Henry IV, Part I
Autor William Shakespeareen Limba Engleză Paperback – 31 dec 2004
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Specificații
ISBN-13: 9781420926293
ISBN-10: 1420926292
Pagini: 92
Dimensiuni: 127 x 203 x 6 mm
Greutate: 0.11 kg
Editura: Digireads.com
Locul publicării:United States
ISBN-10: 1420926292
Pagini: 92
Dimensiuni: 127 x 203 x 6 mm
Greutate: 0.11 kg
Editura: Digireads.com
Locul publicării:United States
Descriere
Descriere de la o altă ediție sau format:
As Henry's throne is threatened by rebel forces, England is divided. The characters reflect these oppositions, with Hal and Hotspur vying for position, and Falstaff leading Hal away from his father and towards excess. During Shakespeare's lifetime Henry IV, Part I was his most reprinted play, and it remains enormously popular with theatregoers and readers. Falstaff still towers among Shakespeare's comic inventions as he did in the late 1590s. David Bevington's introduction discusses the play in both peformance and criticism from Shakespeare's time to our own, illustrating the variety of interpretations of which the text is capable. He analyses the play's richly textured language in a detailed commentary on individual words and phrases and clearly explains its historical background. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
As Henry's throne is threatened by rebel forces, England is divided. The characters reflect these oppositions, with Hal and Hotspur vying for position, and Falstaff leading Hal away from his father and towards excess. During Shakespeare's lifetime Henry IV, Part I was his most reprinted play, and it remains enormously popular with theatregoers and readers. Falstaff still towers among Shakespeare's comic inventions as he did in the late 1590s. David Bevington's introduction discusses the play in both peformance and criticism from Shakespeare's time to our own, illustrating the variety of interpretations of which the text is capable. He analyses the play's richly textured language in a detailed commentary on individual words and phrases and clearly explains its historical background. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Recenzii
`a pleasing emphasis on the plays in preformance. Both texts have very helpful notes, which contain all the supporting information a student is likely to need, presented clearly and interestingly - no small feat.' David Webb, St Martin's College, Lancaster.
`The Oxford Shakespeare is without doubt an important publishing event ... a complete rethinking of Shakespeare scholarship, textual, critical, and stage history all to be considered afresh with the aid of the most up-to-date knowledge and research resources ... a workman-like survey of most of what has been known and thought about the play up to the time of going to press' Joan Rees, University of Birmingham, Review of English Studies, Vol. 38 No. 155
`Professor Bevington has compiled in this attractively produced volume the best critical edition of Henry IV currently available' Michael G. Brennan, University of Leeds, Music and Queries
`The Oxford Shakespeare is without doubt an important publishing event ... a complete rethinking of Shakespeare scholarship, textual, critical, and stage history all to be considered afresh with the aid of the most up-to-date knowledge and research resources ... a workman-like survey of most of what has been known and thought about the play up to the time of going to press' Joan Rees, University of Birmingham, Review of English Studies, Vol. 38 No. 155
`Professor Bevington has compiled in this attractively produced volume the best critical edition of Henry IV currently available' Michael G. Brennan, University of Leeds, Music and Queries
Notă biografică
William Shakespeare (bapt. 26 April 1564 - 23 April 1616) was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "the Bard"). His extant works, including collaborations, consist of some 39 plays, 154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. They also continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Few records of Shakespeare's private life survive; this has stimulated considerable speculation about such matters as his physical appearance, his sexuality, his religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known works between 1589 and 1613.His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of his plays. The volume was prefaced with a poem by Ben Jonson, in which Jonson presciently hails Shakespeare in a now-famous quote as "not of an age, but for all time".