Guilty Thing: A Life of Thomas De Quincey
Autor Frances Wilsonen Limba Engleză Paperback – 25 ian 2017
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Specificații
ISBN-13: 9781408840139
ISBN-10: 1408840138
Pagini: 416
Ilustrații: BW images throughout
Dimensiuni: 129 x 198 x 2 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Paperbacks
Locul publicării:London, United Kingdom
ISBN-10: 1408840138
Pagini: 416
Ilustrații: BW images throughout
Dimensiuni: 129 x 198 x 2 mm
Greutate: 0.34 kg
Editura: Bloomsbury Publishing
Colecția Bloomsbury Paperbacks
Locul publicării:London, United Kingdom
Caracteristici
Frances Wilson's biographies have received enormous acclaim. In 2009 she won the prestigious Rose Mary Crawshay Prize
Notă biografică
Frances Wilson is a critic, journalist and the author of four works of non-fiction, Literary Seductions, The Courtesan's Revenge, The Ballad of Dorothy Wordsworth, which won the Rose Mary Crawshay Prize in 2009, and How To Survive the Titanic; or The Sinking of J Bruce Ismay, winner of the Elizabeth Longford Prize for historical biography in 2012. She lives in London with her daughter.
Recenzii
A writer's writer who will no doubt inspire her own cult following
Stunning . A brilliant, giddy-making portrait . Wilson's narrative [has] a wonderfully hallucinatory effect . Energetic and wonderfully compelling
In connecting the architecture of De Quincey's wild, opium-fuelled mind with physical surroundings, Wilson provides a handrail through the pandemonium and isolation. He emerges from her book a sympathetic but irresponsible obsessive. Wilson has successfully brought De Quincey out from under the shadow of his contemporaries. He stands before us deeply flawed . But he was also a dreamer of the best dreams in literature
A richly intelligent and well-informed study, which will surely become the favoured one of our time
Tremendous . A seamless, stirring, sublime biography, which takes you to the heart, or rather the head, of the opium-eater. Whether you are more repelled or mesmerised by him, it's hard to dispute that De Quincey was the most complex and unpredictable writer of his times
Multilayered and wonderfully insightful
A book that captures in both form and focus something of its subject's disorienting, brilliant unpredictability . There are plenty of stylistic fireworks worthy of De Quincey here. Comets whiz through the pages, as do snippets of poetry, narrative diversions and gruesome details of the various contemporary murders by which De Quincey was fascinated . The result is a great, complicated book, in which a host of competing ideas and images jostle for supremacy
Guilty Thing brings triumphantly into focus a life racked by opium's insidious effects . Beautifully crafted, Frances Wilson's narrative sets up patterns, mirrors and doublings that make multiple intersections between De Quincey's inner and outer worlds. An impressive contribution to literary biography, her book amounts to the most 'De Quinceyan' account of De Quincey we are likely to see
Wilson is forensic about the terrors lurking in De Quincey's imagination . Wilson's quirky, urgent biography, which is clearly steeped in extensive knowledge of the period, is an essential guide to this remarkable drug addict
By turns amused, appalled and empathetic, Wilson paints such a riveting multi-tonal portrait that one ends up with a strong regard for De Quincey's rare vision but at the same time an absolute certainty one would not invite him to dinner . She beautifully binds and catches us in the web of his imagination . In her pursuit, Wilson often catches decisively this most elusive character, and the chase is exhilarating
Wonderfully insightful
It is, like its subject's own best work, written with studied panache, respectful irreverence and relish of the macabre
A superb, excitable biography . Exceptional . De Quincey's shifting relationship with Coleridge and Wordsworth is central to the book . Wilson's other great theme is his obsession with murder . This is a superb book, more tangly, obsessive and excitable than previous biographies, and in that sense more in tune with its subject
Artful and nuanced . As complex, intriguing and multifarious as "the Last of the Romantics" himself
Excellent . A riveting glimpse into the opium-marinated Victorian age and its tormented Romantic geniuses. De Quincey's story is stranger and more confounding than most fiction
Exhilarating . Startling . Inventive . Wilson circumscribes her subject in an ingeniously De Quinceyan fashion . What distinguishes [the biography's] achievement is Wilson's ability to mirror the mercurial texture of De Quincey's own selective and thrillingly digressive way of telling a story . Her remarkable book engenders in its readers those modes of thinking necessary to follow De Quincey as he shifts unpredictably into and out of every shape
Brilliantly possessed
An ingeniously structured biography of a brilliant, ridiculously self-destructive man, and a beautifully written cultural history full of arresting insights into celebrity and hero-worship and the public's prurient fascination with violence
I'm as addicted to Frances Wilson's writing as her latest subject, Thomas de Quincey, was to opiates, Romantic poets and murder. Guilty Thing is an irresistible journey through the life of the obsessive, anarchic original flâneur. Borges said De Quincey was an almost infinite world of literature in one man. Wilson succeeds in conjuring this world in one exhilarating, rigorous and humorous book that is the most enjoyable journey into hell you're ever likely to take
Thrilling, chilling and frequently funny, this superlative biography tells the story of De Quincey's various obsessions: Wordsworth, murder, and "the divine luxuries of opium". Addictive reading
Wilson's prose has some of the same hallucinatory loveliness that De Quincey used in his verse and journalistic essays, and the result is thrillingly immersive
A brilliant, giddy-making, hallucinatory portrait
From every aspect the year's most spirit-stirring biography is Frances Wilson's Guilty Thing: A Life of Thomas De Quincey
