Hamlet and the Baker's Son: My Life in Theatre and Politics: Augusto Boal
Autor Augusto Boal Traducere de Candida Blaker, Adrian Jacksonen Limba Engleză Paperback – 23 feb 2001
From his early days in Brazil's political theatre movement to his recent experiments with theatre as a democratic political process, Boal's story is a moving and memorable one. He has devised a unique way of using the stage to empower the disempowered, and taken his methods everywhere from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.
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Paperback (1) | 356.82 lei 6-8 săpt. | |
Taylor & Francis – 23 feb 2001 | 356.82 lei 6-8 săpt. | |
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Taylor & Francis – 23 feb 2001 | 990.84 lei 6-8 săpt. |
Preț: 356.82 lei
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Specificații
ISBN-13: 9780415229890
ISBN-10: 0415229898
Pagini: 382
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Augusto Boal
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415229898
Pagini: 382
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.64 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Augusto Boal
Locul publicării:Oxford, United Kingdom
Public țintă
GeneralRecenzii
'This readable autobiography ... is an interesting story of an extraordinary life and will no doubt inspire practitioners and students of theatre.' - Research in Drama Education
Cuprins
The translators, Preface: a woman In the mirror, Introduction, The landscape, the family, A long time ago, I was a boy, In the arena of Arena, War declared, inside and outside of me, Exile, banishment, palm trees, birdsong, The impossible return and the strangeness of the familiar, Notes, List of illustrations
Descriere
Hamlet and the Baker's Son is the autobiography of Augusto Boal, inventor of the internationally renowned Forum Theatre system, and 'Theatre of the Oppressed' and author of Games for Actors and Non-Actors. From his early days in Brazil's political theatre movement to his recent experiments with theatre as a democratic political process, Boal has devised a unique way of using the stage to empower the disempowered, and taken his methods everywhere from the favelas of Rio to the rehearsal studios of the Royal Shakespeare Company.