Harmony: Its Theory and Practice

Ebenezer Prout

en Limba Engleză Paperback – 30 noi 2004

CONTENTS Introduction Key, or Tonality The General Laws of Part-Writing The Diatonic Triads of the Major Key The Inversions of the Triads of a Major Key The Minor Key: Its Diatonic Triads and Their Inversions The Chord of the Dominant Seventh Key Relationship -- Modulation to Nearly Related Keys -- False Relation Unessential Discords -- Auxiliary Notes, Passing Notes, and Anticipations Unessential Discords -- Suspensions The Chord of the Dominant Ninth The Chord of the Dominant Eleventh The Chord of the Dominant Thirteenth Chromatic Triads -- The Chromatic Scale Chromatic Cords of the Seventh Chromatic Cords of the Ninth -- False Notation -- Enharmonic Modulation Chromatic Cords of the Eleventh and Thirteenth The Chord of the Augmented Sixth Pedals Harmony in Fewer and More than Four Parts Appendix A. The Ecclesiastical Modes Appendix B. The Harmonic Series

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Paperback (3)	123^.91 lei 18-23 zile
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Cambridge University Press – 7 noi 2011	464^.58 lei 6-8 săpt.

Preț

Express

Paperback (3)

123^.91 lei 18-23 zile

LIGHTNING SOURCE INC – 16 mai 2018

123^.91 lei 18-23 zile

University Press of the Pacific – 30 noi 2004

172^.63 lei 6-8 săpt.

Cambridge University Press – 7 noi 2011

464^.58 lei 6-8 săpt.

Cuprins

Preface to the first edition; Preface to the sixteenth edition; 1. Introduction; 2. Key, or tonality; 3. The general laws of part-writing; 4. The diatonic triads of the major key; 5. The diatonic triads of the major key (continued); 6. The inversions of the triads of a major key; 7. The minor key: its diatonic triads and their inversions; 8. The chord of the dominant seventh; 9. Key relationships - modulation to nearly related keys - false relations; 10. Unessential discords (I) - auxiliary notes, passing notes, and anticipation; 11. Unessential discords (II) - suspensions; 12. The chord of the dominant ninth; 13. The chord of the dominant eleventh; 14. The chord of the dominant thirteenth; 15. Chromatic triads - the chromatic scale; 16. Chromatic chords of the seventh; 17. Chromatic chords of the ninth - false notation - enharmonic modulation; 18. Chromatic chords of the eleventh and thirteenth; 19. The chord of the augmented sixth; 20. Pedals; 21. Harmony in fewer and more than four parts; Appendix A. The ecclesiastical modes; Appendix B. The harmonic series; Analytical key to the exercises in the sixteenth and subsequent editions of Harmony: Its Theory and Practice.