Campus Cinephilia in Neoliberal South Korea: A Different Kind of Fun: East Asian Popular Culture
Autor Josie Jung Yeon Sohnen Limba Engleză Paperback – 18 mai 2023
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Specificații
ISBN-13: 9783030951450
ISBN-10: 3030951456
Pagini: 209
Ilustrații: XX, 209 p. 12 illus., 11 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.28 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria East Asian Popular Culture
Locul publicării:Cham, Switzerland
ISBN-10: 3030951456
Pagini: 209
Ilustrații: XX, 209 p. 12 illus., 11 illus. in color.
Dimensiuni: 148 x 210 mm
Greutate: 0.28 kg
Ediția:1st ed. 2022
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria East Asian Popular Culture
Locul publicării:Cham, Switzerland
Cuprins
Chapter 1: Introduction.- Chapter 2: A History of Youth Culture: Politics and Generations in Transition.- Chapter 3: A History of Cinepol: Film Cultures in Transition.- Chapter 4: Seoul: A Cinephile City.- Chapter 5: Privately Worldwide: Film as an Everyday Practice.- Chapter 6: The Bordwell Regime: ‘A Different Kind of Fun’.- Chapter 7: The Godard Regimen: Film Diet and Affective Cinephilia.- Chapter 8: Conclusion.
Notă biografică
Josie Jung Yeon Sohn is an independent scholar. She received her PhD in East Asian Languages and Cultures with a graduate minor in Cinema Studies from the University of Illinois at Urbana-Champaign and has taught Korean Studies at the Catholic University of Korea and Monash University, Australia.
Textul de pe ultima copertă
Taking a transnational approach to the study of film culture, this book draws on ethnographic fieldwork in a South Korean university film club to explore a cosmopolitan cinephile subculture that thrived in an ironic unevenness between the highly nationalistic mood of commercial film culture and the intense neoliberal milieu of the 2000s. As these time-poor students devoted themselves to the study of film that is unlikely to help them in the job market, they experienced what a student described as ‘a different kind of fun’, while they appreciated their voracious consumption of international art films as a very private matter at a time of unprecedented boom in the domestic film industry. This unexpectedly vibrant cosmopolitan subculture of student cinephiles in neoliberal South Korea makes the nation’s film culture more complex and interesting than a simple nationalistic affair.
Josie Jung Yeon Sohn is an independent scholar. She received her PhD in East Asian Languages and Cultures with a graduate minor in Cinema Studies from the University of Illinois at Urbana-Champaign and has taught Korean Studies at the Catholic University of Korea and Monash University, Australia.
Josie Jung Yeon Sohn is an independent scholar. She received her PhD in East Asian Languages and Cultures with a graduate minor in Cinema Studies from the University of Illinois at Urbana-Champaign and has taught Korean Studies at the Catholic University of Korea and Monash University, Australia.
Caracteristici
Draws on conversations and interviews with university film club members Explores South Korean cinephilia through an examination of the film consumption practices of young people Canvasses student enthusiasts’ tastes and appetite for local and international films