Grey on Grey: Refractions
Editat de Aron Vinegar, Kamini Vellodien Limba Engleză Hardback – 30 sep 2023
Preț: 598.56 lei
Preț vechi: 721.94 lei
-17% Nou
Puncte Express: 898
Preț estimativ în valută:
114.55€ • 119.28$ • 96.81£
114.55€ • 119.28$ • 96.81£
Carte disponibilă
Livrare economică 14-28 februarie
Livrare express 31 ianuarie-06 februarie pentru 89.78 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781474478519
ISBN-10: 1474478514
Pagini: 480
Ilustrații: 17 B/W illustrations 20 colour illustrations 20 colour and 17 black & white illustrations
Dimensiuni: 214 x 218 x 48 mm
Greutate: 1.4 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Refractions
ISBN-10: 1474478514
Pagini: 480
Ilustrații: 17 B/W illustrations 20 colour illustrations 20 colour and 17 black & white illustrations
Dimensiuni: 214 x 218 x 48 mm
Greutate: 1.4 kg
Editura: EDINBURGH UNIVERSITY PRESS
Seria Refractions
Notă biografică
Kamini Vellodi is Senior Lecturer in Philosophy, Theory and History of Art at Edinburgh College of Art, University of Edinburgh. She is the author of Tintoretto's Difference: Deleuze, Diagrammatics and Art History (Bloomsbury, 2019). Her research interests lie at the interstices of continental philosophy, art historiography and theories of art history and her writing has appeared in journals including Art History, Word and Image, Parrhesia, Zeitschift für Kunstgeschichte, The Journal of Art Historiography and Deleuze and Guattari Studies.
Aron Vinegar is Professor in the Department of Philosophy, Classics, History of Art and Ideas (IFIKK) at the University of Oslo. He works at the intersections of art history, visual studies, philosophy and aesthetics. His most recent book is Subject Matter: The Anaesthetics of Habit and the Logic of Breakdown (Short Circuits Series, The MIT Press, 2023) and his co-edited books include Heidegger and the Work of Art History (Routledge, 2014)
Aron Vinegar is Professor in the Department of Philosophy, Classics, History of Art and Ideas (IFIKK) at the University of Oslo. He works at the intersections of art history, visual studies, philosophy and aesthetics. His most recent book is Subject Matter: The Anaesthetics of Habit and the Logic of Breakdown (Short Circuits Series, The MIT Press, 2023) and his co-edited books include Heidegger and the Work of Art History (Routledge, 2014)