Great Expectations
Autor Charles Dickensen Limba Engleză Hardback – 24 oct 2024
Toate formatele și edițiile | Preț | Express |
---|---|---|
Paperback (111) | 17.92 lei 22-36 zile | +9.41 lei 5-11 zile |
Harper Collins Publishers – iul 2013 | 17.92 lei 22-36 zile | +9.41 lei 5-11 zile |
Wordsworth Editions – 30 apr 1992 | 19.72 lei 22-36 zile | +10.20 lei 5-11 zile |
Random House Books for Young Readers – 18 noi 1996 | 31.61 lei 22-36 zile | |
Classics Illustrated Comics – 30 apr 2010 | 38.14 lei 22-36 zile | +5.58 lei 5-11 zile |
Bantam Classics – 31 iul 1982 | 38.85 lei 22-36 zile | |
Oxford University Press – 11 iun 2008 | 40.79 lei 22-36 zile | +15.33 lei 5-11 zile |
Penguin Random House Group – 31 dec 2000 | 43.23 lei 22-36 zile | |
Penguin Books – 29 ian 2003 | 46.00 lei 25-31 zile | +21.85 lei 5-11 zile |
Random House (UK) – 2 ian 2008 | 46.81 lei 25-31 zile | +23.18 lei 5-11 zile |
Alma Books COMMIS – 14 oct 2014 | 47.06 lei 22-36 zile | +15.90 lei 5-11 zile |
UNION SQUARE & CO – 31 ian 2023 | 47.25 lei 22-36 zile | +21.80 lei 5-11 zile |
Vintage Publishing – 5 mar 2014 | 49.53 lei 25-31 zile | +33.93 lei 5-11 zile |
Dover Publications – 31 iul 2001 | 49.65 lei 22-36 zile | |
Penguin Books – 14 aug 2024 | 50.98 lei 25-31 zile | +23.23 lei 5-11 zile |
Penguin Books – 25 apr 2012 | 51.83 lei 25-31 zile | +24.65 lei 5-11 zile |
HarperCollins Publishers – 6 apr 2016 | 52.38 lei 22-36 zile | +13.05 lei 5-11 zile |
HarperCollins Publishers – 21 iul 2021 | 53.16 lei 22-36 zile | +15.89 lei 5-11 zile |
CreateSpace Independent Publishing Platform – | 53.77 lei 22-36 zile | |
UNION SQUARE & CO – 21 iun 2023 | 54.75 lei 22-36 zile | +26.16 lei 5-11 zile |
Penguin Books – 4 mai 2011 | 60.45 lei 22-36 zile | |
Classical Comics – mar 2009 | 66.40 lei 22-36 zile | +19.59 lei 5-11 zile |
KUPERARD (BRAVO LTD) – 21 mar 2001 | 66.47 lei 22-36 zile | |
Classical Comics – mar 2009 | 67.36 lei 22-36 zile | +23.15 lei 5-11 zile |
CreateSpace Independent Publishing Platform – | 68.31 lei 22-36 zile | |
Pearson Education – 31 ian 2008 | 70.75 lei 22-36 zile | +5.58 lei 5-11 zile |
CreateSpace Independent Publishing Platform – | 71.97 lei 22-36 zile | |
Bloomsbury Publishing – 7 sep 2023 | 72.19 lei 22-36 zile | |
Vintage Publishing – 31 dec 2011 | 75.79 lei 22-36 zile | |
NICK HERN BOOKS – 31 mar 2006 | 80.91 lei 22-36 zile | +5.82 lei 5-11 zile |
Puffin Books – 12 sep 2012 | 87.07 lei 22-36 zile | |
Penguin Random House Children's UK – 18 sep 2019 | 91.90 lei 17-23 zile | +7.95 lei 5-11 zile |
CreateSpace Independent Publishing Platform – | 100.84 lei 22-36 zile | |
– | 104.73 lei 22-36 zile | |
– | 104.73 lei 22-36 zile | |
– | 113.95 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 115.12 lei 22-36 zile | |
– | 117.57 lei 22-36 zile | |
PENGUIN RANDOM HOUSE LLC – 22 oct 2013 | 124.14 lei 22-36 zile | |
Les prairies numériques – 27 iul 2020 | 130.23 lei 22-36 zile | |
