self-publishing7. Total Resistance to the Fucking System: Anarcho-punk and resistance in everyday lifePostscriptPunk Rock Won't Change the World, It Already HasNotesReferencesIndex
Recenzii
Global Punk is filled with people I know, contemporary punk bands I like (or at least have heard of), and theoretic models I respect. It feels intimate. I believe that anyone actively involved in DIY punk rock will experience this intimacy.it will be the book I buy for friends, and revisit for years to come. Highly recommended.
During my time reading Global Punk, I was surprised at how uplifted and empowered I felt. I'd guess that Dunn wasn't thinking he was writing a self-help book, but reading stories of how punk has given agency to people-and continues to do so-of all sorts of backgrounds throughout the world gave this reader some hope in the midst of an all too depressing world.
Kevin Dunn has produced a very good and much-needed book ... [I]t offers an enjoyable and interesting read which researchers can build upon in the future.
I've been waiting a long time for a book that tackled punk in all its complexity both on a global and local level and finally, Kevin Dunn has done it. In Global Punk, Dunn doesn't come across as a dispassionate observer, but an active participant in a very real and living resistant subculture, one that still resonates across the world. By reminding us how vital punk still is on a day to day basis, Dunn has created a book that truly inspires and reminds us why punk still matters and why we should never give up the hope of positive change.
So, you think you know something about punk? Well, maybe you do, but Kevin Dunn has forgotten more about punk than you and I will ever know. Global Punk is a book about this punk planet, alright, and it succeeds because of Dunn's intercontinental range. He takes us to punk scenes past and present, from basements to beaches, all around the globe, where punks have drawn from their DIY toolkit to build and sustain communities fueled by music and dedicated to resistance and empowerment. He captures punk's political potency with nuance and passion, and makes it accessible. The result is something of a punk public service announcement-so pay attention!
More than music, deeper than fashion, broader than mere subculture, DIY punk is a way of being; it offers resources for positing alternative spaces and resistant modes of inhabiting the world. This delightfully accessible book melds punk history and global scene reports with an introduction to fundamental ideas about the self, the social, and what politics can mean and be.
Dunn's brilliant, demanding, delightful text draws you in, pulls and pushes you in new and different ways of thinking, makes you want to do something/anything. This is smart, accessible, committed, passionate work-this informative, interesting, challenging book has a heart every bit as powerful as its head. Per Patti Smith, Dunn proceeds with abandon, to the benefit of us all. This work joins a small and select group of texts, academic and not, which are upending longstanding conventions. It should be read and will resonate wide, deep, and far in Cultural Studies, Music History, Anthropology, Sociology, International Studies, Urban Studies, Feminist Studies, Queer Studies, Comparative Literature, and more, not least everyday folks who care and are committed to music and the way(s) in which it shapes our lives. Dunn dazzlingly locates, explicates, and explores borders, personhood, collectivities, space(s), and place(s). The shift is away from (but conscious of) the "big, large, huge" social science project to one where the cultural is the political and we engage the "small worlds" which are our world(s) (and hence matter most for most of us most of the time) and encounter webs in which in which life and movements are ineluctably produced in and through ever dynamic relations. This heady concoction and concatenation brings to mind Tsing's metaphorical "zones of awkward engagement" a space/place/time elsewhere and elsewhen where things may begin to "happen," where we manufacture "meaning," and (im)possibilities abound. And does it all in a way which is legible for mere mortals. Global Punk changed how I understand and exist in the world(s).
During my time reading Global Punk, I was surprised at how uplifted and empowered I felt. I'd guess that Dunn wasn't thinking he was writing a self-help book, but reading stories of how punk has given agency to people-and continues to do so-of all sorts of backgrounds throughout the world gave this reader some hope in the midst of an all too depressing world.
Kevin Dunn has produced a very good and much-needed book ... [I]t offers an enjoyable and interesting read which researchers can build upon in the future.
I've been waiting a long time for a book that tackled punk in all its complexity both on a global and local level and finally, Kevin Dunn has done it. In Global Punk, Dunn doesn't come across as a dispassionate observer, but an active participant in a very real and living resistant subculture, one that still resonates across the world. By reminding us how vital punk still is on a day to day basis, Dunn has created a book that truly inspires and reminds us why punk still matters and why we should never give up the hope of positive change.
So, you think you know something about punk? Well, maybe you do, but Kevin Dunn has forgotten more about punk than you and I will ever know. Global Punk is a book about this punk planet, alright, and it succeeds because of Dunn's intercontinental range. He takes us to punk scenes past and present, from basements to beaches, all around the globe, where punks have drawn from their DIY toolkit to build and sustain communities fueled by music and dedicated to resistance and empowerment. He captures punk's political potency with nuance and passion, and makes it accessible. The result is something of a punk public service announcement-so pay attention!
More than music, deeper than fashion, broader than mere subculture, DIY punk is a way of being; it offers resources for positing alternative spaces and resistant modes of inhabiting the world. This delightfully accessible book melds punk history and global scene reports with an introduction to fundamental ideas about the self, the social, and what politics can mean and be.
Dunn's brilliant, demanding, delightful text draws you in, pulls and pushes you in new and different ways of thinking, makes you want to do something/anything. This is smart, accessible, committed, passionate work-this informative, interesting, challenging book has a heart every bit as powerful as its head. Per Patti Smith, Dunn proceeds with abandon, to the benefit of us all. This work joins a small and select group of texts, academic and not, which are upending longstanding conventions. It should be read and will resonate wide, deep, and far in Cultural Studies, Music History, Anthropology, Sociology, International Studies, Urban Studies, Feminist Studies, Queer Studies, Comparative Literature, and more, not least everyday folks who care and are committed to music and the way(s) in which it shapes our lives. Dunn dazzlingly locates, explicates, and explores borders, personhood, collectivities, space(s), and place(s). The shift is away from (but conscious of) the "big, large, huge" social science project to one where the cultural is the political and we engage the "small worlds" which are our world(s) (and hence matter most for most of us most of the time) and encounter webs in which in which life and movements are ineluctably produced in and through ever dynamic relations. This heady concoction and concatenation brings to mind Tsing's metaphorical "zones of awkward engagement" a space/place/time elsewhere and elsewhen where things may begin to "happen," where we manufacture "meaning," and (im)possibilities abound. And does it all in a way which is legible for mere mortals. Global Punk changed how I understand and exist in the world(s).