Hanguk Hip Hop: Global Rap in South Korea: East Asian Popular Culture
Autor Myoung-Sun Songen Limba Engleză Hardback – 8 mai 2019
Throughout the chapters, Korean hip hop is examined through the notion of buran—personal and societal anxiety or uncertainty—and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that it continuously evolves within the conditions of Korean society.
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Specificații
ISBN-13: 9783030156961
ISBN-10: 3030156966
Pagini: 167
Ilustrații: IX, 198 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.4 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria East Asian Popular Culture
Locul publicării:Cham, Switzerland
ISBN-10: 3030156966
Pagini: 167
Ilustrații: IX, 198 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.4 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria East Asian Popular Culture
Locul publicării:Cham, Switzerland
Cuprins
1. We All Made Us: Historicizing Hanguk Hip Hop.- 2. Made in Korea: Authenticity in Hanguk Hip Hop.- 3. From Hongdae to Sinchon: Space and Place in Korean Hip Hop.- 4. 2 Chainz & Rollies: Hip Hop as Self-Development Text in Neoliberal South Korea.- 5. Idol Rapper: K-Pop and the Production of Authenticity.- 6. Unpretty Rapstar: Gender and Representation in Korean Hip Hop.- 7. We All Made History: Globalizing Hanguk Hip Hop.
Notă biografică
Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.
Textul de pe ultima copertă
How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges.
Throughout the chapters, Korean hip hop is examined through the notion of buran—personal and societal anxiety and uncertainty—and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that the genre continuously evolves within the conditions of Korean society.
Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.
Myoung-Sun Song is Assistant Professor in the Department of American Culture at Sogang University, South Korea. She received her PhD in Communication from University of Southern California, USA. Her research focuses on the intersections of race, gender, sexuality, class, and (national) identity in Korean media and popular culture.
Caracteristici
Offers the first scholarly book-length study in English or Korean on the subject Korean hip hop Engages with issues related to global hip hop, Korean hip hop, K-pop, Korean identity in transnational contexts, and ethnographic methodologies Explicates the term "Hanguk hip hop" and its relation to broader issues of Korean identity and cultural production