CREATESPACE – | 132.80 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 136.44 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 140.26 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 140.52 lei 22-36 zile | |
CREATESPACE – | 141.24 lei 22-36 zile | |
CREATESPACE – | 141.34 lei 22-36 zile | |
– | 142.67 lei 22-36 zile | |
CREATESPACE – | 143.70 lei 22-36 zile | |
Denton & White – | 143.92 lei 22-36 zile | |
– | 144.26 lei 22-36 zile | |
G&D MEDIA – 28 dec 2023 | 150.99 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 151.96 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 153.49 lei 22-36 zile | |
– | 156.88 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 163.18 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 163.89 lei 22-36 zile | |
– | 167.72 lei 22-36 zile | |
CREATESPACE – | 171.45 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 173.26 lei 22-36 zile | |
– | 173.66 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 179.01 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 180.36 lei 22-36 zile | |
– | 182.85 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 182.85 lei 22-36 zile | |
– | 190.89 lei 22-36 zile | |
– | 195.12 lei 22-36 zile | |
– | 209.69 lei 22-36 zile | |
CreateSpace Independent Publishing Platform – | 217.12 lei 22-36 zile | |
– | 229.08 lei 22-36 zile | |
– | 244.70 lei 22-36 zile | |
– | 342.24 lei 22-36 zile | |
Bloomsbury Publishing – 10 feb 2011 | 66.81 lei 43-57 zile | |
Bloomsbury Publishing – 2 mar 2007 | 78.53 lei 43-57 zile | |
CreateSpace Independent Publishing Platform – 30 noi 2015 | 95.43 lei 43-57 zile | |
Public Park Publishing – 3 ian 2020 | 103.79 lei 43-57 zile | |
CreateSpace Independent Publishing Platform – | 108.74 lei 43-57 zile | |
– | 115.55 lei 43-57 zile | |
– | 125.95 lei 43-57 zile | |
CreateSpace Independent Publishing Platform – | 126.04 lei 43-57 zile | |
Black Curtain Press – 4 apr 2013 | 129.90 lei 43-57 zile | |
Lulu.Com – 18 iun 2017 | 130.34 lei 43-57 zile | |
– | 132.84 lei 43-57 zile | |
– | 135.77 lei 43-57 zile | |
Bottom of the Hill Publishing – 31 aug 2013 | 136.27 lei 43-57 zile | |
CreateSpace Independent Publishing Platform – | 138.09 lei 43-57 zile | |
– | 139.80 lei 43-57 zile | |
– | 139.80 lei 43-57 zile | |
– | 140.08 lei 43-57 zile | |
– | 140.08 lei 43-57 zile | |
Throne Classics – 9 iul 2019 | 143.35 lei 38-44 zile | |
Prince Classics – 10 iun 2019 | 143.35 lei 38-44 zile | |
CREATESPACE – | 144.35 lei 43-57 zile | |
LIGHTNING SOURCE INC – 13 oct 2018 | 146.03 lei 17-23 zile | |
LIGHTNING SOURCE INC – 29 oct 2018 | 146.03 lei 17-23 zile | |
CreateSpace Independent Publishing Platform – 29 noi 2015 | 154.75 lei 43-57 zile | |
Waking Lion Press – 3 dec 2013 | 156.89 lei 43-57 zile | |
SC Active Business Development SRL – 11 oct 2016 | 158.92 lei 38-44 zile | |
– | 162.49 lei 43-57 zile | |
RUPA – 31 mai 2000 | 175.29 lei 43-57 zile | |
