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He Died with His Eyes Open: Factory 1

Autor Derek Raymond Introducere de James Sallis
en Limba Engleză Paperback – 13 sep 2006
When a middle-aged alcoholic is found brutally battered to death on a roadside in West London, the case is assigned to a nameless detective sergeant, a tough-talking cynic and fearless loner from the Department of Unexplained Deaths at the Factory police station. Working from cassette tapes left behind in the dead man's property, our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn't expect is that digging for the truth will demand plenty of lying, and that the most terrible of villains will also prove to be the most attractive. In the first of six police procedurals that comprise the Factory series, Derek Raymond spins a riveting, and vividly human crime drama. Relentlessly pursuing justice for the dispossessed, his detective narrator treads where few others dare: in the darkest corners of London, a city of sin plagued by unemployment, racism and vice, and peopled by a cast of low-lifes, all utterly convincing and brought to life by Raymond's pitch-perfect dialogue.
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Specificații

ISBN-13: 9781852427962
ISBN-10: 1852427965
Pagini: 224
Dimensiuni: 128 x 196 x 18 mm
Greutate: 0.16 kg
Ediția:Main
Editura: Profile
Colecția Serpent's Tail
Locul publicării:London, United Kingdom

Notă biografică

Derek Raymond was born Robin Cook in 1931. His novels include A State of Denmark, The Crust on its Uppers, I Was Dora Suarez and How the Dead Live, which was made into a film. The son of a textile magnate, he dropped out of Eton aged sixteen and spent much of his early career among criminals and was employed at various times as a pornographer, organiser of illegal gambling, money launderer, pig-slaughterer and minicab driver. He died in London in 1994.

Recenzii

?A crackerjack of a crime novel, unafraid to face the reality of man?s and woman?s evil? Evening Standard ?A mixture of thin-lipped Chandleresque backchat and of idioms more icily subversive? Observer
A pioneer of British noir? No one has come near to matching his style or overwhelming sense of sadness? Raymond's world is uniformly sinister, his language strangely mannered. He does not strive for accuracy, but achieves an emotional truth all his own.
Cook's prose can make amazing stylistic leaps without once losing its balance? He anticipates James Ellroy and David Peace, among others, in this terrifying determination to disclose the skull beneath the skin? a supreme example of how nasty Britain actually is.