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Hearing Faith: Music as Theology in the Spanish Empire: Studies in the History of Christian Traditions, cartea 194

Autor Andrew A. Cashner
en Limba Engleză Hardback – 15 iul 2020
Hearing Faith explores the ways Roman Catholics in the seventeenth-century Spanish Empire used music to connect faith and hearing. From the Royal Chapel in Madrid to Puebla Cathedral in colonial Mexico, communities celebrated Christmas and other feasts with villancicos, a widespread genre of vernacular poetry and devotional music. A large proportion of villancico texts directly address the nature of hearing and the power of music to connect people to God. By interpreting complex and fascinating examples of “music about music” in the context of contemporary theological writing, the book shows how Spanish Catholics embodied their beliefs about music, through music itself. Listening closely to these previously undiscovered and overlooked archival sources reveals how Spanish subjects listened and why.
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Specificații

ISBN-13: 9789004414976
ISBN-10: 9004414975
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Studies in the History of Christian Traditions


Notă biografică

Andrew A. Cashner, PhD (2015, University of Chicago), is an assistant professor of music at the University of Rochester. Recipient of the American Musicological Society’s 2015 Alfred Einstein Award, he published a critical edition of Villancicos about Music in 2017.

Recenzii

“Cashner combines forensic musical and textual analysis to reveal the villancico as an unexpected site for theological discourse and in doing so opens the way for the much more comprehensive study of music as theology in the vast Spanish empire that his title invites. One is left wondering if a similar methodology applied to the unstudied repertories of music composed in and for Jesuit colleges and missions might reveal further insights into the multiple relationships between music and theology.”
Michael Noone, Boston College. In: Journal of Jesuit Studies, Vol. 8, No. 2 (2021), pp. 329–332.


Cuprins

Acknowledgments
List of Illustrations and Tables

Part 1 Listening for Faith



1 Villancicos as Musical Theology
1Singing about Singing
2Paying Attention to Villancicos
3Music about Music in the Villancico Genre
4Theological Listening in the Neoplatonic Tradition

2 Making Faith Appeal to Hearing
1“The Sense Most Easily Deceived”
2Well-Tempered Hearing
3Accommodating and Training the Ear
4Impaired Hearers, Incompetent Teachers: “Villancicos of the Deaf”
5Failures of Faithful Hearing

Part 2 Listening for Unhearable Music



3 Christ as Singer and Song (Puebla, 1657)
1“Voices of the Chapel Choir” and the “Unspeaking Word”
2Music about Music in the Voices of Puebla’s Chapel Choir
3Devotion to Christ as Singer and Song
4Establishing a Pedigree in a Lineage of Metamusical Composition
5“All Who Heard It Were Amazed”

4 Heavenly Dissonance (Montserrat, 1660s)
1Cererols and the Boys’ School Choir of Montserrat
2The “New Consonance”
3Worldly and Heavenly Music
4Genealogies of Heavenly Music
5The Problem of Perfection

5 Offering and Imitation (Zaragoza, 1650–1700)
1“Let Voices Ascend to Heaven”: From Bruna to Ambiela
2Christ as a Vihuela (Cáseda)
3Conclusions

Bibliography
Index