Book Jungle – 12 mar 2008 | 183.84 lei 43-57 zile | |
Simon & Brown – 31 dec 2010 | 188.85 lei 38-44 zile | |
Simon & Brown – 30 iun 2011 | 189.49 lei 38-44 zile | |
1ST WORLD LIB INC – 31 aug 2004 | 191.34 lei 43-57 zile | |
Furnas Press – 24 aug 2008 | 220.15 lei 43-57 zile | |
LIGHTNING SOURCE INC – 29 aug 2006 | 233.39 lei 38-44 zile | |
Simon & Brown – 27 oct 2018 | 240.88 lei 38-44 zile | |
Simon & Brown – 31 oct 2011 | 249.35 lei 38-44 zile | |
Simon & Brown – 11 noi 2018 | 251.70 lei 38-44 zile | |
Hansebooks – 10 mai 2023 | 288.12 lei 38-44 zile | |
Cambridge University Press – 7 noi 2011 | 323.06 lei 43-57 zile | |
Cambridge University Press – 7 noi 2011 | 357.27 lei 43-57 zile | |
Cambridge University Press – 7 noi 2011 | 357.64 lei 43-57 zile | |
Hardback (27) | 32.72 lei 22-36 zile | |
Sterling Publishing – 31 mar 2010 | 32.72 lei 22-36 zile | |
Pan Macmillan – 12 sep 2016 | 53.14 lei 22-36 zile | +37.31 lei 5-11 zile |
Flame Tree Publishing – 14 oct 2019 | 60.12 lei 22-36 zile | +18.58 lei 5-11 zile |
Quarto Publishing Group USA, Inc. – 10 oct 2022 | 61.06 lei 22-36 zile | +33.28 lei 5-11 zile |
Classics Illustrated Comics – 29 sep 2016 | 62.81 lei 22-36 zile | +6.55 lei 5-11 zile |
Penguin Books – 6 iun 2013 | 89.64 lei 25-31 zile | +39.56 lei 5-11 zile |
Dover Publications Inc. – 24 oct 2024 | 106.17 lei 22-36 zile | |
EVERYMAN – 18 mar 1992 | 110.53 lei 22-36 zile | +24.67 lei 5-11 zile |
Penguin Books – 5 noi 2008 | 111.27 lei 22-36 zile | +27.34 lei 5-11 zile |
UNION SQUARE & CO – 21 iun 2023 | 114.98 lei 22-36 zile | +36.47 lei 5-11 zile |
chiltern publishing – 30 mar 2022 | 132.12 lei 22-36 zile | +36.45 lei 5-11 zile |
Mint Editions – 2 noi 2020 | 165.39 lei 22-36 zile | |
Mint Editions – 31 oct 2020 | 165.39 lei 22-36 zile | |
Everyman's Library – 29 feb 1992 | 208.54 lei 17-23 zile | +18.08 lei 5-11 zile |
Public Park Publishing – 15 ian 2020 | 137.95 lei 43-57 zile | |
Suzeteo Enterprises – 15 apr 2019 | 184.75 lei 43-57 zile | |
Ancient Wisdom Publications – 27 apr 2014 | 195.74 lei 43-57 zile | |
Prince Classics – 10 iun 2019 | 213.26 lei 38-44 zile | |
Throne Classics – 9 iul 2019 | 213.86 lei 38-44 zile | |
Black Curtain Press – 2 apr 2018 | 239.11 lei 43-57 zile | |
– | 241.69 lei 38-44 zile | |
Simon & Brown – 21 iul 2011 | 245.60 lei 38-44 zile | |
Simon & Brown – 27 oct 2018 | 293.51 lei 38-44 zile | |
Simon & Brown – 11 noi 2018 | 301.22 lei 38-44 zile | |
– | 302.88 lei 38-44 zile | |
1ST WORLD LIB INC – 30 iun 2005 | 311.48 lei 43-57 zile | |
Clarendon Press – 4 aug 1993 | 2257.92 lei 31-37 zile |
Preț: 106.17 lei
Nou
Puncte Express: 159
Preț estimativ în valută:
20.32€ • 21.18$ • 16.92£
20.32€ • 21.18$ • 16.92£
Carte disponibilă
Livrare economică 16-30 decembrie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780486853840
ISBN-10: 0486853845
Pagini: 592
Dimensiuni: 127 x 203 x 45 mm
Greutate: 0.32 kg
Editura: Dover Publications Inc.