Like De Quincey himself, Frances Wilson has the capacity to make us look again at something we thought we'd already seen
Frances Wilson's sympathetic, clever and well-wrought biography of Thomas De Quincey, Guilty Thing makes him start and startle as never before
Exceptionally rich
Wilson's quirky biography, clearly steeped in an extensive knowledge of the period, is an essential guide to this remarkable drug addict
Stunning . A brilliant, giddy-making portrait . Wilson's narrative [has] a wonderfully hallucinatory effect . Energetic and wonderfully compelling
In connecting the architecture of De Quincey's wild, opium-fuelled mind with physical surroundings, Wilson provides a handrail through the pandemonium and isolation. He emerges from her book a sympathetic but irresponsible obsessive. Wilson has successfully brought De Quincey out from under the shadow of his contemporaries. He stands before us deeply flawed . But he was also a dreamer of the best dreams in literature
A richly intelligent and well-informed study, which will surely become the favoured one of our time
Tremendous . A seamless, stirring, sublime biography, which takes you to the heart, or rather the head, of the opium-eater. Whether you are more repelled or mesmerised by him, it's hard to dispute that De Quincey was the most complex and unpredictable writer of his times
Multilayered and wonderfully insightful
A book that captures in both form and focus something of its subject's disorienting, brilliant unpredictability . There are plenty of stylistic fireworks worthy of De Quincey here. Comets whiz through the pages, as do snippets of poetry, narrative diversions and gruesome details of the various contemporary murders by which De Quincey was fascinated . The result is a great, complicated book, in which a host of competing ideas and images jostle for supremacy
Guilty Thing brings triumphantly into focus a life racked by opium's insidious effects . Beautifully crafted, Frances Wilson's narrative sets up patterns, mirrors and doublings that make multiple intersections between De Quincey's inner and outer worlds. An impressive contribution to literary biography, her book amounts to the most 'De Quinceyan' account of De Quincey we are likely to see
Wilson is forensic about the terrors lurking in De Quincey's imagination . Wilson's quirky, urgent biography, which is clearly steeped in extensive knowledge of the period, is an essential guide to this remarkable drug addict
By turns amused, appalled and empathetic, Wilson paints such a riveting multi-tonal portrait that one ends up with a strong regard for De Quincey's rare vision but at the same time an absolute certainty one would not invite him to dinner . She beautifully binds and catches us in the web of his imagination . In her pursuit, Wilson often catches decisively this most elusive character, and the chase is exhilarating
Wonderfully insightful
It is, like its subject's own best work, written with studied panache, respectful irreverence and relish of the macabre
A superb, excitable biography . Exceptional . De Quincey's shifting relationship with Coleridge and Wordsworth is central to the book . Wilson's other great theme is his obsession with murder . This is a superb book, more tangly, obsessive and excitable than previous biographies, and in that sense more in tune with its subject
Artful and nuanced . As complex, intriguing and multifarious as "the Last of the Romantics" himself
Excellent . A riveting glimpse into the opium-marinated Victorian age and its tormented Romantic geniuses. De Quincey's story is stranger and more confounding than most fiction
Exhilarating . Startling . Inventive . Wilson circumscribes her subject in an ingeniously De Quinceyan fashion . What distinguishes [the biography's] achievement is Wilson's ability to mirror the mercurial texture of De Quincey's own selective and thrillingly digressive way of telling a story . Her remarkable book engenders in its readers those modes of thinking necessary to follow De Quincey as he shifts unpredictably into and out of every shape
Brilliantly possessed
An ingeniously structured biography of a brilliant, ridiculously self-destructive man, and a beautifully written cultural history full of arresting insights into celebrity and hero-worship and the public's prurient fascination with violence
I'm as addicted to Frances Wilson's writing as her latest subject, Thomas de Quincey, was to opiates, Romantic poets and murder. Guilty Thing is an irresistible journey through the life of the obsessive, anarchic original flâneur. Borges said De Quincey was an almost infinite world of literature in one man. Wilson succeeds in conjuring this world in one exhilarating, rigorous and humorous book that is the most enjoyable journey into hell you're ever likely to take
Thrilling, chilling and frequently funny, this superlative biography tells the story of De Quincey's various obsessions: Wordsworth, murder, and "the divine luxuries of opium". Addictive reading
Wilson's prose has some of the same hallucinatory loveliness that De Quincey used in his verse and journalistic essays, and the result is thrillingly immersive
A brilliant, giddy-making, hallucinatory portrait
From every aspect the year's most spirit-stirring biography is Frances Wilson's Guilty Thing: A Life of Thomas De Quincey
Like De Quincey himself, Frances Wilson has the capacity to make us look again at something we thought we'd already seen
Frances Wilson's sympathetic, clever and well-wrought biography of Thomas De Quincey, Guilty Thing makes him start and startle as never before
Exceptionally rich
Wilson's quirky biography, clearly steeped in an extensive knowledge of the period, is an essential guide to this remarkable drug addict
Cuprins
The Prelude
1. Books
2. Childhood and Schooltime
3. Schooltime (continued)
4. Residence in London
5. Summer Vacation
6. Residence at Oxford
7. Retrospect: Love of Nature Leading to Love of Mankind
8. Home at Grasmere
9. Residence in Dove Cottage and the Revolution
10. Residence in London and Grasmere
11. The Recluse
12. Imagination, Impaired and Restored
13. Same Subject (continued)
14. Postscript
The Tables Turned