ISBN-10: 0486853845
Pagini: 592
Dimensiuni: 127 x 203 x 45 mm
Greutate: 0.32 kg
Editura: Dover Publications Inc.
Notă biografică
Over the past 25 years, Tanika Gupta has written over 25 stage plays that have been produced in major theatres across the UK and has written extensively for BBC Radio drama. Some of her theatre credits include: A Doll's House (Lyric Hammersmith) Red Dust Road - adaptation of Jackie Kay's memoir (NT Scotland); Bones (Central School for Speech and Drama) Hobson's Choice (Manchester Royal Exchange); Lions And Tigers (Globe Theatre); A Short History of Tractors in Ukrainian (Hull Truck Theatre); Midsummer Night's Dream (Globe Theatre -Dramaturg); Anita and Me (Birmingham Rep); Love N Stuff (Theatre Royal Stratford East); The Empress (Royal Shakespeare Company); Wah! Wah! Girls - A British Bollywood Musical (Sadler's Wells); Mindwalking (Bandbazi Theatre); Great Expectations (Watford Palace Theatre/English Touring Theatre); Meet The Mukherjees (Bolton Octagon Theatre); White Boy (National Youth Theatre/Soho Theatre); Sugar Mummies (Royal Court Theatre); Gladiator Games (Sheffield Crucible Theatre); Hobson's Choice (Young Vic); Fragile Land (Hampstead Theatre); Inside Out (Clean Break); Sanctuary, Brecht's The Good Woman Of Setzuan and The Waiting Room (National Theatre); Skeleton (Soho Theatre); and A River Sutra (Indoza). Some of her Television credits include: Doctors, London Bridge, All About Me, EastEnders, Grange Hill, The Bill, Flight, Banglatown Banquet, Our Lives As Animals ,The Fiancee and Bideshi. Some of her Radio credits include: Trumpet, A Passage To India, Death of a Matriarch, The Home and The World, Emma, Writing The Century, Bindi Business, Song Of The Road, The God Of Small Things, Baby Farming and Ibsen's A Doll's House. In 2008 Tanika was awarded an MBE for Services to Drama and in 2016 was made a Fellow of the Royal Society of Literature. Tanika has an honorary doctorate in the Arts from Chichester University and is an Honorary Fellow at Rose Bruford College and Central School of Speech and Drama. She won the James Tait Black award in 2018 for her play Lions and Tigers.
Descriere
Descriere de la o altă ediție sau format:
'you are to understand, Mr. Pip, that the name of the person who is your liberal benefactor remains a profound secret...'Young Pip lives with his sister and her husband the blacksmith, with few prospects for advancement until a mysterious benefaction takes him from the Kent marshes to London. Pip is haunted by figures from his past - the escaped convict Magwitch, the time-withered Miss Havisham and her proud and beautiful ward, Estella - and in time uncovers not just the origins of his great expectations but the mystery of his own heart.A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. This edition includes a lively introduction, Dickens's working notes, the novel's original ending, and an extract from an early theatrical adaptation. It reprints the definitive Clarendon text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
'you are to understand, Mr. Pip, that the name of the person who is your liberal benefactor remains a profound secret...'Young Pip lives with his sister and her husband the blacksmith, with few prospects for advancement until a mysterious benefaction takes him from the Kent marshes to London. Pip is haunted by figures from his past - the escaped convict Magwitch, the time-withered Miss Havisham and her proud and beautiful ward, Estella - and in time uncovers not just the origins of his great expectations but the mystery of his own heart.A powerful and moving novel, Great Expectations is suffused with Dickens's memories of the past and its grip on the present, and it raises disturbing questions about the extent to which individuals affect each other's lives. This edition includes a lively introduction, Dickens's working notes, the novel's original ending, and an extract from an early theatrical adaptation. It reprints the definitive Clarendon text. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Extras
Chapter I.
My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
existence.
Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time I found out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
Pip.
"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
sir."
"Tell us your name!" said the man. "Quick!"
"Pip, sir."
"Once more," said the man, staring at me. "Give it mouth!"
From the Trade Paperback edition.
My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
existence.
Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time I found out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
Pip.
"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
sir."
"Tell us your name!" said the man. "Quick!"
"Pip, sir."
"Once more," said the man, staring at me. "Give it mouth!"
From the Trade Paperback edition.
Recenzii
"No story in the first person was ever better told.""From the Trade Paperback edition."
"He's a marvellous writer . . . He's very, very good." --William Trevor, author, "Cheating at Canasta"
"A story of the traumas of sex and class. My favourite moment is the one where Magwitch makes his stumbling way up the shadowy staircase towards an unnerved but unsuspecting Pip: the halting but inexorable rise of the repressed 'from the darkness beneath." Sarah Waters, author, "Fingersmith""
"There is no one Dickens novel I could pick over all the others. Dickens is huge like the sky. Pick any page of Dickens and it s immediately recognizable as him, yet he might be doing social satire, or farce, or horror, or a psychological study of a murderer or any combination of these." Susanna Clarke, author, "Jonathan Strange and Mr. Norrell""
"I would always prefer to go get another Dickens off the shelf than pick up a new book by someone I've not read yet . . . I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive." Donna Tartt, author, "TheLittle Friend""
"He's a marvellous writer . . . He's very, very good." --William Trevor, author, "Cheating at Canasta"
"A story of the traumas of sex and class. My favourite moment is the one where Magwitch makes his stumbling way up the shadowy staircase towards an unnerved but unsuspecting Pip: the halting but inexorable rise of the repressed 'from the darkness beneath." Sarah Waters, author, "Fingersmith""
"There is no one Dickens novel I could pick over all the others. Dickens is huge like the sky. Pick any page of Dickens and it s immediately recognizable as him, yet he might be doing social satire, or farce, or horror, or a psychological study of a murderer or any combination of these." Susanna Clarke, author, "Jonathan Strange and Mr. Norrell""
"I would always prefer to go get another Dickens off the shelf than pick up a new book by someone I've not read yet . . . I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive." Donna Tartt, author, "TheLittle Friend""
Textul de pe ultima copertă
In this unflaggingly suspenseful story of aspirations and moral redemption, humble, orphaned Pip, a ward of his short-tempered older sister and her husband, Joe, is apprenticed to the dirty work of the forge but dares to dream of becoming a gentleman. And, indeed, it seems as though that dream is destined to come to pass because one day, under sudden and enigmatic circumstances, he finds himself in possession of "great expectations." In telling Pip's story, Dickens traces a boy's path from a hardscrabble rural life to the teeming streets of 19th-century London, unfolding a gripping tale of crime and guilt, revenge and reward, and love and loss.
Written in the last decade of Dickens' life, "Great Expectations" was praised widely and universally admired. It was his last great novel, and many critics believe it to be his finest. Readers and critics alike praised it for its masterful plot, which rises above the melodrama of some of his earlier works, and for its three-dimensional, psychologically realistic characters characters much deeper and more interesting than the one-note caricatures of earlier novels."
Written in the last decade of Dickens' life, "Great Expectations" was praised widely and universally admired. It was his last great novel, and many critics believe it to be his finest. Readers and critics alike praised it for its masterful plot, which rises above the melodrama of some of his earlier works, and for its three-dimensional, psychologically realistic characters characters much deeper and more interesting than the one-note caricatures of earlier novels."
Caracteristici
This edition was published to coincide with the production by Tamasha in September, 2023.
Cuprins
Chapters 40-59.